Sunday, September 15, 2019

1st 5 Pages Workshop - Hillman Rev 1

Name: Amy Hillman
Title: Leave
Genre: MG Parnormal


PITCH:

When yet another move takes eleven-year old Jack and his family to a hundred-year-old building in the middle of nowhere, there’s nothing to do but count oil derricks and watch the wheat grow. His parents’ quest to serve the greater good means he’s moved four times in six years. He’s even less thrilled when he discovers the monstrous building’s been everything from an asylum to an orphanage.

On move-in day Jack receives a warning from a spirit: LEAVE. The orphans who never left rush to protect him from their sworn enemy. With no living kids anywhere close, he becomes fast friends with the ghosts. Once they discover he desperately wants to live in one place, they invite him to stay—forever. 

Just one problem. The sinister spirit he’s feared from the beginning pesters him with messages of doom about his translucent pals. A few mysterious mishaps get him in trouble and leave him confused. He sets out to discover the truth, including seeking out the one spirit who scares him to his bones. Jack must decide who to trust and the reason for the hauntings before he finds himself forced to roam forever as the next child ghost.

Revision:

Chapter 1

The one-hundred-year-old building blocks out the afternoon sun like an eclipse. Dad puts the Jeep in neutral and it coasts to a stop. My cheek presses against the cool window as I inspect the monstrous building. I tug my ear buds out, letting them hang around my neck and push open the car door. Heat slaps my face. A rush of wind shoves the door back at me as if it’s shouting a warning to leave while I still can. Escaping the car becomes a vicious game of tug of war with legs that need to learn to walk again after riding in the car for the past two days. 

Dad hustles to our side to hold the door open for Mom. “Pretty neat building. Isn’t it?” He shouts above wind that roars loud enough to drown his voice to a whisper.

“For a place that’s been everything from an orphanage to an insane asylum,” I mutter a little too loud before cramming my buds into my pocket.

Mom ruffles my shaggy hair that’s the same mop water brown as hers. “Jack, where’d you get that idea?”

“From the internet.” I kick a rock toward the building and it tumbles a few feet before it stops abruptly, like it doesn’t want to get any closer. “Do we really have to live here? Why can’t I stay with Grandma and Grandpa for this round?”

Dad takes a deep breath and ignores the same question I’ve asked dozens of times since the Veterans Transition Program announced my parents would manage this facility onsite.

“Smell that fresh air.” He exhales stretching his arms up over his head exposing his belly. “And yes, we do. Come on we have lots to get done before the veterans arrive.” Tilting my head for a whiff, I don’t notice anything but sun burnt tar from the little two-lane highway and the chemical exhaust from the Jeep.

Mom side hugs me as she rests her head on mine. “Because we’re a family. And because we want you to know what it is to make a real impact in the lives of others.” She lets go of me and pops the hatch on the Jeep. “Think of this assignment as the next adventure.”

I bite back the snark from my bad mood. I want to say they can keep their impact and I’ll keep my old friends, elite soccer team and bedroom. Together, my parents walk arm and arm toward the front of the building. They disappear at the top of the cobblestone steps as if the monster swallowed them whole.     

The crumbling driveway crunches under the wheels of my overstuffed suitcase until a pothole hidden by creeping weeds bumps the case onto its side. The handle twists out of my hand causing the case to belly flop into a mud puddle. Specks of dirt splash up my leg and the side of my cargo shorts.

Tunnel vision consumes my parents and they forget to pay any attention to me, same as every other time we’ve relocated for the greater good. Neither notice I’ve quit lugging the case towards our newest home. They both scurry up and down the age worn steps as if they’re running soccer drills, unloading the last of the boxes from the Jeep. I’m in no hurry to unpack and leave the case where it landed. Instead, I count the number of windows that peer like eyes across the face of the building. Twenty-four.
The movers lower the lift on the back of the moving truck while Mom impatiently checks her phone for reception. By the look on her face and the way she scrunches her nose before shoving her phone in her back pocket, I can tell the reception stinks.

A cold sliver snakes behind my ear and causes panic to worm down my back. I whip around, expecting to find my dad playing yet another joke on me for sitting instead of unpacking. Nothing, but open wheat fields lurk behind me.

