Name: Elisha Jachetti
Genre: YA Fantasy
Title: Concordia
Pitch:
Concordia is the land of peace, or so Quinn Reeve thought. When an intruder with piercing blue eyes infiltrates the castle, everything Quinn has grown up believing comes crashing down.
This incident sets off a series of strange events, including the King’s order to send Quinn’s sister, McKenna, on an expedition into the mountains, a mission equivalent to a death sentence. To save her sister, Quinn starts digging into the King’s motivations and enlists the help of the other person who knows the truth behind Concordia’s dark history, the intruder. She soon learns that the safe, anti-technology, non-magical world around her is merely an illusion, and the depths of deceit extend much farther than she ever could have imagined. With time running out, if Quinn does not act fact, her world and everyone she loves could be lost forever.
2nd Revision – 1st 5 Pages:
“Do you think you could ever kill someone?” My best friend Harper Hadley asks me, lounging back in the deep green grass that matches her emerald eyes. It’s become tradition to visit the gardens during our breaks.
“Why? Are you mad at Josef?” I tease. Josef’s the first boy she’s dated for more than a month. She says she loves him, but then again, she always says that.
“I mean for work, Quinn. Could you kill someone if it meant protecting the King?”
I shoot her a sideways glance. Though I’m used to her odd questions and incessant curiosity, I’ve never appreciated the trouble that tends to follow. My first taste of it was when we were seven, and she got us sent to an all-girls school because she thought it was funny to pee in the boy’s bathroom. I was the lookout, but after we were repeatedly caught, it was clear I wasn’t very good at it.
“It’s Concordia,” I shrug. “And it’s not like we carry weapons.” Harper rolls her eyes and launches into a lecture about being unprepared. When she finishes, she peers back at the castle, her auburn hair falling in pieces over her shoulders. I follow her gaze. The teal domes and spires pierce the sky, dripping gold over the extravagant balconies and arcades. The castle somehow gets more beautiful every time I look at it, especially when the sun is setting.
I wonder if people had castles back then in 2103, right before the Dividing War and the natural disasters that changed everything. I know they were technologically advanced societies, but supposedly that was part of the problem. Perhaps, they forgot how happy exquisite architecture could make a person, or more likely, maybe they just forgot to look.
As I am admiring the castle, the butterflies and bees floating around me seem to pause in anticipation, as if they have been alerted of a shift in the air. All of a sudden, the warning drums come hard and fast, their unusual presence startling me.
Harper raises one eyebrow. “I guess we’re finally doing that practice drill.” She mumbles as we both get up, brushing grass off our uniforms.
“First time Josef was right about something.” I laugh, amazed at the prospect. He gave us secret intel last week that the higher-ups wanted to test out emergency protocol. I never thought it’d actually happen.
We take our time walking down to the central hallway, but from the distance, I can hear the shout of someone giving orders. It takes me a few seconds to realize the voice belongs to Sergeant Greyson. Though I can’t make out much of what he is saying, there is one phrase he keeps repeating. “Find the intruder.”
As we get closer, Josef and other Sentry guards come barreling down the hallway. It’s so odd to see people running that I stop in place and gawk.
“Earth to Quinn.” Harper waves her hand in front of my face, forcing my pupils to refocus. Josef’s standing next to her now, but the other guards have disappeared around the corner. I blink, while she stares at me impatiently, strong and confident. “Did you hear anything Josef just said?”
I shake my head, causing Harper to relay the story so fast, her words blur together. “Someone broke in, and the only guards who maybe saw his face are unconscious at the front door.”
“That’s the drill narrative?” I ask, but before they can answer, a big crash from the end of the hallway causes me to jump. Two clumsy Sentry guards have attacked each other, probably thinking the other was the fugitive. When they start rolling around on the ground, still unaware of who they actually tackled, Harper curses.
“Let’s go,” she whispers to both of us.
The once low din raises in volume until we’re right in the roaring thick of it. Maids and servants are rushing towards the guest corridors, carrying random odds and ends that together serve no purpose. Sentry members are organizing. Or attempting to. Even the head chef has made a rare appearance, wielding a baguette as both a shield and a poking device, a look of determination etched in his face. I have never seen so much chaos.
I’m considering what to do, when a brilliant idea occurs to me. I drag Harper and Josef through the crowd and to the back staircase. Not many people know about this hidden gem. Harper and I found it one day when we were exploring the castle. She thought the only way we could truly protect the Royal Family from any problems would be if we became navigational experts of this place. I made fun of her.
I reach up and tug on the familiar knot in the wall, moving the panel slightly to the side. The three of us slither through to the stairs, a secret passageway that can take us directly to any floor of the castle. I gulp in air as all has suddenly gone still around us. It’s quite the contrast to the swirling pool of people right outside.
“The King is on the third floor, which is where most of the Sentry went.” Josef shares.
