Name: London Crockett
Genre: Young Adult Fantasy
Title: The Blasphemer’s
Cypher
PITCH
Lady Margaté wants to
ruin Jinxx’s life. Not make it uncomfortable, but send the fourteen year-old seamstress
and apprentice mage begging for coins in the street. As Baroness-in-Waiting,
Margaté can do whatever she desires, and she believes Jinxx’s family is
responsible for her father’s death.
Jinxx is hired by
Margaté’s mother to make Margaté a quinceañera dress. While working in the
castle, Jinxx discovers a hidden, enciphered note. After breaking the code, she
realizes Margaté’s appetite for vengeance is worse than she imagined: Margaté
anonymously accused the local priest of molesting Jinxx.
As word of the
accusation spreads, people think the priest is innocent, but Jinxx is immoral.
The priest doesn’t believe Margaté is behind the accusation, even after Jinxx
shows him the note. Nor does a second one convince him, but Jinxx knows Margaté
isn’t going to stop at an accusation: her next step will be violent.
Reliant on crutches,
Jinxx is the worst sneak in the world and a dreadful liar. She has one
advantage: her secret magic studies. If she can learn how to cast a spell—any
spell—she might be able to prove she’s innocent and Margaté is guilty.
PAGES
Rules are important. Without them, you have
people strutting into houses of worship with hands on their sword hilts. It’s
not a rule anybody ever wrote, because everybody knows to never do it.
In the middle of community girls’ choir
practice, the temple doors slam open. An hour before siesta, the light almost
blinds. Nothing but the silhouette of a slender boy shows, his legs apart as if
trying to take up the space of both doors. Together, the doors are wide enough
you could stand three cows side-by-side in the gap. The boy hardly occupies a
sixth of it.
People don’t enter a temple like that. I doubt
you enter a tavern like that unless you want to fight somebody.
The only sound as he struts down the center
aisle is the click of his boots on the mosaic tiles. When my eyes adjust, I
gasp. Everybody does. The boy isn’t a boy. It’s a girl in pants. Women don’t
wear pants, and certainly not in temple. Her only accommodation to modestly is
a black scarf tossed over her hair. Otherwise, she looks like an idalgu freshly
dismounted from a horse.
When she gets to the base of choir stand, I
notice her sword. It’s long and…well, I don’t know much about swords. It looks
fancy and lethal. None of that matters: it’s a sword in the Temple Naserys.
Pants are shocking. A sword is an offense beyond words.
Pra Traceu rushes down the choir stand and
nearly knocks poor Hope Eternyl down. “Lady Margaté.”
Lady Margaté Sesedo Tucánrarin Dogualfse, heir
to the Barony Naserys.
He bows. Then everybody does the same, except
me. I’m sitting, because I can’t stand for a whole choir practice.
Nevertheless, I bow my head and say, “Your excellency.”
Why is she back now? I thought she’d be away
at whatever fancy academy she attends until she inherits her father’s title at
seventeen. She’s my age, fourteen.
“I’d like to join the choir.” It doesn’t sound
like a request.
“We would be honored to have you join us, your
excellency, but you’re attired inappropriately,” Pra Traceu says. “Can you come
back next week, please? We start two hours before siesta.”
Her hand goes to her hilt. She’s remarkably
fine-boned for somebody wearing a sword. Why would anybody carry a sword?
People haven’t dueled for a century. “I’ll stay today and listen. My mother
wrote me last year and told me you were bringing cantes into the temple. It’s
as dreadful an idea as the modern reforms. But she insists I
participate.”
“So you’re aware Lady Sesedo supports the choir?”
She doesn’t answer right away. Expressions
aren’t my forte, but her look is a challenge. She has no respect.
He holds her eye until she answers.
“I’m aware of my mother’s choices,” she says.
“Don’t expect that I’ll continue that support once I inherit my title. This
experiment in theological democracy ends in three years.”