“This wind’s terrible!” Mom says passing me by, her arms loaded with green starred boxes for our new kitchen.

Dad comes up behind me. “There’s nothing to break the wind for miles.” enunciating the word miles like it’s two words. His shirt whips and twists around him forcing him to tuck it into the sweatpants cut offs he reserves for moving days.
“Come on sport, lots more to do.” He still calls me by the nickname I’ve had since kindergarten even though I’m going into the sixth grade. He flips my suitcase up right. “Shame about the mud.”

As if the weather hears our complaints, the wind rests. In the immediate still, nothing makes a sound. No chirp, no creak, nothing. The severe lack of all noise pushes my heartbeat into my ears. Complete silence is deafening when you’re used to the neighbor’s dog barking. 

“Better get to work, if we want to get unloaded anytime soon!” Dad yells. His voice booms louder than needed. “Look at that. The wind stopped.” He ties the string to his sweatpants shorts.

The over-stuffed suitcase slaps my heels with every step, forcing me to waddle like a duck to avoid scuffing my shoes. The case bangs against each slab with a gritty thump. A wheel lodges in a crack near the top and the case refuses to go any further. Leaning back, I yank with all my weight and the crack finally releases its grip. The porch catches my fall and bruises my tailbone. The case slams into the top step breaking off a wheel. A deep throated laugh echoes around me. I whip my neck back and forth to find who thinks tripping is so funny. No one’s even close to me. The movers heave boxes onto a dolly, it had to be one of them, even though none of them appear to be watching me.

A giant oak tree guards the entrance and through the half-dead branches a man watches me out of a second story window. His shape blurs and shimmers like a reflection in wavy water. The light bounces off the top of his skull only faintly covered with skin. I scramble backward, crawling like a crab and scraping my fingers on the cobblestones. I tilt my head to one side in time to watch as the fog from his breath fades from the glass. I squeeze my eyes hard. My chest heaves in short bursting huffs and I squint one eye at the window. No one’s there. I can’t shake the gutting suspicion that this place keeps the memories of those who lived here as orphans or worse—the mistreated mentally ill.

Dad whistles his way toward me. With one hand shading his eyes, he looks to where I’m gawking. One dried brown leaf on the giant oak twirls and tugs but the tree won’t free its prisoner. It acts as if it’s alive as it claws at its neighbors and scratches like folding newspaper. All of the other leaves hang motionless in the absence of the wind.

“That tree must be as about the same age as the building.”

I rub my tailbone. “I thought we were the first ones here.”

“We are. The veterans won’t arrive until next week.” He holds out his hand to help me up.

“But I swear I saw someone—"

Dad cuts me off. “No one’s here but us and the moving crew.”

14 comments:

  1. Of course- NOW I see a typo. 🤦🏻‍♀️

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  2. Hi Amy, 

    It was fun to read your pitch and revised pages! I find myself reading more and more MG lately and I'm always a sucker for a ghostly, spooky MG story :)

    I feel like your pitch is overall functional, but the second half of it is rather convoluted and can benefit from some specificity pertaining to Jack's situation and stakes. Below are my some comments which I hope will help you revise it. 

    Re the line "He’s even less thrilled when he discovers the monstrous building’s been everything from an asylum to an orphanage." I'd suggest adding "in its lifetime" in the end of this sentence or after "he discovers", e.g "He's even less thrilled when he discovers that in its lifetime the monstrous building...".  Though... I'm not 100% clear at this stage why Jack is not thrilled to discover the bit about the building's interesting history. Perhaps, it's worth adding something along the lines of "And if the building's ghostly presence is anything to go by, Jack's new home is definitely the haunted house all the horror stories have warned him about." I think that'd help solidify the book's premise from the very start. 

    The query gets rather convoluted after we learn that Jack is warned by a ghost. I feel like while I understand the meaning of the second paragraph, it can be delivered in a more coherent way. Basically, from what I understand, the building is haunted and there are ghost of orphans and also other spirits, some are benevolent and others not so much. Can you think of a way to communicate this information a bit clearer?

