Sunday, September 15, 2019

1st 5 Pages Sept Workshop - Baron Rev 1

Name: Angela T. Baron (A. T. Baron)
Genre: Young Adult Contemporary Supernatural
Title: Emerson’s Guide to Playing with Sand

Pitch:

Eager for lively summer fun, seventeen-year-old, Emerson wants to put Leukemia behind her. A hospital stay takes a turn for the worse when she dies. In passing, she finds herself newly employed in an afterlife corporation run by God. Under the tutelage of her mentor, Calvin, she learns the ropes of shepherding souls with the sands of life.

Emerson’s job would be child’s play if not for her potent living spirit that makes her nauseous, induces her associates to stray from Heavenly paths, and delights the devil. When she discovers that the sand can transport her to the land of the living, Emerson tries to connect with her family and friends, but it’s against policy and makes her an ideal target for Lucifer’s plans to control the company and human souls.

Seeking comfort and council from Calvin, Emerson learns that love after death is just as hard. She believes their affection for each other is keeping Calvin from his divine promotion. With some help from a saintly janitor, Emerson must let go of life, prevent a hostile takeover by the devil, and navigate feelings for Calvin if she wants their souls to climb the corporate ladder to Heaven.

Pages:

Chapter One - You Can't Have Your Cake and Eat It Too

On the last day of my hospital stay, I found my mother holding the limp hand of another me. Streaks of mascara ran down her cheeks.

“Emmie! No—” A sob choked off her plea.

I looked down at the cupcake in my fist. The chocolate cake crumbled through my fingers and fell to the sand. I tried to rub the dream-like vision from my eyes, but it remained—sand as far as I could see, and in the middle of it was me on the bed, pale and dead.

The doctor struggled to find a pulse while nurses circled like a swarm of bees around a hive.

“Mom?” I reached out to her, but a cascade of white crystals obscured my sight. “What the—” I watched the glittering particles flow over my arm and saw shimmers of what I thought was me, but from half an hour ago. The vision played out like a television rerun, but I was smack in the middle of it playing the role of myself and feeling it all over again.

Warmth bloomed inside me as the sand showered over my body. Content with the feeling, I relived my last moments.


Mom dabbed at her eyes with a tattered tissue; tiny Kleenex confetti fell to the floor.

I struggled for breath, and her eyes met mine.

“Oh, baby. How are you feeling?”

“I—”

“Don’t talk. You’re too weak.”

“Mom—”

“Your dad says, ‘Hi.’”

“Want. To. Sit up,” I managed to say.

“Oh, sure.” My mom leaned forward and pushed the button on the plastic guardrail panel. The electric motor whined as the top of the bed rose. The rest of the room came into view along with my blanketed feet and then stopped with a jerk as she released the button.

I should have been spending the warm sunny days hanging out at the beach with my best friend. Instead, I was wasting away my body and my summer laid up in a hospital bed in room 314 of St. Cajetan’s Medical Center. The sea and surf were replaced with powder blue walls and noisy monitors.

I was getting used to scenes like these. Leukemia had me coming to the hospital for treatments since middle school, but since the beginning of my junior year, my weakened body fell prey to the slightest breeze as malignant blood cells coursed through my body. This was my third visit to the hospital in as many months. The most recent predator, complications from pneumonia, consumed the last week of school and exams. I would’ve taken solving Trigonometry questions over frequent blood tests any day.

My mom was religiously by my side. She slept in the crappy lounge chair next to the bed and ate every meal with me—when I could stomach the thought. She only left my side to go to the bathroom, which I assumed was to reapply more makeup. I didn’t even know why she bothered putting on makeup at all. It wasn’t like she had anyone to impress at the hospital. I certainly couldn’t outdo her with my pasty skin, bald head, and drool dripping down my face.

“Deanna stopped by this afternoon. She left you another balloon.”

I glanced at the explosion of colors by the window. Flowers and plants from family, stuffed toys and cards from friends, and enough balloons from Dee to raise a house off the ground.

I knew they were all from her because everyone was different. She worked at Party Emporium and got a discount. On the first day in the hospital, she told me she would keep me supplied with something sweet and an interesting view. The newest balloon was round, pink, and mylar, emblazoned with the words, “It’s a girl!” Hell yeah!

“I don’t quite understand this last balloon,” my mom said as she squeezed my hand. “Is that all they had in stock?”

“No, Mom. She’s making fun of my looks.”

My mom shook her head in disgust, “That’s terrible.”

“I love her for it.”  I tried to smile, but the oxygen cannula plugged into my nose pulled on my crusty skin.

It was bad enough that I was cursed with small breasts, but losing my hair was difficult for me to deal with. Dee, being the best friend that she was, did everything in her power to cheer me up in my hours of need.