“There’s a lot of them on the first floor too.” I manage to croak out. My throat is sticky as if I’ve just swallowed a mouthful of silver sap. While the rational part of my brain knows this is a drill, the other part isn’t convinced.
“Quinn and I can cover the top floors.” Harper declares. “Josef, you can take the basement.” He nods, and in less time than it takes to lose a salamander, he disappears to the lower levels.
Harper and I begin climbing the stairs, two at a time. “You want the fourth floor or the roof?” She asks me.
“We’re splitting up?” I question, my surprise causing me to momentarily slow my pace. Harper and I do everything together.
“Yeah. That way one of us will get him.”
I nod deliberately. Makes sense, I guess. “I’ll take the roof.” I decide. The roof is dangerous on its own, and though Harper won’t admit it, she’s afraid of heights.
Irrational thoughts that this could be real come sneaking in, but why on Earth would somebody break the peace now? And for what purpose? I think of my training from when I first joined the Sentry. It was brief and left much to be desired. I guess I never minded until today.
Harper starts to chuckle. “Woah, you need to relax. Your face is as red as the Crest.” She shakes her head, opening up the wall on the fourth floor. “I’ll see you when we’ve got him,” Harper winks, and with that, she’s gone.
When I reach my exit, I step through the passageway to the only enclosed space on the roof. My muscles tense in expectation of finding the “intruder” on the other side. In the daytime, this room is not a great place for hiding as the walls are made entirely of glass. Had it been two hours later though, I would be standing in complete darkness.
There’s no one here, except for a few clunky pieces of mahogany furniture. A desk is jutted up against the wall with a red velvet chair tucked underneath, a matching sofa sits directly across from it with a short, bookstand to the right, and a tall, imposing, wardrobe in the back. The light falling through the windows illuminates the glossy sheen of the woodwork.
The King visits this room by himself sometimes. I know, because occasionally his guards are stationed outside of it. I guess the King likes mahogany. Or perhaps hates it, since he sent all this furniture up here where no one can see it.
I approach the wardrobe first, bracing myself as I fling the doors open.
Hi, Elisha!
ReplyDeletePitch:
The mention of piercing blue eyes threw me. Why does his eye color matter? Your pitch has very limited space, I'd take it out. It raises questions that you don't have space to answer.
"the depths of deceit extend much farther than she ever could have imagined" and "With time running out, if Quinn does not act fact, her world and everyone she loves could be lost forever" are quite generic. You can basically plug them in into any YA Fantasy and they will work. You need to give us details. What deceit? Why is time running out? What's going to happen to Quinn's loved ones?
Pages:
I'm glad you gave Quinn more agency and that she's the one who thinks of the back door. Her reaction is on point, and she no longer comes across as an unglued mess. I like that.
The only issue I had here was with overabundance of pastoral descriptions. The bees and butterflies took it a bit far imho. Also, I'm not sure we need a history lesson here. The scene functions quite well without it. If anything, you're cluttering a great, exciting opening scene with backstory we don't yet need.
Best of luck!
Hey, Elisha!
ReplyDeleteI've very much enjoyed watching this opening scene grow. I have a few comments on the body of the story below--this time they're more on the picky side for the sake of tightening things up--(as an editor, I can't help myself *smiley face*) and then I'll dig into the pitch portion.
It’s become tradition to visit the gardens during our breaks. --This comes across as a little bit of telling that seems to slow the scene. Is it necessary to point this out? I think it could be easily incorporated in the early line that this is taking place during their break.
Josef’s the first boy she’s dated for more than a month. She says she loves him, but then again, she always says that.--This is telling that is, IMHO, done well. I like it because of the second line. It introduces character of both Harper and Quinn. So, not all "telling" is "bad," but here's an example of why I think it sometimes works. There are other cases in the story when the telling seems unnecessary, though. I've pointed out some of that below. Just comb through the whole story for examples like these when you're tightening. :)
I was the lookout, but after we were repeatedly caught, it was clear I wasn’t very good at it. --This seems to slow the pace, it comes across as a little bit of an info dump that I'm not sure I need right now. I might rather see her being a terrible lookout later if it's important. Consider deleting.
I know they were technologically advanced societies, but supposedly that was part of the problem. Perhaps, they forgot how happy exquisite architecture could make a person, or more likely, maybe they just forgot to look. -- This seems to slow the pacing a bit, too. Is this information that can be sprinkled in as the story progresses rather than now?
*As I am admiring the castle,* the butterflies and bees floating around me seem to pause *in anticipation,* as if they have been alerted of a shift in the air. *All of a sudden,* the warning drums come hard and fast, their unusual presence startling me. -- Sometimes extraneous words slow the pacing of a scene. One thing that could be done in this last sweep over is to delete any phrases that don't really add to the meaning of the sentences. Here's an example of what I mean above: the phrases between asterisks are considered unneeded. Read it through without them and see if you like how it flows.
