Name: Kim Crisci
Chapter One
She pulls away and mouths one word: Never.
We push open the entrance doors and step out into the courtyard, suddenly greeted by a sweet-smelling wind. The holographic sun hangs high over the dome, casting playful shadows across the ground. Today, the government wants the city to be sunny until mid-evening, then it will rain until midnight before clearing again. They advise women to wear pants instead of our standard pencil skirts. I almost never wear the skirt. I hate the way my legs chafe together.
Genre: Young Adult, Speculative Sci-fi
Title: Southpaw
Pitch:
Lydia lives in Southpaw, an underground city used solely to maintain every left-handed citizen. She grows up learning about Nevaeh, a surface paradise granted only to citizens the government considers exemplary. For the ignorant, Nevaeh is a reward for years of hard work. For others, it’s a symbol of genocide.
Lydia’s ignorance ends when she meets Seth, a twenty-one-year-old engineer who leads her to a chambered room known as The Box. She’s introduced to a group of Southpaws who reveal that left-handers are born with supernatural abilities—facts the government knowingly suppresses. When Lydia sets out to uncover why, she discovers Nevaeh isn’t paradise, but a procedure where every Southpaw is killed for their abilities, which are then given to the right-handed on the surface.
Lydia decides to join Seth’s group. But when her friend, Sarai is chosen for Nevaeh, Lydia forces herself into battle, having just twenty-four hours to save her. Knowing she can’t do it alone, Lydia must convince Seth and his friends to help. If they agree, the group will have to invade Southpaw’s most secure institution, a scenario that will test loyalties, threaten a hundred thousand lives and ultimately challenge what it means to be human.
Title: Southpaw
Pitch:
Lydia lives in Southpaw, an underground city used solely to maintain every left-handed citizen. She grows up learning about Nevaeh, a surface paradise granted only to citizens the government considers exemplary. For the ignorant, Nevaeh is a reward for years of hard work. For others, it’s a symbol of genocide.
Lydia’s ignorance ends when she meets Seth, a twenty-one-year-old engineer who leads her to a chambered room known as The Box. She’s introduced to a group of Southpaws who reveal that left-handers are born with supernatural abilities—facts the government knowingly suppresses. When Lydia sets out to uncover why, she discovers Nevaeh isn’t paradise, but a procedure where every Southpaw is killed for their abilities, which are then given to the right-handed on the surface.
Lydia decides to join Seth’s group. But when her friend, Sarai is chosen for Nevaeh, Lydia forces herself into battle, having just twenty-four hours to save her. Knowing she can’t do it alone, Lydia must convince Seth and his friends to help. If they agree, the group will have to invade Southpaw’s most secure institution, a scenario that will test loyalties, threaten a hundred thousand lives and ultimately challenge what it means to be human.
Chapter One
There’s a strong, repetitive knock against the
bedroom door. My name, spoken in haste, carries loudly over several hallway
footfalls.
“Lydia! I know you’re in
there! Open the door!”
I hear desperation in the visitor’s voice, her
panicked words mingled into the rout of others running by. She wants me to go
with her, to join the others in celebration, and believe me, I want to go, but
at the moment, I’m a little busy tearing apart my room.
“Don’t do this, Lidie! Not today!” It’s
Sarai’s voice at my door. No surprise there. “She’s going to leave without us!”
What Sarai fails to mention is that they all
leave without us eventually. The chosen are sent to Nevaeh while the rest of us
stay behind and count our minutes to freedom on a clock we can’t see.
I am a Southpaw. My fellow citizens are
Southpaws. Together, we thrive in the underground city named after us. Our
parents are Southpaws too, but they don’t live here anymore. I don’t remember
them very well. The government says they were kind-hearted people, behaved
according to our laws, showed exemplary judgement and character. So they were
chosen to live above ground, in the paradise we call Nevaeh. Technically, I was
born in Nevaeh—every Southpaw is, and if we want to return, then we must prove
ourselves worthy. The government says all we have to do is be good—whatever
that means.
“Lydia!” Sarai pounds again. “Briseis is
leaving forever! We have to go!”
I know, Sarai. I hear you. Just give me a—
I scramble over my unmade bed in search of a
treasure, one I thought I kept in the tiny desk drawer. Last year, my neighbor
Briseis and I overheard a couple girls talking about friendship bracelets, and
we decided to make our own. She crafted hers with blue seeded beads, a tribute
to the Southpaws who serve as doctors. I made mine from yellow and ivory
pieces, colors that symbolize an indecision about my future.