Before chemotherapy, I loved wearing my hair long and dying it different colors. It was the one thing I could control in my life. The last color I picked was “Violet Vixen.” My mom shrieked when she saw my purple head for the first time, but eventually got used to it. I enjoyed the color for a whole two weeks until I pushed my hair behind my ears, and a clump came out in my hand.

Once the rest of my hair fell out, I appeared somewhat asexual. Dee thought I should take advantage of my new guise. She dared me to sneak into the boy’s locker room at school and get a peek at the cute guys in their underwear. I chickened out, and Dee blamed it on the fact that I didn’t have the balls.

Mom left my side and walked to the window. She picked off a faded blossom from a potted plant. Her wrinkled chiffon blouse and knit leggings hung on her thin frame.

“Your dad’s going to come by later. He has to work late.” She sighed. “He wants to see you before—” She rolled the wilted bloom in her hand and never finished the statement.

“It’s okay.” I didn’t know why I said that. It wasn’t okay. I had been in the hospital for two weeks trying to regain lung capacity, but I only felt worse. The doctors said I was getting better, but my parents believed in expecting the worst; that way, they would never be disappointed. Unfortunately, my mom’s mood was dragging me down even more than cancer.

God, hospitals are so depressing! Staff rushed around trying to get as many bodily samples from patients as possible and then try to make them comfortable because that is all they can do for them. At least I had cable. I filled my waking hours with silly cartoon sound effects to cover the weeping and complaining from neighboring rooms.

A rolling computer cart entered the room, followed by the nurse. Loretta was filling the evening shift and overfilling her scrubs. She was pleasant to talk to, but I never got a lot of time to chat with her. Normally, she wheeled in her equipment, took my vitals, and wheeled herself to the next invalid.

“Hey, honey. How you feelin’ today? I heard they had chocolate puddin’ for dessert tonight.”

“I’m really not hungry.” The thought of eating hospital food didn’t appeal to me, especially when the chicken salad looked the same going in as it did coming out—either end. Lately, I satisfied myself with tropical-flavored lifesavers or the occasional bag of gummy bears if I could acquire them from my supplier.

Loretta took my temperature, checked my monitors, and pushed buttons on the computer display. She changed my intravenous bag and ran the attached tube through the monitor.

I had tubes coming from multiple places on my body. Each port left an expanding sickly purple contusion. I knew the doctors needed them to monitor my vitals and fluids, but they felt like plastic shackles that kept me from living.

18 comments:

  1. Pitch: Ooo! Good plot. Very dark and original. I'm intrigued! I'm confused about what her "potent living spirit" is though.

    Revision: The new intro is a little confusing-I wasn't sure if she was dead and "seeing her body" but the mention of the particles suggested something else going on. It's a good start to introducing the supernatural element. It made sense once I read the query (I read the revision first), but maybe fine tune it a bit. Also, be aware of how much is going on with her hands - her mom is holding her limp hand, a cupcake is crumbled in her fist and then she's rubbing her eyes (lol-I pictured cupcake crumbs all over her face!)
    Good visuals with mom and Emmie's appearances and the relationships between them and Emmie and Deanna. You did a great job with characterization and the subtle humor sprinkled in to lighten up the serious tone of the story. Love it. Good luck!

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    1. Sharon, Thanks for your critique. I have fought with the phrase, "potent living spirit" for a while. It's supposed to be a lingering "essence" of her living form, but I haven't found a way to describe it - or maybe I just did.

      I didn't notice any confusion with the hands until I read your comment. I will have to take another look at that from the readers perspective and tweak it, so it isn't so crummy. ;)

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    2. I thought that's what it was but wasn't sure. I do like your new description. It clears it up a lot, but still needs some clarifying - is it like a ghost?

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    3. Sharon,
      It's not really a ghost. Think of it as a soul with the "body odor" or "magnetism" of life still clinging to it. The MC clung to life so hard while fighting Leukemia that when she died, it stuck with her. Letting it go helps her move on later in the book.

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  2. Your pitch is well done overall but I am not sure I understand the "potent living spirit" I think you will have to make that clearer, but overall it's a nice grabby pitch.

    I think the beginning could be smoothed out a bit, but otherwise I really enjoy the premise!

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  3. Amy, thank you for your comments. I'm working on the "potent living spirit" issue. It's hard to find the right words sometimes. Although, after responding to Sharon's comment, I may have found a solution.

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  4. I really like your pitch and the whole story idea. Having a corporate bureaucracy in the afterlife is a fun (but dreadful!) concept, and you present it well. High stakes, loud and clear. You manage to put voice into the pitch which is hard to do. Nice :) I paused a bit as a reader when you said “takes a turn for the worse when she dies” - maybe use “and” instead of “when” or an em-dash? I see others have already mentioned the “potent living spirit.” I like your idea of essence in the comments or what about “living echo”?

