Name: Larysia Woropay
Genre: Young Adult Paranormal
Title: Extrasensory
Genre: Young Adult Paranormal
Title: Extrasensory
Quinn opened her eyes,
greeted by the still of night. She didn’t need to look at the clock to know it
was 3 a.m. The Devil’s Hour.
Visitors are coming.
The teenager stood,
hairs rising on the back of her neck. Her toes curled into the carpet as the
shiver raced down to her soles. She rubbed her bare arms, textured with
gooseflesh.
An explosive pounding
resounded through the modest bungalow. Quinn started. It was the front door.
But she could feel in her gut the unwelcome company behind it.
She pulled on a baggy
oversized sweater and slid into her slippers and made her way into the hallway.
Her mother stood in a robe outside her bedroom across the hall. They locked
eyes, twin gray mirrors reflecting back at each other.
“You were up before they
knocked.” Maria stated between urgent raps. Her daughter nodded. “Me too. Let’s
go.” She wrapped the robe tighter. “Together, now.” And so they stood side by
side as they walked to the front door, the cry of a baby and the frantic
reassuring cooing of a mother on the other side.
“Maria! Maria, please!”
The woman cried. “Wake up!”
“Guard yourself, Quinn.”
Her mother warned.
“I know.” The teen
steeled herself. “It’s out there.”
Quinn recognized the
visitor’s voice. The woman had been here before. She was back for only one
reason. Whatever was in her house was still there and had finally made a move
for the baby.
Maria opened the door,
front porch light revealing Ms. Harker and her little girl, Emily. Ms. Harker’s
face was red, her eyes puffy from the tears that streaked her cheeks. Emily’s
face wasn’t much better as her tiny fingers grabbed at her mother’s shirt.
Wide-eyed relief graced Ms. Harker at Maria’s forced smile. “Oh, Maria! Thank
God!”
“Diana.” Maria dipped
her head before looking at the child. “And Emily! Come in, come in. You two.”
The shadows seemed to flicker behind the pair.
Quinn swallowed, stomach
sinking.
“… and nothing more.”
Maria opened the screen door, muttering to the rustling blackness. The shadows
flinched and receded from Ms. Harker’s feet as she crossed the threshold. Maria
shut the door, staring down what couldn’t be seen. “Quinn, love, put on a pot of
coffee. Warm up some milk for Emily, too.”
“It hurt her!” Ms.
Harker cradled her daughter closer. Emily nestled into her mother’s bird’s nest
of strawberry blond hair, quietly sobbing. “The blessing only made it angrier!”
“To the couch.” Maria
led them into the living room as Quinn went to the kitchen to do as she was
told. “Sit, sit.”
Ms. Harker sat, not
releasing her grip on Emily. Her eyes darted. The woman didn’t have a shred of
sixth sense, but she had all the others. Something triggered a primal fear in
her. Instinct took over. Protect the child, it told her; something comes for
her. This something wasn’t tangible. It couldn’t be fought by any normal means.
She was powerless and that was what horrified her the most.
“It’s okay, Diana.”
Maria said slowly. “It can’t come in. Not here, not my home.”
Ms. Harker’s shoulders
softened but not her embrace. The woman shook her head, leaning back into the
plush blue microfiber couch.
The scent of coffee
promising to fill cups in short order began to permeate the air. Quinn grabbed
a carton of milk and a pot, ignoring the window over the sink, its curtains
wide open. As soon as her mother closed the door, she could feel the thing
circling the house, trying to sneak in. At last, it stopped moving. Outside
that pane of glass.
Quinn wouldn’t close the
curtains.
She would show it no
fear.
Instead, she turned a
burner on, preparing the soothing warm milk.
“What happened?” Maria’s
voice carried from the other room.
“It was like any other
day after the priest left. But then it started again.” Ms. Harker began. “Just
… nothing big. The knocking. The scratches. I ignored it. Didn’t give it
attention, like you said. Even though it got closer and closer to us each time.”