And I can’t find the damn bracelet anywhere.
I yank the dresser drawers and rummage through
my weekly uniforms of white, white and white. Nothing. I pull out the side
tables, becoming more frantic as Sarai grows impatient. I rip apart my bed
sheets, tossing them into the corner. Where the hell is it? Then,
as I push the mattress aside, I see a sparkle of yellow nestled behind the
frame.
“That’s it!” Sarai shouts. “I’m giving you to
the count of five.”
Bracelet in hand, I strap the school bag over
my shoulder, opening my door just as Sarai reaches three.
“I’m ready,” I say. “Let’s go.”
Sarai eyes me carefully, disapprovingly. She
steps forward, blocking me from passing. “Um.” She then gestures to her cravat
bow, tied flawlessly around her neck. “You’re missing something.”
My hand reaches for the blouse collar and
right away, I feel the bow-less space. Proper physical appearance is important
to government officials. They say it shows maturity, an appreciation of the
rules.
Groaning, I snatch the white bow from its
hanger and rush out, letting my door lock behind me. I adjust the strap on my
messenger bag and join Sarai and the stampede of other young women from my
class, all in a mad rush to get the best spot downstairs for what many believe
is a miracle in the making.
Children of Southpaw live in the Delta
dormitory, a fifty-story building nestled in the curl of our residential
district. The elevators are always crowded. But since my class lives on the
fourth floor, it doesn’t matter.
I speed walk down the stairwell with Sarai,
mindlessly twisting the bow ends into a butterfly knot. I worry little about my
appearance. If something’s out of place, my best friend will tell me. A few
others pass us on their way up, but the majority of us are rushing down, the
chatter and zeal echoing like thunder across the walls.
“I didn’t sleep a wink last night,” Sarai
says, completely giddy. “This might be the second best farewell all year.”
“Second best? Are you expecting another divine
intervention?” I ask.
“Absolutely. One of our own was chosen for
Nevaeh. Don’t tell me the thought doesn’t encourage you?”
Of course it did. Residents under eighteen
were rarely considered viable candidates. According to the doctors, the brain
isn’t fully developed until our mid-twenties, so the government can’t be sure
who’s worthy of Nevaeh until then—or so I thought.
“I hear Nevaeh candidates can have anything
they want on their last day,” I say. “Anything.”
Sarai nods. “As they should. They earned it.
If a beautiful candidate asked to spend her last hours with me, I don’t think
I’d say no.”
“I know you wouldn’t say no.”
The dorm lobby is a river of students,
carefully divided by barriers which lead from one of the elevators to the glass
entrance. Everyone is standing behind them, bouncing on the heels, waiting for
the woman of the day to arrive and make that triumphant walk to the rest of her
life.
Sarai and I scramble to find a free space in
the front, a place that comes with a lot of crowd snaking. My eyes wander to a
few familiar faces but the rest are strangers to me. Everyone comes to say
goodbye, whether you know the candidate or not.
The middle elevator door dings, opening and
there, Briseis steps out to a roaring ovation. She’s flanked by two government
escorts, both wearing the all-intimidating black with gold trim uniform.
Briseis beams at the welcoming crowd, giving a wave before tightening her
yellow bow. She’s radiant, poised in her walk, charming with her smile. A young
boy offers his hand and she shakes it, thanking him for seeing her off.
She moves down the line, offering hugs and appreciation
for the kind words. Suddenly, the crowd pushes against us like a wave, hands
reaching beyond the barriers for the briefest touch, arms smacking me from all
sides. The air fills with pungent body odor, stifling my ability to breathe and
reminding me again why I hate farewells.
But then, Briseis and I make eye contact and
her smile blooms into a grin. She hugs Sarai first, the pair promising to see
each other again someday. When she leans in to hug me, I take her hand, coyly
sliding my bracelet onto her wrist before moving into her embrace. She laughs,
covering the bracelet with her sleeve.
“Don’t forget about us,” I say into her ear.
She pulls away and mouths one word: Never.
Briseis disappears into the residential
courtyard, a trail of applause following her wake. The lobby disperses for
breakfast and Sarai and I follow. There’s an unspoken sadness that lingers
between us. Briseis is gone and although we’re happy for her, she will be
missed.
We push open the entrance doors and step out into the courtyard, suddenly greeted by a sweet-smelling wind. The holographic sun hangs high over the dome, casting playful shadows across the ground. Today, the government wants the city to be sunny until mid-evening, then it will rain until midnight before clearing again. They advise women to wear pants instead of our standard pencil skirts. I almost never wear the skirt. I hate the way my legs chafe together.
