Saturday, October 5, 2019

1st 5 Pages Oct Workshop - Loftis

Name: Taelor Loftis
Genre: Young Adult Fantasy
Title: Veil of Sparks

She’s been saying goodbye to people and places her entire life. You’d think she would be used to it by now. She was six when she said goodbye to the idea of ever knowing her real father. She was ten when she said goodbye to her mother, their little family, and the home they had created together. Now she is eighteen, 426 miles from the only home she’s ever known, and trying not to bawl like a baby at the thought of telling her Uncle Oliver goodbye. 

Despite the tears threatening to spill from her blurry eyes, she knows it shouldn’t be that big of a deal. At some point in time everyone has to spread their wings in order to see what life has to offer them. But this is her Uncle Oliver, Ollie to her, the guy who selfishly gave up his bachelor lifestyle in order to take in a ten-year-old girl after her mom died in a tragic accident. It wasn’t that long ago, on an unusually cold spring evening, that she’d found herself sitting in the middle of a threadbare rug on his living room floor and drowning in silent, quaking sobs after her mom’s funeral. 

Ollie is the only family that she has left, and she’s about to crumble.

“Are you all right?” Ollie asks, searching her eyes for the truth they both know her words won’t say. 

“I’m…good,” she murmurs half-heartedly while flashing an even less stellar smile.  

Ollie’s sandy brow furrows as he looks down at her. She knows he instantly saw through her façade and if she wants to try to fool her uncle, then she’s going to have to step up her game. They have spent too many years living together in his tiny two-bedroom house, diligently working to put all the shattered pieces of her life—their lives—back together, for him to not know that she wasn’t sincere with her words. She scans her tired mind for anything better to say to Ollie and comes up empty. 

Ollie takes a step back, resting an arm on the rusted bedrail of his old truck. “You know, you look just like her when you get lost in your thoughts like that,” he says, his voice calm and smooth against the chatter and commotion of move-in day. A pang rattles through her chest aiming straight for her core as she becomes keenly aware that Ollie is talking about her mother. “Fiona always had that look in her eyes, like she was here but living in a world a million miles away at the same time. Your mom was a dreamer in the truest form. It was like she knew secrets that no one else knew and lived in worlds where those secrets dwelled and came to life. She was always lost in thoughts of what-ifs and what could-bes.”

His crystal blue eyes meet hers, searching the pages of her frayed and tattered soul for a truth she’s not sure even exists. She’s spent every day of the last eight years telling half-truths and bottling up so many emotions just to get through the days, that she’s not even sure if she has the ability to truthfully express how she really feels anymore. And the more she thinks about it, the more she wonders if she’s ever been able to put an honest voice to her feelings, even before her mother’s death. 

Ollie leans forward and a few sandy curls fall over his eyes. “You’re worrying about this. About all of this,” he spreads his arms wide in gesture. “You will fly, you will own this place. You’re fearless, strong, and smarter than anyone I’ve ever known, including myself — and you know how smart I am,” he quips flashing his bold smile. “You’ve got this.”  

Her eyes break from his in a last ditch effort to hold it together. She scans the goings-on around the two of them. There are hundreds of students with their parents, scurrying around amidst the messes of boxes, furniture, and other various belongings. The sound of someone’s possessions tearing through the bottom of an overfilled cardboard box and scattering across the cobblestone pavers echoes off the granite walls of the dormitory. Move-in day is in full force. 

Despite the chaos, energy, and rush of emotions abound, nobody else looks like they are about to have a full-on meltdown in the parking lot. She forces herself to return her eyes to Ollie. The sunlight glints through the strands of his soft messy curls, making him look as if he is young enough to be a student here. He is only thirty-two and very handsome in his own right. Indeed, his six-foot-two frame with slender muscular build, combined with his boy next door charms and general good guy qualities, have been the objects of many girls’ sights in the time they’ve been standing here. 

For a moment, she feels guilty for taking eight years of his prime away from him. He has had plenty of beautiful women over the years try to date him, but he has never returned the interest. To the best of her knowledge, he hasn’t had a serious relationship since he was an undergraduate student himself. She guesses having an orphaned head case of a niece living with you will do that to a guy.