“In threes?”
“Yes, always in threes.”
Of course, in threes. Mocking the trinity. The
words, cool and airy, were only those attuned to the dead could hear. A ghost
stood beside Quinn, and although she couldn’t see him, she could certainly hear
his Voice.
Quinn bit her lower lip
to suppress a shiver. The nip of pain made her rigid. The thing eavesdropping
outside liked that they were talking about it. She’d give it no more pleasure.
Instead, she stirred the pot.
“Emily was scared. I
kept her beside me the entire day. I did my best to pretend it wasn’t there
until it got dark. Then it was like … something was moving out of the corner of
my eye. It had antlers and was hunched over. Like a beast. Watching me. In the
kitchen. In the bathroom. Down the hall. Always just out of my sight.”
“You saw as much as it
wanted you to.” Quinn blurted out while preparing a tray of sugar, cream, and
mugs.
Ms. Harker stalled,
frozen as the dawning revelation of the statement sank in.
Maria’s brow furrowed.
“Quinn. Let Diana finish.”
“Sorry,” the teen
muttered. The warm milk was ready. She poured it in a small cup and padded into
the living room with it on top of the tray. The coffee would be a few minutes
still.
“I put Emily to bed and
stayed in the nursery with her. I blocked the door. Kept my back to it. I knew
it was standing behind me. I could hear it breathe. Then, I felt it. By my
ear.” Ms. Harker took in a sharp breath, fighting back tears. “I heard … I
heard it growl ‘mine’ and Emily started shrieking.”
Quinn placed the tray
down on the table between the women and picked up the cup of milk to hand to
the shaken young mother.
“Look at what it did to
her!” Ms. Harker broke down as she lifted her child’s top. Three thick red
scratches ran down the child’s side.
Quinn gasped. If the
teen didn’t come from a long line of mediums and didn’t know the culprit was
outside, she’d have called social services on this loony woman hurting this
child. This woman obsessed with an evil entity, blaming her actions on it.
Anyone would have her put away. Which is what it would have wanted, leaving the
child alone and scared away from the one person who believed something more
sinister was at hand. “It branded her.”
Ms. Harker’s mouth fell
open.
“Quinn!”
“W-what branded her?”
Ms. Harker sputtered. “What?”
“She should know what she’s up against, mom.” Quinn said firmly.
“Quinn, calm down.” Her mother stressed.
The exchange irritated
Ms. Harker. She glared at Maria. “When my friends said you were a reliable
psychic, I trusted them. They said you were legitimate, that you knew what this
impossible thing I was dealing with was! I thought you said whatever it was
wasn’t strong enough. That it was a weak energy. What are you keeping from me?”
Maria gave her a solemn
look. “For your trust, I am grateful. Diana, please realize that we didn’t want
you frightened. It feeds on fear.”
For the opening sentences, I would shuffle the order to something more like this, as your 3rd paragraph grabbed my attention the most!
ReplyDelete(Quinn opened her eyes, greeted by the still of night. The teenager stood, hairs rising on the back of her neck. Her toes curled into the carpet as the shiver raced down to her soles. She rubbed her bare arms, textured with gooseflesh.
Visitors are coming.
She didn’t need to look at the clock to know it was 3 a.m. The Devil’s Hour.
An explosive pounding from the front door resounded through the modest bungalow. Quinn flinched, she could feel in her gut the unwelcome company behind it.)
When she pulls on her sweater and slippers and goes into the hall, it's too many 'ands'! Fix to something like this: She pulled on a baggy oversized sweater as she slid into her slippers and made her way into the hallway.
Continuing on, I think tightening up your dialogue will help make it a stronger opening, there's a lot of dialogue and sometimes it gets a little confusing trying to follow it all between the three people talking. I would say try to get rid of some of the dialogue and show what's happening in your words instead. Hopefully that makes sense?
It seems like it is starting in the right spot action-wise, which is good!
This comment has been removed by the author.