    I fee like the sentence "A few mysterious mishaps get him in trouble and leave him confused." doesn't really add anything as it's not specific enough and doesn't move the story further. I suggest deleting it.

    I love the idea of creepy ghost children becoming his friends in the beginning but actually being discovered as malevolent as the book progresses. I think the last paragraph of the pitch does communicate this well enough. Perhaps, more can be said about Jack finding an unexpected ally in the spirit he originally thought malevolent but who instead became his only true friend and protector from the creepy ghostly children?

    About the pages: it all reads really well! I love the voice and how snarky it is. I totally get Jack's grievance with his parents and his resulting outlook on life. I feel invested in him already. So, well  done.

    My only critique here is that there are some parts that feel a bit like filler. I think the bit between "I bite back the snark from my bad mood."  and the moment when Jacks falls down and sees the man's outline in the window can be tightened, so we get to the ghost sighting a bit sooner.

    Maybe pick 1-2 bits to build the atmosphere and delete or shorten the rest? My vote would be to keep the bit about the cold sliver on Jack's back but shorten the bit and the conversation about the wind.  But again, overall, these are good, solid pages! Well done. 

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  3. Thanks Katya! I struggled with the 200 word pitch quite a bit. My regular query is 243 and it seems to make a big difference for voice and clarity. Definitely have work to do. Thank you for volunteering your time. I appreciate all the feedback.

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  4. On the pitch, love the MG ghostly tale! I recommend taking out "there's nothing to do..." sentence because though there isn't anything around, your story isn't about being bored- rather right from the start, there are creepy elements that promise anything but boredom. Maybe start with sentence 2, say he's less than thrilled that it's "in the middle of nowhere" and history of the building, then go into the next paragraph with the warning.
    I like the 2nd paragraph, but you start the 3rd saying "just one problem" when he's just been invited to "stay forever" which is creepy in its own right! I think he's got a few problems! What are the "mysterious mishaps?" It's very generalized.

    Great job incorporating everyone's comments in your revision. I love the visualization and atmosphere you've added and really feel the setting, like the leaf that won't let go from the tree. Nice subtlely integrating details like the grade level and personalities. You've done a nice job setting up some creepy details and adding mystery, like the mysterious laugh, the wind stopping and the man watching and the foreshadowing of ghosts. Maybe just tighten a little of the first half with setting details but otherwise I think it sounds great!
    Good luck! Sounds like a great story to read with a flashlight at night. :-)

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  5. I really like how clearly the high stakes are highlighted in your pitch. I definitely could see my daughters, when they were in MG, reading this spooky story in the fall as the Halloween build up starts :)

    The opening scene sets the tone immediately for a scary mystery and I love Jack's voice and moodiness. The family comes across realistically - I could totally see your dialogue happening in real life.

    I like the way you incorporated the feedback from the first submission. Good luck!

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  6. Amy,

    Thank you for letting us review your work. Your pitch is intriguing and shows a unique paranormal problem. There are a few things I suggest modifying.

    It might help to tweak the first sentence. Take out, "there's nothing to do but count oil derricks and watch the wheat grow" and use something like, "he struggles to find a bright side of a gloomy situation." The original statement isn't needed since you wrote they were in the middle of nowhere, and it gives you some space to add to the atmosphere of the story.

    The use of the word "pester" in the last paragraph doesn't seem to fit in the sentence with "sinister" and "doom." I also suggest changing the word "forever" in the last sentence since you already use it in the second paragraph.

    Overall it is a great start. I sympathize with shortening a pitch. I find it easier to condense my pitches by underlining the items that are the gut of the story and reworking the rest to fit the length and tone.

    As for the pages, I like the way you incorporated the suggestions from the critique. The cold sliver of air is spookier than a warm one, and knowing a few more details about our MC helps the reader relate to him.
    You did a good job cutting out unnecessary items and added elements that hold the reader's attention.

    Best of luck with your manuscript.

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  7. I think the pitch here is deliciously creepy and the opening does a nice job to introduce some of that mild horror. I agree with others that you can condense the first paragraph of the pitch--right now, the first two sentences seem to emphasize his boredom, and you don't want readers going into the pitch thinking things are going to be boring. I think you could say something like, "When yet another move takes Jack to the middle of nowhere to help his parents supervise veterans in a 100 year old building, Jack doesn't expect much. But the house, which previously existed as an asylum and then orphanage, has its own surprise." Something that keeps us focused on the mystery, rather than Jack's history.