“I know, Ollie, but it’s not just that,” she says, taking a moment to form the words she knows she needs to say. “I know that I am good with books and am tough enough to handle my course load,” she sucks in a breath and lets it out just as quickly. Softly, she continues, “College is actually the least of my worries.” Ollie’s gaze narrows, holding steady on hers as he listens intently. “I guess what I’m trying to get at is that I’m worried about you.”

She swallows hard against the sob rising in her throat, fixing her stormy eyes on the ground and absentmindedly toeing at some loose gravel. Ollie starts to speak but she waves him off and cuts in. “You’re the only family I have left. I know I have trouble expressing my feelings and gratitude toward you, towards anyone, really, but—I love you. I guess I’ve just hoped through the years that you somehow understood that without me ever really saying it. It’s just—hard.” She wipes at a tear threatening to break away, “Mom was the last person I ever told I loved and Mom was the last person I ever said goodbye to. I’ve said goodbye too many times in my life. I don’t want to ever say goodbye again.” Her voice cracks on the last word and she feels the dark endless well of emotions working their way up from the depths of their vault deep inside of her, threatening to consume her. 

Furious at herself for allowing tears to form, she kicks the pile of loose gravel towards the truck.

Ollie peels himself from the truck and embraces her in a giant bear hug. His arms tighten around her to the point where she finds it difficult to breathe. The soft knit fabric of his t-shirt collects the tears that escape the seams of her eyes.

12 comments:

  1. Hey, I'm Kelsey. I'm excited to dive right in, so I'm going to go for it.

    I think the first two paragraphs aren't doing you justice. It was obvious further into the pages that you fell into a more natural writing voice, which drew me in a lot more. The first paragraph specifically reads very strange to me. I was a little thrown by the use of you, and then what felt like a very pointed avoidance of your main characters name. I am not sure that avoiding just using her name is helpful here. I would go ahead and just use it in the first sentence!

    Moving past this, I was also confused for awhile about where and when we are. The genre is young adult fantasy, so while reading, I am immediately looking for hints at what this "second world" will be (as a fantasy reader, this is generally what I expect). But then we see the word dorm, and shortly after, parking lot, and it isn't until then that I realized we are probably in present day, and in our world.

    I don't think you need to dump in a lot of info, but I would take a sentence early on to establish that we are in that parking lot, on our earth, with her preparing to go to school. It really changes how everything is read if we know right away that we aren't in a second world fantasy, but one on our earth.

    Overall, I like Ollie as a character. He seems like a great guy. I also like the conflict that you're setting up about how her mother was the last person she said goodbye to. I can see how terrifying it would be that now she's saying goodbye to someone else she loves, and that she doesn't want it to be the last time either. I bet you could dig deeper into conflict!

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  2. Hi Taelor, 

    Thank you for the opportunity to read the pages! I'm Katya, one of your assigned mentors. I've enjoyed experiencing the voice of your protag. It's got a certain poetic quality to it, and it's definitely an interesting tactic not to name your protagonist straight away (I presume she gets named later though?). Just from reading this short segment from your manuscript, I've got a sense of the protagonist's inner world which is great and not always easy to achieve from the get-go.

    Now, to the critique part of the feedback. We get a lot of introspection and backstory but not enough action. It's a tough balance to hit, especially in your opening, but by not giving your reader enough of a "hook" to sink their teeth into, you're risking said reader starting to lose interest. 

    From reading the pages, I get two key things: 1) the protag's close to her uncle because of tragic family history and b) protag's about to start college. But there's also so much of other stuff and thoughts and feelings that, while definitely painting a picture, also slowing the narrative down. Your entry is labelled as fantasy, so I'd expect to see at least some tiny, little hint at the fantastical element in your early pages. Give me some of that early on, so I know what to expect and get excited about. And like another person (Kelsey) has said in a comment, ground us more in this world - where is all this happening? Is it modern world with a fantasy element? Is it a parallel universe? Give us some context, but not a lot of it not to slow down the narrative :)

    Regarding the opening paragraph: I'm torn. My first impression was: it's unique, it's got voice... But also you'd want to drop the reader right in the middle of your story, and then start fleshing out your protag a bit later..   And then what comes after it might need to be more thoroughly  revised to introduce some hint of your fantasy element to come and to give us a better sense of what kind of book this is going to be. 

