Name: Patrick Thornton
Genre: Middle Grade, contemporary
Title: I’m Counting On You
Genre: Middle Grade, contemporary
Title: I’m Counting On You
I’m sitting on my front porch watching Stan, my best friend since kindergarten, toss a baseball in the air and snag it with his glove. The smell of freshly mowed grass is everywhere. Seventh grade is over and I should be summertime happy but . . .
Stan sits next to me, shoulder to shoulder and says, “So, you’ll be man of the house again.”
“Very funny.” Kind of funny, since I’m a girl. Maybe not funny because I get teased for being a tomboy when most of the girls my age are into makeup and boys. I know Stan is only trying to cheer me up but that’s not happening; Dad leaves today.
I get to my feet. “I gotta go.”
“Your dad’s going to be okay,” Stan says and adds, “Your mom too.”
“How do you know?” Stan looks down at his feet and wish I hadn’t said that. I put a hand on his shoulder. “Thanks for hanging.”
Stan tilts his head sideways and jerks on an imaginary noose. I don’t laugh and his face goes serious. “See ya tomorrow,” he says as I go inside.
Tomorrow.
Upstairs, I sit on the edge of my bed and try not to think about what life will be like tomorrow. The chart I made matching up the two time zones—here in Virginia and in Afghanistan where Dad will be—is on the wall. I’ll use it to know what time it is for Dad when I’m getting up in the morning or having dinner or whatever. My computer, the only one in the house, is on my desk under the chart. The rest of my room is a scatter of posters of pro ball players and sports stuff.
I set there wanting to turn my brain off. I want to put the war—what could happen to Dad, what could happen to all of us—out of my head.
“Think fast!”
I look up just in time to grab a video game case flying at me before it hits me in the chest. It’s the new Xbox game Dad and I have been waiting for.
“Nice catch.” Dad stands in my bedroom doorway wearing his National Guard uniform, all brown and green camouflage. There’s an American flag on one shoulder and his MP patch on the other. People say I’m a girl version of my dad, probably because of our dark eyes and curly hair. And I’m in pretty good shape from lots of sports. I’m hardly any version of my mom. She’s pretty and fragile. I’m not.
My bed creaks when Dad sits down next to me. “Dill,” he says.
My name is Dilla, after a great aunt I never met but everybody calls me Dill. Stan sometimes calls me Pickle. You know, because of dill pickle.
“Uh huh.” I look into Dad’s eyes.
“I know it’s hard for you when I have to be away but you’ve always stepped up and done a great job with your mom and everything.”
No, actually, I haven’t.
“Your mom is getting better but this time will be harder on her since I won’t be able to call her every day like I do when I’m in the States. Phone service might not be so good from Afghanistan. And there’s the time difference.”
And the war.
I shouldn’t bring this up again, but I do. “If I had a cell phone we could text. Mom wouldn’t have to know.”
Dad shakes his head. “No secrets from your mom.”
Mom has anxiety issues and what her therapist calls cyberphobia. Tech things, almost anything to do with computers, can trigger a panic attack. She’s okay with the land line phone but cell phones, no way.
Dad nods toward my computer—the one I had to have for school and the reason Mom seldom comes in my room. “You can email me anytime and we should be able to Skype once I get settled.” He’s quiet for a second then says, “Remind your mom that letters are on the way and I’ll call her when I can. I know you’ll look after things while I’m gone.”
Gone.
Gone can mean never coming back. I want to tell him how afraid I am about that but I don’t because I know it would start me crying. So I say, “Got it covered, Dad.”
“I know you do.” He taps a finger on the new game in my hands. “Hang onto that until I get back. Practice up so I don’t embarrass you.”
It takes some effort but I twist my mouth into a fierce grin and look up at him. “Fat chance.”
The Xbox is in the downstairs game room in a cabinet out of sight. It was a special Christmas present that Mom agreed to as long as the door to the room is closed when the cabinet is open.
Dad runs a hand gently over my hair and stands up. “Time to go.”
“Already?”
“I don’t want to have to arrest myself for being AWOL.”