    The last paragraph was also a little dense for me. I don't know that the sinister spirit is the only problem ("just one problem")--it's more of a contradiction or dilemma for him. I don't think we need the line about his mishaps either--the difficulty knowing who to trust seems the key part here.

    I thought the pages were much clearer--I have a better sense what's going on and the overall mood is creepier. I still get tripped up a little by Jack's actions in the middle. He stops by his suitcase after it falls, but we don't know that he sits on it until he whips around, thinking his dad was playing a joke on him for sitting. Then later, in the paragraph that starts "the over-stuffed suitcase," I assume Jack is going up the stairs, but that's not clear until a wheel lodges near the top (and even then, it's never explicitly said that he's going up stairs instead of just trudging across flagstones). We get lots of great details of what he sees, but I'd like a little more on where he is physically and what he's doing.

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  8. From Lina:

    Hi Amy,

    I love how your revision has turned out, it sets the mood right from the start, and I especially enjoyed the "cold sliver snakes behind my ear"- ooh, makes me wonder if its the spirit, the man from the window, or one of the kids, now that I've read the pitch.

    The first two paragraphs of the pitch are wonderful, I have younger siblings who read novels with that same eeriness and mystery, I can see that it will work. Only in the third I stumbled a little over the mysterious mishaps that leave him confused, and I'd change the last sentence to something that's not giving away quite as much- maybe you could exchange forced with bound? With "forced" the reader already knows that by then his entire attitude towards the children has changed.

    I'm looking forward to hearing more about your novel in the future, good luck!

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  9. First off, thank you for sharing your work. It’s always brave to open yourself up to critique, but this is how a manuscript gets better. Just remember that each person’s critique is so subjective.

    On your pitch – I’m always a sucker for a good ghost story so I like the premise of this. The pitch could be tightened up a bit though and I could be wrong, but I fear it perhaps gives too much away about how the book will turn out. You want to give just enough to intrigue the reader/agent/editor but nothing that gives away the twist. I like the first paragraph, but the second and third paragraphs should be tightened. I’m guessing here, but I think the line that gives too much away is: Once they discover Jack desperately wants to live in one place, they invite him to stay—forever. I would delete this line entirely and tighten the second third paragraphs of the pitch as follows:

    On move-in day Jack receives an ominous message from a spirit: LEAVE. The orphans who never left rush to protect him from this ghost, their sworn enemy. With no living kids anywhere close, Jack becomes fast friends with these orphan ghosts.

    Just one problem. The sinister spirit he’s feared from the beginning pesters him with warnings about his translucent pals. A few mysterious mishaps get him in trouble and leave him unsure of who to trust. Now, Jack must figure out the reason for the hauntings before he finds himself forced to roam forever as the next ghost of [insert spooky name of building here, i.e. Granville Hall].

    Even if it means seeking out the one spirit who scares him to his bones.

    That way, the pitch ends on a nice ominous note.

    Good luck with this story!