    A random note: When you come to the point when you're saying she's about to say goodbye to her beloved uncle, it really sounds like he's passed away and she's saying goodbye to him forever. Having read it that way (and I acknowledge it could be my misreading it), I was a bit surprised when we ended up with the college scenario and not something sad. 

    That's all from me for now. Thank you again for allowing me to read, and I hope my feedback is of use to you. 

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    1. Hi Katya,

      I have a quick question about what you and Kelsey both pointed out concerning the protagonist's name. She isn't named here because her name occurs later on in my first chapter (not within the first 5 pages) and that name reveal is part of dialogue and an event with a protagonist. Does her name need to be addressed in the first 5 pages? Would it lend to relating better to her from the start? I'm slowly working through your suggestions and comments, but I feel like this is definitely an important one to tackle! Thanks!

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    2. I don't think you absolutely have to name her within the first 5 pages, but... it would help by making her feel like a fully fleshed out human as early as you can.

      When I first read your pages (I usually read several times before commenting), I thought it's a cool stylistic choice not to name her and wondered that maybe she won't be named at all - or until the very end - and there's a strong reason for that. But if she's to be named as part of a dialogue later on, why not do this when she's talking with her uncle?

      Just some thoughts based on my reactions to reading. I really think you've got a great, unique voice there, so whatever you do in revisions, it'll only help streamline the narrative, but the voice is already there. Hope this answer helps, but please reach out if you have any other questions, x

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  3. The excellent news is that I'm into your characters right from the start. Love the tragic protagonist and double love Ollie. What a really cool person to drop into the world right from the start. I am already worried about him getting hurt, because I like the dude so much. That's good.

    I'm a little concerned that I don't know what's happening at all in the first few paragraphs. There's no context. Feels like she could be reflecting and saying good bye to Ollie just about anywhere (that's 426 miles away from home, which also could be anywhere). I think you could frame this a bit by starting off with the situation that you've already got going later:

    She stops in her tracks. She scans the goings-on. There are hundreds of students with their parents, scurrying around amidst the messes of boxes, furniture, and other various belongings. The sound of someone’s possessions tearing through the bottom of an overfilled cardboard box and scattering across the cobblestone pavers echoes off the granite walls of the dormitory. Move-in day is in full force... But her moving day is different. She's been saying good-bye to people and places her entire life...

    In this way you can get the present action of the story surrounding the thoughts and reflections. You can get Ollie in action, too. He can put down a box. Ask what the problem is. Get them into a dialogue in the middle of something.

    The only other thing I'd say is Ollie might be too on the nose about her skills. He could be abstract. Say she's special and tough without saying too much. Not a big deal.

    In any case, I think you're onto something. Start with a drop off, a new world. Characterization is coming through, backstory that makes this situation harder. First order of business is to get the thing encased in action. Get yourself a killer first sentence and paragraph. Very excited to see what you do with this!

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    1. Hi Taelor, I'm looking forward to learning as much as I can from all of you!

      Now, let me just say that you have successfully included so much emotion between the characters that I WANT TO KNOW what's going on between them, which is not always easy to do, but I don't really get to find out myself because I'm being told everything, if that makes sense. I mean, it may be because I'm not entirely used to reading a story narrated in this way (so that's my disclaimer), but, to me, the first two paragraphs read a little like a prologue. I agree, they have really important information in them, but it's info that could be sprinkled in later on or in dialogue because it feels like there's a lot of backstory-telling here.

      You really are quite skilled in imagining and describing body language, this is something I feel I still struggle with at times, so kudos in knowing what your characters are doing and then being able to convey that on the page.

      However, to me, your body language paragraphs feel disconnected from the rest of the story, almost like stage/screenplay directions. This is just a suggestion, but I wonder if some of the actions in these body language paragraphs could be repurposed as dialogue tags to make the great detail of their movements more a part of the story.

      I'm so looking forward to seeing what you do with this for next week because you really do have a knack for writing emotion and characterization, the pieces are all there, for me, the seams are just showing a little too much. But as Ollie said, "you"ve got this". I can't wait to see what's next.