DeleteHi Larysia! Oooh paranormal!! LOVE this genre!
ReplyDeleteJust a suggestion for this paragraph:
— Of course, in threes. Mocking the trinity. The words, cool and airy, were only those attuned to the dead could hear. A ghost stood beside Quinn, and although she couldn’t see him, she could certainly hear his Voice. —
I think you should rearrange it. Something like this:
— Although she couldn’t see him, Quinn could hear the voice of a ghost now standing beside her. Of course, in threes. Mocking the trinity. His words, cool and airy, were only those attuned to the dead could hear. —
This paragraph is really great, too:
— Quinn gasped. If the teen didn’t come from a long line of mediums and didn’t know the culprit was outside, she’d have called social services on this loony woman hurting this child. This woman obsessed with an evil entity, blaming her actions on it. Anyone would have her put away. Which is what it would have wanted, leaving the child alone and scared away from the one person who believed something more sinister was at hand. “It branded her.” —
but I think could also use some rearranging to help separate the necessary (and well-placed!) back story from the impact of the present:
— Quinn gasped. “It branded her.”
If the teen didn’t come from a long line of mediums and didn’t know the culprit was outside, she’d have called social services on this loony woman hurting this child. This woman obsessed with an evil entity, blaming her actions on it. Anyone would have her put away. Which is what it would have wanted, leaving the child alone and scared away from the one person who believed something more sinister was at hand. —
Then, maybe to separate Ms. Harker’s reaction to Quinn’s words from the back story bit, do a bit more of a transition, something like:
— At Quinn’s words, Ms. Harker’s mouth fell open. —
Overall, I think this is a really, really strong opening! The tone is perfect, the creep factor is DEFINITELY there… well done! :)
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ReplyDeleteHi Larysia,
ReplyDeleteI made comments this morning that I thought published, but realized now that they're gone.
Overall, I really enjoyed your piece and thought that your opening was strong.
I recall being a bit confused about the child with Ms. Harker -- is she a baby or a little girl?
I really liked the part where Quinn says, "It branded her," and everyone's reaction to that.
You captured the tension and the dialogue well. I wanted to continue reading at the end. Great job!
Michelle
Thanks for submitting your pages Larysia. I like the story idea here: a frantic mother trying to protect her child, the daughter who seems to have some sort of ability to sense demons or ghosts...
ReplyDeleteYou can certainly write, but I feel these scenes need to be thought-through a little more. Perhaps slow down a bit.
Calling Quinn “the teen” throughout is unnecessary. Just call her Quinn.
You have some really nice turns of phrase throughout:
Her toes curled into the carpet as the shiver raced down to her soles.
They locked eyes, twin gray mirrors reflecting back at each other.
This bit of dialogue is good:
“Then it was like … something was moving out of the corner of my eye. It had antlers and was hunched over. Like a beast. Watching me. In the kitchen. In the bathroom. Down the hall. Always just out of my sight.”
That sounds like the way a person really talks. But there are a few instances that took me out of the story. I don’t know if anyone else has mentioned this but starting a story with opening one’s eyes is a bit of a cliché. Perhaps there is a better way to start: Quinn glanced at the clock. 3 am. The Devil’s Hour.
Baggy and oversized are kind of the same thing.
“Maria! Maria, please!” The woman (on the other side of the door) cried. “Wake up!”
Make sure you’re making good use of paragraph and dialogue breaks. You want the rhythm of reading to feel effortless.
Ms. Harker sat, not releasing her grip on Emily. Her eyes darted. The woman didn’t have a shred of sixth sense, but she had all the others. Something triggered a primal fear in her. Instinct took over. Protect the child, it told her; something comes for her. This something wasn’t tangible. It couldn’t be fought by any normal means. She was powerless and that was what horrified her the most.
(Make sure this is seen through Quinn’s eyes. If not, it feels like we have switched point of view.)