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    Replies
    1. Whoops! Forgot the rest!
      On your pages –
      While there was a lot to like here, I felt as if the setting needed a bit more oomph to set the creepy tone. The word building gets repeated seven times in these pages, yet we don’t get much description of what it looks like other than it’s old. Some old buildings are maintained quite well and are gorgeous (stately), others have fallen into disrepair and dilapidation (creepy). So what’s the case with this ‘old’ building? The reader needs to be able to picture it. The description of the tree was a bit better, but we need more of that about the house. Also the house’s size – is it massive? Small? Somewhere in between? So the setting and description seemed like a missed opportunity.
      Make sure that dialogue flows naturally. The dad takes a deep breath and then ignores the question. But then he doesn’t ignore it and immediately answers it, so this seems like a contradiction. For a split second, it also wasn’t clear who ‘he’ was in the next sentence because of that. As we keep reading we figure out it’s the dad answering, but anything that confuses a reader will make them pause and take them out of the story.
      Also, be careful that action makes sense and isn’t just filler. The mom pops the trunk for some reason, but then the parents walk arm in arm up to the house – did she take anything out of the trunk? Are the parents carrying anything at all…or making a trip for nothing (seems unlikely)? If they’re not wasting a trip and carrying something, it doesn’t seem like it because that’s hard to do if you’re arm in arm. See what I’m getting at? They also presumably disappear into the house when they get to the top of the steps (swallowed up), but then Jack says: “Tunnel vision consumes my parents and they forget to pay any attention to me, same as every other time we’ve relocated for the greater good. Neither notice I’ve quit lugging the case towards our newest home.” It just seems confusing because they’re not there to notice. I guess they’ve presumably come back out of the house, but again this isn’t clear to the reader. I also wasn’t getting the connection between the sighting of the ghost in the window and the way the leaf was moving on the tree afterwards. The ghost is inside the house, the tree is outside, so this was confusing. If the ghost is moving the leaf, there isn’t a direct connection as to why.
      I know all this might seem nitpicky, but first pages really have to be tight, polished, and present your story the very best way possible so an editor or agent will want to keep reading. I’d honestly say this is a good start, but these first pages need some tightening and polishing.

      Delete
  10. Marlo,

    Thank you for this valuable insight! This is exactly the type of feedback that will make this a better story.

    Thanks again,
    Amy

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  11. Hi Amy,

    Some thoughts on your query and then also some editorial advice below:

    What does serve the greater good mean? I know it’s probably not super-important, but right now it’s really vague. Also, perhaps: He’s even less thrilled when he discovers the monstrous building was once an orphanage with a mysterious past.

    Woah. We just jumped from saying that the building was an orphanage to ghosts and sworn enemies. You have to ease into it. Perhaps something like: On move-in day, Jack receives a warning from what he thinks is a spirit: LEAVE. Jack’s suspicions are soon confirmed when he discovers that the house is indeed inhabited by ghosts…the ghosts of orphaned children. …

    Also, who is the ghosts’ enemy? The spirit that Jack heard?

    With no living kids anywhere close, he becomes fast friends with the ghosts. Once they discover he desperately wants to live in one place, they invite him to stay—forever.

    (This needs work as well. Jack soon befriends the ghosts, and since there are no other kids around…)

    Maybe delete “A few mysterious mishaps get him in trouble and leave him confused.” Unless you tell the agent what those mishaps are, it’s not important.

    EDITS:

    (Dad puts the Jeep in neutral and coasts to a stop.)

    Dad takes a deep breath and ignores the same question I’ve asked dozens of times since the Veterans Transition Program announced my parents would manage this facility onsite.

    (That’s a lot of info in one sentence. Perhaps: Dad takes a deep breath and ignores the same question I’ve asked dozens of times. See, Mom and Dad work for the Veterans Transition Program. It’s an organization that…(or something like this. I know you can do better)

    (Dad might say vets instead of veterans)

    (Would Jack describe it as an elite soccer team? Would he just say… my soccer team—the best in the county or whatever.)

    (Look at each one of your paragraphs and root out unnecessary words. Here’s an example where I cut some words:
    The crumbling driveway crunches under the wheels of my overstuffed suitcase until a pothole bumps it onto its side. The handle wrenches from my hand and the case flops into a mud puddle. Specks of dirt splash up my leg and the side of my cargo shorts.)

    My chest heaves in short bursting huffs and I squint one eye at the window. No one’s there. I can’t shake the gutting suspicion that this place keeps the memories of those who lived here as orphans or worse—the mistreated mentally ill.

    (I wouldn’t go there yet. You have a lot of time to develop the idea of who or what is haunting the place. This kind of comes out of nowhere. He needs to discover this on his own, very slowly to create tension and a sense of suspense.)

    Overall, I think you have a good story idea. Just think hard about Jack and what an eleven-year-old is like. Maybe less description and more of Jack himself: what he’s feeling and experiencing. You want kids to be able to relate to him and see the world through his eyes.

    If Jack is 11 that makes this a middle grade book. Jack sounds more YA to me. The language and voice read older. This is something you’re going to have to think hard about moving forward.

    This is a great start. Good luck with it, Amy!

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