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  4. Hi Taelor! I'm a fellow mentee, and I'm excited to be reading your work. It's my sincere hope we can all help each other's first five pages be the best they can possibly be.
    Your story has a clear, concise beginning -- your MC is 18, starting college. She's in the parking lot, saying goodbye to the man who's raised her and she's not entirely sure what lies ahead. She's confident she can handle the course load, but maybe not losing the support of the one person who means so much to her, her Uncle Ollie.
    By the same token, she's aware she's growing up and out, as they say. Much of her push-pull (the push to be independent, the pull to stay home and not leave, not say good-bye, not grow up) stems from losing her mom and dad as a small child. She's essentially an orphan and the world is a bigger, scarier and bit more precarious place than it is for others her age because she's only got one person behind her, supporting her. There is some repetition of these life circumstances, in her internal thoughts and observations and generalizations.
    Her voice is clear and distinct, compared to Uncle Ollie's. Although, did I miss her name? Or is it not in these pages? It's not an issue as long as the scene's just her with Uncle Ollie. There'll probably be introductions when she meets the others on her dorm floor, yes?
    I did wonder, after reading, where the story's going from here? I'm not yet rooting for her, but I know I should be. I think that's because I get unclear messages about what she wants. There's a lot of looking backward, at the hurts of her past, but very little looking forward to her hopes and dreams -- what she wants to achieve, accomplish, by going to college. She's clearly wounded, but as a reader, I want to see a spark of how she's ready to heal, too.
    When she tells Uncle Ollie, "I'm worried about you," I wondered if this was something she says to distract herself from the reality of being an independent co-ed? Or is there something else she's genuinely worried about (the fantasy element of the story?) that I as a reader am not clued in to yet? I can't tell, not yet.
    From these five pages alone, I'd expect the story to be about her coming of age / establishing her independence in college. I would expect a story that shows how she may not totally heal from her past wounds but finds the strength to deal with them on her own.

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  5. You have introduced us to interesting characters and have brought a lot of emotion to your words here.

    I will agree with others that there is no fantasy in your ya fantasy in these first pages. If I'm in the fantasy section of my book store and pick up your book and read this first page I might be inclined to put it down. Not that it's not good contemporary start to a novel but because it's not making good on the promise of the premise. Your title as well is intriguing but I see nothing here that delivers on that title.
    Another thing that jumped out at me is that your main character is comparing saying goodbye to a dying mother as the same as saying good bye when her uncle drops her off at college. This seems rather dramatic to me. Is there another reason she is this upset about this goodbye that we don't know about yet?
    I would love to see more conflict/stakes in your revision. Something needs to happen to your main character, more so than just being dropped off at college. The rest of your backstory will come.

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  6. Hi Taelor, this is the same comment I posted earlier but I noticed i posted it as a reply, so, just to make sure I'm following the rules, I wanted to post again.

    I'm looking forward to learning as much as I can from all of you!

    Now, let me just say that you have successfully included so much emotion between the characters that I WANT TO KNOW what's going on between them, which is not always easy to do, but I don't really get to find out myself because I'm being told everything, if that makes sense. I mean, it may be because I'm not entirely used to reading a story narrated in this way (so that's my disclaimer), but, to me, the first two paragraphs read a little like a prologue. I agree, they have really important information in them, but it's info that could be sprinkled in later on or in dialogue because it feels like there's a lot of backstory-telling here.

    You really are quite skilled in imagining and describing body language, this is something I feel I still struggle with at times, so kudos in knowing what your characters are doing and then being able to convey that on the page.

    However, to me, your body language paragraphs feel disconnected from the rest of the story, almost like stage/screenplay directions. This is just a suggestion, but I wonder if some of the actions in these body language paragraphs could be repurposed as dialogue tags to make the great detail of their movements more a part of the story.

    I'm so looking forward to seeing what you do with this for next week because you really do have a knack for writing emotion and characterization, the pieces are all there, for me, the seams are just showing a little too much. But as Ollie said, "you"ve got this". I can't wait to see what's next.

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  7. Thanks for a great first week of critiques! Your comments were helpful in (hopefully) improving my pacing issues! I'm looking forward to what's next for Veil of Sparks!

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  8. Thanks to you as well! Looking forward to week 2 for all of us!

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