Dad AWOL. As if. Dad’s a good soldier just like he’s a good policeman here in town when he’s not on duty with the Guard. He’s even got medals he wears on his dress uniforms.
As we what we call ‘The Play Room’, I duck in and open the Xbox cabinet. I know it’s stupid but I give the game Dad gave me a kiss for luck like people do with a lucky penny or a rabbit’s foot. That actually makes me feel better, like it has a little magic that will make sure Dad comes home safe. I give the game a gentle pat before I close up the cabinet.
When we get to the living room Emily is hanging on Mom begging for something and, as usual, not taking no for an answer. Emily is wearing a little pink dress that used to be mine about a hundred years ago, before Mom had her first panic attack. Probably the last dress I ever wore. Mom is smiling down at Emily’s pudgy four-year-old face. But it’s a smile that looks like it wants to be something else. Mom is wearing what she calls a sun dress with bright yellow flowers on it and no sleeves. It seems to hang on her like she lost weight overnight.
“Jennifer, you and Em about ready?” Dad calls to Mom.
Nobody’s ready, Dad.
“Let’s go.”
He puts an arm around my back and Mom slips under his other arm. As we walk out of the house Emily runs past us to the car.
The ride to the airport is a depressing. Next to me in the back seat, Emily’s talking to a new doll, sometimes wagging a finger at the thing. Dad is talking quietly to Mom in the front seat. I feel like I’m in a weird, bad dream. Kind of floating but not in a good way. Next thing I know we’re pulling into the airport parking lot.
“Dill, come on. You need to keep an eye on Emily,” Mom tells me.
Right. While Dad gathers his gear it’s my job to make sure Emily doesn’t run out in front of a taxi or a bus or something.
Inside the terminal people with suitcases are run-walking while others sprawl on chairs or the floor. The place smells like air conditioning, sweat, sugar and coffee. I wish there was a pause button like the one for the TV.
Hi Patrick,
ReplyDeleteGreat work! You've tightened nicely, and the added mowed grass works well. You've also made effective changes throughout. Details of Mom's phobia work better (I especially like mention that Dill's computer is the only one in the house and the Xbox is kept out of sight). These are strong, subtle changes to an engaging piece. I'd definitely want to learn more about what happens in Dad's absence.
Some small suggestions.
1) Here: “How do you know?” Stan looks down at his feet and wish I hadn’t said that. I put a hand on his shoulder. “Thanks for hanging.” - maybe amp up her reaction to Stan's reassurance. Perhaps team up "How do you know?" with an action or facial expression. (Note missing "I" before "wish").
2) Stan tilts his head sideways and jerks on an imaginary noose. I don’t laugh and his face goes serious. “See ya tomorrow,” he says as I go inside. You could avoid starting with I by rephrasing "When I don't laugh, Stan's face goes serious. Heading down the porch steps, he says, "See ya tomorrow." - Him leaving shows he's given up-adding to her regret.
3) Tomorrow. <- Standalone thought is problematic, reads like a heading, implying it IS tomorrow. I'd cut and go from him leaving to "Upstairs, I sit..."
4) Small additions regarding cyberphobia make a big difference, but you might shift detail about Xbox being shut away to where he first gives her the game. Then, we'd get a hint something is off BEFORE learning her mom has anxiety issues.
I'd suggest adding a description re panic attacks, where Dill says computer stuff can trigger one.
5) Spots could be trimmed by cutting extra words/phrases. Example.
ORIGINAL:“I know you do.” He taps a finger on the new game in my hands. “Hang onto that until I get back. Practice up so I don’t embarrass you.”
TIGHTER: “I know you do.” Tapping the new game, he says, “Practice up, so I don’t embarrass you when I get back.”
6) This would also benefit from trimming
ORIGINAL: When we get to the living room Emily is hanging on Mom begging for something and, as usual, not taking no for an answer....Emily is wearing a little pink dress...It seems to hang on her like she lost weight overnight.
TIGHTER: In the living room, Emily hangs on Mom begging for something, as usual, not taking no for an answer. Her pink dress used to be mine--probably the last dress I ever wore, about a hundred years ago--before Mom had her first panic attack.