Kim, your pitch clarified a few questions I had. I'm intrigued.
ReplyDeleteYou did great in this revision.
Suspense is building as we read along. The first chapter leaves me wondering: Will they see each other again? If so, will they still be friends? But your pitch lets me know the story is heading to another direction, suspense still building: Not only is this a story with a friendship theme, but of survival. Nice piece!
I love the introduction of friendship bracelets, I know many girls who still practice this (like a ritual).
Before walking out the door, through Lydia's voice, we get a sense of her world (government), her voice, at the beginning, sounds like an unreliable one --like Breaking Stalin's Nose (which adds suspense as she discovers the truth about her government).
This line is funny: The air fills with pungent body odor, stifling my ability to breathe (made me think of a locker room)
Finally, your last line, in this revision, reads smoother than the last. Great story!
Thank you, Lisa! And thank you for your help these past few weeks. Your suggestions were extremely helpful. I'm glad to have read your work as well. Best of luck to you!
DeleteFirst, the chapter. I still really like Lydia, the MC, she feels independent, scrappy and like the kind of protagonist I'd be interested in following. That said, here are a few areas that gave me pause.
ReplyDelete1-Use of nickname "Lidie" early on. This is a little confusing as we don't know the MC well yet and this variant of her name/spelling just causes a hiccup. The names Briseis and Sarei are very exotic, whereas Lydia feels more reality-based.
2-Watch those adverbs and INGs in general! "Sarai eyes me CAREFULLY, DISAPPROVINGLY. She steps...BLOCKING me from PASSING...cravath bow, tied FLAWLESSLY..." Best-choice adjectives and active voice rule lol!
3-Per your pitch, if Southpaws actually have special powers, maybe you could subtly tip this into the readers purview --even if Lydia and her friends don't realize it -- something they see or do that seems natural to them but the reader will see as a kind of "something's up" indicator.
4-Final PP is about wearing a skirt. For this type of spec. fic. (and especially a pitch chapter), it is a good strategy to finish in a place that makes reader desperately wanting to turn the page. So, while the skirt/pants issue may be important to your internal character build, you'd probably have a stronger submission with something like "Briseas's face suddenly didn't show joy...but panic" OR "I turned around and Sarei had disappeared" -- these are just examples but you get what I mean. Hang your readers on a cliff!
PITCH
Your explanation is solid and it's clear you've got a strong sense of the world you are building. I'd be concerned about centering your pitch around Seth when there's no mention of Seth in the pages you are going to submit. Wonder if there's a way around that. Finally, while you give a strong rendition of the plot, I think it'd be helpful to prospective agents and editors to also understand the internal emotional journey your MC is going to take -- what is her deepest wish or fear? does she secretly love Seth or Sarai -- or anyone? A great MS seamlessly weaves plot, character and setting and a fabulous pitch also balances these elements of the novel. I'd weave a little more emotion into the pitch.
Good luck with a fascinating concept -- and happy writing!
Oh - meant to add apologies for being out-of-pocket last week. Lost power and internet during the snowstorms and got behind!
ReplyDeleteNot a problem. Thank you for reviewing my work! You were my only mentor, so please know I greatly appreciate the time and commentary you were able to provide. You've made me a better author and I cannot thank you enough. :)
DeleteKim, you are such a talented writer, and I've praised this each week so I'm going to skip a lot of that and get to the meat of the pitch and pages (but you know I love this lol).
ReplyDeletePitch: Immediately, I ask if there is another society for right-handed citizens, or if they already live in Nevaeh. This needs to be addressed or, preferably, I might remove the detail about left-handers altogether.
The line: "Lydia’s ignorance ends when she meets Seth, a twenty-one-year-old engineer who leads her to a chambered room known as The Box. She’s introduced to..." The part about the chambered room should be cut so it is "twenty-one-year-old engineer who introduces her to..." This is smoother and saves space.
The last line where it says, "and ultimately challenge what it means to be human" is a bit too vague. I would re-phrase to something more specific to the novel.
Pages: I really liked these, so I have little to critique here! In the beginning with the paragraph about being a Southpaw, I would cut the couple of sentences there and just say, "Living in the underground city of Southpaw..." because anything more slows down the narrative and you don't want that early on.
I would echo sentiment about adverbs, which is definitely something that I myself also struggle with.