    First 5 pages: Your revision of putting the death first really makes this clearer and lets the reader know they are not reading a contemporary novel. I like your rewrite. One suggestion is that you could intersperse some thoughts from dead Emmie into the flashback – to remind the reader dead Emmie is reliving her last moments. Maybe her thinking about how much she’s going to miss her friend, never get to kiss, not say goodbye to dad etc.
    I enjoyed reading your work, thanks for sharing it, and all the best.
    Julie

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  5. Hi! Great idea for the revision! It gets slightly confusing with the sand then crystal imagery. Maybe pick one and go with it since it's all unique and in the opening paragraphs. We want to ground the reader as much as possible despite the situation. So hard! I know.
    Another issue is the "relive last moments" because it's more than moments and since you go back farther, maybe a different term? Like as I relive the last afternoon or hours or...
    Then it's a smoother transition without the expectation she's going to die within the page. Something else that's small that I noticed (and I totally do this too)
    " me on the bed, pale and dead." Be careful of accidental rhyming. :D
    As far as the pitch! I really like the concept. It's right up my alley. The wording is a bit awkward and I think some of the other comments hit on that. I'd just ask how her going against policy makes her an ideal target for Lucifer, and what the risk is to her. The high stakes are what I'm after there. Is there a ticking clock? Let us know. And I like the romance with Calvin. I'm wondering if you can tie that in to the larger plot though, since it kind of just switches to that in the last paragraph's opening. Does that all make sense? I hope so! Best of luck!!

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    Replies
    1. Lisa,

      Thank you for your review. I agree with grounding the reader in the beginning. I feared using the word "sand" too many times, but I can probably come up with an alternate word. And also one for dead. Thank Heavens for the thesaurus.

      I like your suggestion on the time span of her recap. It is longer than moments. Perhaps I should time how long the hospital scene takes when acted out.

      I giggled at the "ticking clock" reference. An actual issue Emerson has at the corporation is that there are no clocks. She never knows what time it is, but everyone else accepts it.

      As much as I wanted to include more on a relationship with Calvin in the pitch, the word limit hurt my efforts. The pitch is a scrubbed-down version of what I have for my query letters.

      Thanks again for your input.

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  6. From Lina:

    Hi Angela,

    What an intriguing plot! Lots of good ideas, I would have expected something different after your first submission but now with all the changes you’ve made it makes more sense, however the beginning can be a bit irritating if one hasn’t started by reading the pitch, it’s quite crushing to start directly with the death aspect without any warning, just my opinion. It is lightened by the small portions of humor you inserted later on in the flashback, and it does make sense plot wise to start directly with your MCs death.

    Good luck with your story, its very promising!

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    1. Lina, thank you for your comments. I've read a few stories that start with the MC dead or dying; in fact, our guest agent's book The GHOST CHRONICLES has the MC doing just that in the first pages. I was hoping the lighthearted portions cushioned the blow. From what you wrote, it looks like they helped. Perhaps I can add more.

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  7. Angela, I love that you have added some speculative elements to the revision. I think smoothing them in a little will help. Right now the part with the sand is a little confusing when she jumps back into reality. I think "another me" needs to be explained a little more for me to grasp that there are two realities coexisting.

    Let me say that a pitch is a great place to be very concrete in your story explanations. For example: her potent living spirit that makes her nauseous, induces her associates to stray from Heavenly paths, and delights the devil. This line is very confusing to me. I would just state what it is that is making things hard, and what it means to stray from heavenly paths and delight the devil because the fact that it does those things is going to be a good indicator of the really cool story world elements in your ms. Also you have a lot of elements in play here in the pitch itself. I might focus on one. The main plot. It seems like the Calvin love story is a great secondary plot element, and can be mentioned, but for the sake of the pitch, really keep the focus on how she is going to prevent a hostile takeover and what's at stake if she doesn't.

    Best of luck to you!!

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    1. S.D., thank you for your review. I struggled with keeping my pitch within the 200-word limit. There is so much I wanted to include but couldn't. I have been reworking it since reading the comments. The primary plot is Emmie accepting death, then falling in love with Calvin, and lastly, stopping Lucifer's evil plan. I question if this ms should be listed as a romance (supernatural) or not.

      I appreciate the suggestions you gave. Thanks again for sharing your time.