Mom is smiling down at Emily, but her smile looks like it wants to be something else. She's wearing a sundress with bright yellow flowers. It hangs on her like she's lost weight overnight.
Just a suggestion, obvs, but it brings passage from 106 to 77 words, w/o losing content.
7) Perhaps reorder here:
ORIGINAL: The ride to the airport is a depressing. Next to me in the back seat, Emily’s talking to a new doll, sometimes wagging a finger at the thing. Dad is talking quietly to Mom in the front seat. I feel like I’m in a weird, bad dream. Kind of floating but not in a good way. Next thing I know we’re pulling into the airport parking lot.
TWEAKED:
The ride to the airport feels like a weird dream. Like I'm floating, but not in a good way. Next to me, Emily’s gabbing to a new doll, wagging a finger at the thing. Dad talks quietly to Mom in the front seat. Then we’re pulling into the airport parking lot.
8) A final suggested tweak:
Inside the terminal people run-walk with suitcases; others sprawl on chairs or the floor. The place smells like sweat and coffee. I wish there was a pause button like on the TV remote.
I hope these ideas--all small stuff--are helpful, and that you don't mind me making sample revisions (I find it's more expedient than describing/offering vague suggestions).
Truly engaging character/voice/situation! I'd definitely want to read more if this came in as a submission. Good luck with polishing; thanks for sharing!
All best,
Steve
These were good, solid edits. You've fixed up several of the technophobia problems, and Dills voice is very consistent. I like the story thus far.
ReplyDeleteMy suggestions are rather minor.
In the first part with Stan, there's some discrepancies. I'm fine with gallows humor, and the noose bit is nice. It's just that Stan seems to bounce from feeling sorry to making a joke to feeling sorry again all in three sentences.
A few of the italicized thoughts seems redundant to me. It seemed like you relied on font styles in a few places to draw attention when strong dialogue and action work better. The italics are fine. Some are even good or needed. But i'd consider taking a few out. That makes the ones you have even more powerful.
This could also use a good proofread and trimming. A few words were missing here and there.I'd also consider adding a few details to spice things up. The anxiety part intrigues me, and I'm sure you'd get into details about it later. I wonder if if it might be a good idea to expand on it a tiny bit early though. Phobia, for instance, implies an absolutely debilitating fear, but that can't exactly be the case here. The airport, many cars, even people all have some sort of computer with them these days. So can she not go out in public at all?
All in all, though, I like the story. The characters are intriguing and the narrator has a personality that you can see and understand. It's good.
Hi Patrick
ReplyDeleteGreat work on the revision. I like how you’ve added memories throughout and little details and memories that deepen the POV. E.g. the Christmas present, the terminal at the airport. I also like how you’ve made her age clear at the start, saying she is in seventh grade. It helps ground us straight away. It’s working well
One thing I think you could put in is some way to show the mum’s phobia, rather than tell the reader about it. I think this would be quite easy to do, eg you could have her yell at Dill for leaving the play room door open and her paranoia can show. Or have her avoid something, like a fancy new car or a lawn mower, or a toy Stan might be playing with? I just imagine her phobia would play a large part of the story and should be hinted about in these pages.
I also had a stylistic question. While I like the usage of italics for internal thoughts and emphasis, I think it works better when part of a larger thought (i.e. not standalone), and when done sparingly. I guess I just found it a little jolting, and wanted a bit more of Dill’s thoughts afterwards. This is purely subjective though.
I had some minor line edit suggestions too. Firstly, I noticed that you have two speaking in the same paragraph, which was a little confusing. Generally, if it is a different speaker, you would put it on the next line so the distinction is clear on who is speaking. So “How do you know?” would be one line, and then Stan looks down at his feet would go on the next line.
I thought the description of the room sounded a little awkward, like Dill wouldn’t really notice those things in her own room. Perhaps she would notice if one of her posters was coming down in the corner though, or if she starts thinking she wants to change the colour of her room or something.
There’s a line or two that seem a little repetitive and telling, rather than showing. I.e. “I’ll use it to know what time it is…” isn’t needed, and neither is “I give the game a gentle pat…”. We can basically understand these things from your previous sentences.