So, overall, good job. It certainly seems like a creepy story. Just take your time and let the dread factor rise slowly. You really want to pull readers in, and giving them too much too soon, loses tension.
Thanks.
Hey Larysia,
ReplyDeleteThe first line can be improved on but 'The Devil's Hour' hooked me. From the part 'Quinn started...' - those sentences can be merged together, and try to use more active vocie in description.
The 'guard yourself' part definitely made me curious. I love the whole exchange between mother & daughter. I like the line where Maria said "not my home,"because it raises questions. Why not her house? Did she have a power to stop these demons?
The sentences from 'Quinn wouldn't close the curtains' can be put together. Maybe you could also add why she senses them and not others? I got confused at the part where a ghost stood next to her. Was the ghost always there at home?
Although I don't really read paranormal, you had me hooked! It was definitely a good opening and I love how it ended.
-Dawn
Hi Larysia!
ReplyDeleteI really love the premise here! As Ron said, I think you are trying to give us too much in these 5 pages. Remember, the main reason a person keeps reading is because of a character. It isn’t plot or premise. At the end of these 5 pages, I don’t know much about Quinn. What makes her tick? What does she long for? Who does she care about? Take a look at the first 5 pages of Reign of the Fallen, by one of our mentors, Sarah Glenn Marsh, and Caravel, by Stephanie Garber (both are free to read on Amazon, if you click look inside). In those we have an interesting set up, with a sliver of back story – enough for us to know something is at stake (Caravel, the sisters tried to escape before, and something bad happened, in Reign, Evander’s mother is against their courtship, and it’s unusual for the royals to be late for the rising of the dead), we have an idea of the personality of the characters, and what they care about. In Caravel, Scarlett cares about her sister, in Reign, Sparrow cares about Evander.
Now if we read your pages, you have a great premise. You are a very good writer. Your descriptions are lovely (like Ron, I really love the gray moons, the curling toes, so lyrical!), and you’ve done a great job with the tension – we know something dangerous is coming! But because we don’t have any context, it isn’t scary. If a monster came and snatched Quinn and her mom, it wouldn’t be scary since we don’t know them. Too often writers hear start with action! But action with no context just makes a reader confused. You want to start right before the inciting incident (usually!), but right before can be a few scenes, and many pages, in which we get to know the characters. Is the inciting incident when the monster comes outside the door, on this night? If so, start earlier. Show us a bit of Quinn and her mom, so we see the relationship. Sliver in the backstory – they’re worried about Maria and the baby. Show us the ritual of warding, for they fear the monster . . . let us get to know Quinn and her mom. Then, when what they fear happens – Diana comes flying to the door, a monster behind her, we are worried and afraid!
It could also be the inciting incident is when Diana comes to ask for help the first time. Are Quinn and her mom outcasts – but Diana is desperate? Are they revered in this community? Is this a community in which people believe in spirits – the friends Diana mentions? Think about your story, and when the turning point is for Quinn. When something is about to change. Then think about how it changes her. As Ron advised, take your time. Give us a character we care about. I look forward to reading next week!
Larysia
ReplyDeleteYou have a good, active opening here. You're throwing us into the middle of an unfolding situation (what's been happening with Emily) and that works well. I really like your concept, and I'm definitely intrigued.
You've got four characters introduced very quickly, and that can be confusing, especially when it's two daughters and two mothers. I'd strongly suggest thinking of some way to rework this so we get a sense of Quinn & her mom before the others arrive. The trick is to do that while maintaining an active opening scene!
I wouldn't refer to Quinn as "the teen" if this is YA. I write both YA and adult, and as soon as I hit that, I wondered if I was reading an adult novel and Mom was really the protagonist. Especially when Mom's referred to by her first name. In YA, that typically suggests a teen has an unusual parent/child relationship (if they think of Mom as Maria)
Make sure you're varying your sentence structure. You use the same structure for most sentences (starting with noun/pronoun/subject) and it gives the writing a choppy feel. That's easily fixed, though!