“With respect, Lady Margaté, I sought Lady
Sesedo’s approval as a courtesy. I’m serve by the Deóm Siódossio’s grace, not
your family’s. Should you disapprove, you may join another faith community.
From now on, if you wish to enter the Temple, you must leave your weapons at
home.”
Pra Traceu is possibly the nicest person I’ve ever
met, so he doesn’t say this with a hint of anger, which I suspect is a feat.
I’ve just met Lady Margaté but I’ll need to pray a lot to not hate her.
Her fingers creep about her hilt, then her
hand falls away and she smiles. It’s more like a child’s drawing of a smile,
exaggerated and crooked. “We all serve under somebody else’s authority. I
wouldn’t assume reformists like the Deóm will exert theirs forever.”
He gestures towards the pew at the front of
the temple reserved for the Sesedos. “There is no authority except that of the
Lord’s, your excellency. We must return to our practice.”
As Lady Margaté unbuckles her sword belt and
sits, Promysed comes over and whispers in my ear, “Oo-la-la, Jinxx, what
a delicious scandal the Lady is.”
Promysed says things like that. I don’t even
know what “oo-la-la” means. She read it in a book and now says it all the
time.
I hide my frown and shrug. There is nothing
delicious about Lady Margaté and her scandal.
“Girls, I believe Miss Melesda and Doñita Promysed
were on the verge of a solution before our esteemed visitor arrived. Let’s
continue and see if we can get it down before we break for lemonade.”
Promysed scrambles off to work with
Melesda on figuring out how to turn the song we’re practicing into a bulería.
Going from a staid 4/4 time song to a 12/12 one with plenty of duende is
something only Melesda can work out.
“Miss Jinxx,” Pra Traceu says, coming up next
to me, “can we continue?” I adore him, but he has less rhythmic talent and
duende passion than Doñita Mouse-Mouse, the temple cat.
I nod, distracted by Lady Margaté’s stare. I
haven’t seen her since Lord Sesedo’s funeral. There’s no way she knows who I
am, but I can’t help but check on my crutches, as if instead of Pra Traceu,
she’s staring at them or my patched and threadbare dress. Perhaps she hears my
belly complain about eating nothing but some olives and a slice of bread today.
He smiles, as if he’s unaware of her menace.
“I’m certain I have it down this time. The emphasis is on the three, six,
eight, ten and twelve, right?”
“Yes. The same as all the soleás. Ready?”
He holds his hands up in front of his grin. If
enthusiasm were duende, he’s have more than the Song Thrush.
I count the beat out loud, less for him than
to distract myself from Lady Margaté. She’s clapping along with exaggerated
hand motions. She holds the emphasis beats instead of hitting them harder. My
rhythm synchronizes with her off-beat one.
“I’m sorry,” I say. “Can we start
again?”
“Of course. It appears Lady Margaté would
appreciate some instruction as well. Your excellency?”
“Has no desire to have her teach
me anything,” she hisses.
How could she know who I am?
I pull my crutches between my legs, imagining
how I’d use them to fend off her sword. I might be tiny and a cripple, but it
doesn’t mean I’m not strong.
Pra Traceu moves between us. “Let’s try again.
I’m so close to getting this.”
I nod and push myself to focus on the rhythm.
Soon, Lady Margaté’s terrible clapping mostly fades from my mind.
Ten minutes later, the rest of the choir girls
go quiet, leaving only Melesda and Promysed’s singing. Melesda’s smokey voice
does a paso doble around Promysed’s crystalline tones until they reach the
bridge. They’ve figured out how to make it work. At moments like this, the
combination of their voices is more delightful than a chess game with a kitten
in my lap.
Lady Margaté stands as if to watch the girls
sings, but picks up her sword belt. Her eyes don’t waver from mine until I
avert my gaze. She slides her sword out a few hands and takes a quick step
towards me.
When I force my eyes back to her’s, she scowls
at me like a bull threatening a fallen picador.
Melesda and Promysed finish the song and the
choir bursts into applause.
“Bravo, girls, bravo!” Pra Traceu says.