The final thing, having read the pitch, is that we get no sense of anyone having powers and since she's wades into a large crowd, something is bound to come up. Perhaps have her notice something that is odd in passing, or noting something different about the atmosphere.
Otherwise, just know you are a talented writer and please please please keep writing. I can't wait to see you published one day :)
Ah, George, you're too kind. I'm going to miss talking to you each week. Please know your suggestions and insight were invaluable to me. Having read your work, I think I learned a couple things about the writing craft that will undoubtedly propel me forward. Thank you for all you've given me.
DeleteHi Kim,
ReplyDeleteYou are playing with such an interesting concept with this! Your pitch really makes me intrigued (especially that last sentence - shivers). It does vaguely reminds me of some of the controversy around "Blood Heir" but with handedness being the divide between the groups in your book. I would wonder if you could draw on any of the PR and consequently interest that was generated around that release when you query (ie with your comp titles, or possibly agent research), but at the same time, suspect a certain level of caution is advised since it could be a delicate balance. Best of luck!
Hi Jenn! Thank you for your helpful advice these past few weeks (and thank you for informing me about Blood Heir!). You've helped me craft my story for the better and I'm thankful to have met you and your novel. I wish you the best of luck and will keep an eye out on any of your future publications. ;)
DeleteHi Kim!
ReplyDeleteFirst let me say this is a really intriguing world you've created! It reminds me a bit of Logan's Run (a 70s sci-fi movie based on a book) with Southpaws thinking Neveah (love how it's heaven backwards!) is heaven, when it's really death. I think your pitch conveys the interest, but this is a bit flat:
But when her friend, Sarai is chosen for Nevaeh, Lydia forces herself into battle, having just twenty-four hours to save her. Knowing she can’t do it alone, Lydia must convince Seth and his friends to help. If they agree, the group will have to invade Southpaw’s most secure institution, a scenario that will test loyalties, threaten a hundred thousand lives and ultimately challenge what it means to be human.
Try to interject some danger, excitement, to it. Now for the pages! The intro felt a bit explainy to me, and pulled me out of the story since it didn't feel natural. For example, Lydia knows it's her friend at the door, so why is she saying the voice, etc. - just say my best friend....
This also could be conveyed much more naturally than:
I am a Southpaw. My fellow citizens are Southpaws. Together, we thrive in the underground city named after us. Our parents are Southpaws too, but they don’t live here anymore. I don’t remember them very well. The government says they were kind-hearted people, behaved according to our laws, showed exemplary judgement and character. So they were chosen to live above ground, in the paradise we call Nevaeh. Technically, I was born in Nevaeh—every Southpaw is, and if we want to return, then we must prove ourselves worthy. The government says all we have to do is be good—whatever that means.
Just by saying something like: I can't wait for the day I'm chosen for Nevaeh, the day I'm reunited with my family. Will they even recognize me after x years? How will I find them? There's no one to even ask, those who leave here never return. You convey the same information in a more natural way. Another spot like that is the Soutpaws live... paragraph. Look for ways to make the story more active, with less telling, and you'll hook the reader!
Your descriptions are very clear and visual, which is great, and I love the poignant lines you have, that really pack a punch - like: while the rest of us stay behind and count our minutes to freedom on a clock we can’t see. Lydia is also a great character - strong, spunky, and a devoted friend. Overall I think this is the beginning of a very interesting story with high stakes, and you've started in the perfect place (not easy to do!) so great job!
Hi Erin! Thank you so much for giving me your feedback and suggestions! You've given me so much to work with. Thank you thank you thank you!
DeleteAhhhh! You know Logan's Run! I love that book. Movie's pretty good too.(I have a weakness for young Michael York :D ) It's funny you mention it. I had wanted to use Logan's Run as a comparative title, but was told not to because the book might be considered too old. I have newer works to compare in my query, but I'm torn. You never forget your first sci-fi love, especially when the work feels relative to your own.
I'm so happy you found it helpful, Kim! I do think it's probably too old to mention - but maybe when Jordan comments you could ask her? (And I loved Logans Run, too!!!)
DeleteHi! I can tell you put a lot of effort into your revisions, and I really love the details we get in the pitch. I think a lot of the details like the friendship bracelet now feel more vivid, although I agree with the others that the line beinging with "I am a southpaw" reads a little bit clunky compared to the rest of the really great voice you have going on.
ReplyDeleteI think the pitch itself does a great job summing up the story concisely, which is always a challenge with SFF.
Nicely done!
Thank you for your help Carrie! You've been instrumental in my growth as an author. I'm appreciative of the time you've given me. :)
Delete