Lastly, just some really minor nit-picky things you can take or leave. Putting a hand on a shoulder seems quite an adult thing to do. And talking about being in good shape, I don’t think kids think about that until they’re much older. Spelling typos: I set should be I sit. Remove ‘a’ from ‘the airport is a depressing’. And I wondered why Dill went to the play room if she then went straight to the living room?
Nice work Patrick, can’t wait to see the last revision!
Hi Patrick,
ReplyDeleteThanks so much for sharing your work with us today! There's a lot to like here.
I really enjoy the family already. I love little siblings and complicated parents. You did a great job of letting us right into their hearts, and I am already curious to know what happens to them.
Dill has the potential to be a really compelling main character, but be careful not to make her too much of an observer. We need to see her as active in order to cheer for her...which brings me to my main question.
There are many challenges going on in this family, but I wonder what the central story question is. What is Dill's goal? What does she want? Does she want to do a good job filling in for dad? That's admirable, but not necessarily compelling to readers unless it's part of a personal conflict. Say, Dill wants something that's in direct opposition to being there for her family...like, she wants to go away to camp or become a thespian in the local theater. Something that takes her away from her family...Or, Dill is fearful of something bad happening and is expecting to fail. Basically, we need a reason to keep reading. We need you to raise a question that we MUST discover the answer to, and for that we need personal stakes and conflict.
I am just curious to know what Dill's goal and challenge are, because this story is about HER. How does she change as a character, how does she grow, what does she want? This information can be communicated to the reader in the summary of the story but we should have *some* idea of the central conflict and story Q within the first five pages.
Beyond that, I think the voice could use a little work, especially early on. This story is in present tense, and I expect the words to sound like they are coming out of a 12yo's mouth.
"I’m sitting on my front porch watching Stan, my best friend since kindergarten, toss a baseball in the air and snag it with his glove"
This is a pretty complex opening sentence that sounds a bit an adult to me. "snag" in particular. The dialogue between the friends also reads a bit older ("So, you’ll be man of the house again.” Do kids say "man of the house?"), and the noose joke does not land well with me. Are nooses ever funny, really? I'd recast that.
Perhaps try reading this aloud to see where the dialogue is halting or the sentences too complex. I'd also reference your favorite present tense MG openers to get a point of reference. I do that all the time when drafting!
You've made a lot of changes so it's natural that the voice needs some refinement and the story needs a bit of realignment...make sure you let loose and write with freedom. Let those words flow, and let us in on the central story question so that we can't wait to read more. This is a wonderful family, and readers will want to get to know them!
My best,
Melanie Conklin
First 5 mentor
Hi! Enjoyed the first five pages once again.
ReplyDeleteFirst, before I forget, I think you mean "sit," instead of "I set there." I really enjoyed the added description of the room--I think that added a lot to getting to know who Dill is.
I think my main comment is similar to Melanie's, in that I think there could be more moments in these pages where we learn about Dill in a way that's more specific than the fact that she's a Tomboy and is going to miss her dad. Maybe she has some kind of secret that she isn't telling and its tucked under her bed.
I also feel like the stakes can still be raised. If the main conflict is going to be between Dill and her mom, then maybe we could see an interaction that is more telling of what is to come than the Mom asking her to watch Emily at the end. Or maybe Dill can have a more visceral reaction to her mother's request--a thought of not just wanting to be a babysitter.
Thanks for sharing!
Emily
Hey Patrick,
ReplyDeleteI think you made a nice start in tightening these pages up. The work you did makes the pacing feel quicker and the story more polished. The other readers have made some really insightful comments, so the only thing I'd add is that I'd love to see some more interiority. It feels like Dill is doing lots of explaining, but not much experiencing. A perfect example: "The ride to the airport is depressing." I'd rather see how that actually FEELS to Dill rather than merely labeling it as "depressing."
Another example: "I sit there wanting to turn my brain off." That would be so much more effective if we were shown what's going on in her brain. As it stands, that statement merely follows a description of Dill's room. I'd look for more instances of telling rather than showing what's going on inside your character's head.
All that being said, I definitely think you're taking these pages in the right direction!
Can't wait to see the next round!
All best,
Rob