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  8. I like that you get the supernatural element in a lot sooner here--there's a lot less confusion as to the kind of story we're getting. And the humor in Emerson's voice is still delightful. The transition from her death to remembering her last minutes still feels rough to me. Since you mentioned above that time is an issue for Emerson, maybe you could signal that a little here in the beginning by giving us the time of death and then the time of the previous scene? (That is, rather than trying to write a transition, treat them as different scenes but let the time signal that we're going back in time). And then of course, once she's dead, we don't get any more times.

    In the scene we get of her last moments, she seems like she's in bad shape, but not about to imminently die, which might be part of what makes the transition feel jarring.

    I thought the pitch was a lot of fun--sharply written and with the same humor as the pages. I'm struggling a little with the first couple lines (maybe because they have the same tonal difference as the first two scenes in the pages? There's such a stark difference between her life and death). I think part of my problem is that the pitch suggests Emerson wants something that's contingent on her living (summer fun, no more leukemia), and so when she dies immediately after it seems impossible for her to get what she wants. Maybe if you tweak the phrasing a little? Something like, "Seventeen-year-old Emerson just wants to be a normal teen, having a summer romance, playing in the sand [I'd love to see some kind of nod to her eternal sand that links to summer beaches, but I don't know how to do that smoothly!], and enjoying a body that isn't damaged by leukemia." Basically, set up what Emerson wants in a way that the story promises to fulfil.


    I'm also confused by the "potent living spirit" but it seems like you might have a solution for that. I also don't know why this would delight the devil? I agree with others that I'd like a better sense of the stakes, but I think the story sounds like a lot of fun.

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    1. Rosalyn, thank you for your review. Your time of death option intrigues me. I will have to consider how to include that. I also like the idea of the pitch including something about Emerson wanting to be at the beach. Multiple places in the ms connect the beach or sand to the sands of life.

      Thank you again for taking the time to help with 1st 5 Pages this month.

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  9. First off, thank you for sharing your work. It’s always brave to open yourself up to critique, but this is how a manuscript gets better. Just remember that each person’s critique is so subjective.

    On your pitch – I like the humorous tone of the pitch and the premise is intriguing with a lot of potential. As others have pointed out ‘potent living spirit’ is a bit vague. If it doesn’t give too much away, could you instead say, “potent living essence”. (I noticed in another comment how you described it as essence, so why not just say it that way?) Here’s a stab at a revision: Emerson’s job should be child’s play, but she still clings to her potent living essence. It makes her nauseous, induces her associates to stray from Heavenly paths, and delights the devil, who plans to use it for his own nefarious purposes. Not sure if all of that works with your story, but see what you think.

    On your pages – I agree with others that the beginning is confusing. It needs to be much more clear to the reader as to where this story is starting, in the past or in the present. I would start with where your character is in time right now. Even if she’s going into a flashback, the events are out of order. Try this on for size.

    I looked down at the cupcake in my fist. The chocolate cake crumbled through my fingers and fell to the sand. I tried to rub the dream-like vision from my eyes, but it remained—sand as far as I could see, and in the middle of it was me, pale and lying on the hospital bed. (not dead yet, but actually where the flashback begins).

    Warmth bloomed inside me as the sand showered over my body. Content with the feeling, I succumbed for the fifth time today [to indicate it’s happened multiple times] and relived my final moments of life.


    Mom dabbed at her eyes with a tattered tissue; tiny Kleenex confetti fell to the floor.
    I struggled for breath, and her eyes met mine.
    “Oh, baby. How are you feeling?”
    “I—”
    “Don’t talk. You’re too weak.”

    [Then continue the rest of the scene as it happens up until her death.]
    “Emmie! No—” A sob choked off her plea.

    The doctor struggled to find a pulse while nurses circled like a swarm of bees around a hive.

    “Mom?” I reached out to her, but a cascade of white crystals obscured my sight. “What the—” I watched the glittering particles flow over my arm and saw shimmers of what I thought was me, but from half an hour ago. The vision played out like a television rerun, but I was smack in the middle of it playing the role of myself and feeling it all over again.

    [Then along with the paragraph above, or perhaps incorporating part of it, you’ll need some transition to put your main character back in the story to where they are presently (dead and in the afterlife.) You could make it clear by saying something like, “I was all too happy for the flashback to end. Reliving my last moments never got any easier.” Or something like that to make it absolutely clear where they are in the story.]

    Hope this helps.
    Good luck with your writing. Remember, re-writing is when the magic happens!

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    1. Whoops! Also forgot to say, cut down on some of the hospital description (tubes and all that). It's not necessary and you really want the flashback to be super short and get us back to where the story is happening right now (the afterlife). You never want a flashback to take a reader out of the forward momentum of the plot.

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    2. Marlo,

      Thank you for taking the time to review my work and for giving such intuitive feedback. I am eager to put some of it to good use. I am so grateful for the opportunity to have input from my mentors and mentees.

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