“First time Josef was right about something.” I laugh, amazed at the prospect. He gave us secret intel last week that the higher-ups wanted to test out emergency protocol. I never thought it’d actually happen. -- another example of avoiding telling and tightening instead. The above could be changed to something like this: “First time Josef's secret intel proved right.” I laugh, amazed at the prospect. (It says the same thing in fewer words.)
Two clumsy Sentry guards have attacked each other, probably thinking the other was the fugitive. --I'm dying to know how they attack and what kind of fighting is used in a weaponless society. Could this be shown in a little more detail? :)
I’m considering what to do, when a brilliant idea occurs to me. --This is telling. The rest of the paragraph shows this. Consider deleting this line.
She thought the only way we could truly protect the Royal Family from any problems would be if we became navigational experts of this place. I made fun of her. -- Info dump that slows the pacing. Consider deleting.
So, as you can see, I simply highlighted a few times that I think some info dumps/telling got in the way. Read through and see if you agree with my suggestions and revise the way you think fits the story best. :)
Now for the pitch. :)
ReplyDeleteConcordia is the land of peace, or so Quinn Reeve thought. (Nice opener, it introduces the character and the problem.) When an intruder with piercing blue eyes (instead of the blue eyes, what is the intruder after? When an intruder who wants to kill the king, for example, is much more story-stakes specific) infiltrates the castle, everything Quinn has grown up believing (specifically what? Everything she believes about peace? About the outside world? Set up the story problem Quinn will be facing here) comes crashing down.
This incident sets off a series of strange events, including the King’s order to send Quinn’s sister, McKenna, on an expedition into the mountains, (why?) a mission equivalent to a death sentence (nice!). To save her sister, Quinn starts digging into the King’s motivations and enlists the help of the other person who knows the truth behind Concordia’s dark history, the intruder. (NICE!) She soon learns that the safe, anti¬technology, non-magical world around her is merely an illusion (cool premise), and the depths of deceit extend much farther (further) than she ever could have imagined. With time running out, (why is time running out? This is important info in the query) if Quinn does not act fact (fast/ same notion as time running out; consider deleting), her world and everyone she loves could be lost forever (unless she does what to save/stop it? AND, what about doing that would be hard/impossible for her).
I think you have a great start for a pitch here. Some very intriguing things in this story world are coming to light that you have done a nice job of introducing in these opening pages as well! My suggestion is to get a bit more specific on story stakes in this pitch portion. Great job!
Pages: I think the sequence of events is done well now, it's a very active beginning. I don't feel like the backstory about past technology helps add anything here. I loved the visual detail of the chef brandishing a baguette like a weapon, and would love more details like that of the chaos. I feel like there are a lot of extra words you could cut. Like less time than it takes to lose a salamander, or the surprise and thoughts after the question "We're splitting up?" which is a question that can stand on it's own.
ReplyDeleteAs far as adding, I still think as you trim out the "extras" you can try to add in a little more of Quinn as a character. For example, instead of randomly admiring castles and butterflies, perhaps she has a favorite something --reading spot, flower, animal. Or some unique perspective--you could even throw in a bit of the backstory, in a less obtrusive way--like "gazed up at the bell-tower--our one and only means of mass communication, that replaced all the old-tech machines that had destroyed the lives of our ancestors." If that's something she'd muse upon. You know your character better than I, so just give us a few more hints about where her head and heart are at.
Pitch: I feel like the illusion of Quinn's world and the conflict with the outside world are key to the story. The intruder seems to unlock this secret, so I'd hope to learn more about the intruder than simply his eye color. There's no need to mention a "series of strange events." If they are worth mentioning, you should be specific. Cutting right to Quinn's sister's deadly quest gets to Quinn's motivation.
I also have thoughts about how this query makes it sound like the sister (with a mission) and the intruder (with the truth) are the ones who direct the action and Quinn is just along for the ride. Think about your book and what it is that Quinn can claim as her goal and mission and why. If her sister hadn't been sent on the mission, would she have ever gotten involved, or would she have been able to continue life as before?
Hey Elisha,
ReplyDeleteI agree with Lana about the eye color in the pitch, I don't really think it's necessary. However, I do love that you've highlighted Quinn's world very well and the outside forces that will take place. Bravo.
The pages I love. The butterflies thing worked for me, but like one said, the "all of a sudden" can be replaced. I struggled with not using those phrases for a looooong time. I really like this revision. As a reader, I think I'd like a little more detail about the chaos going on around them but other than that it's fabulous! Good luck!
Pitch: I agree with the previous comments about the eyes and giving us something more pertinent. I'd just add that when you say. "everything Quinn has grown up believing comes crashing down." I'm not sure this adds a lot in the sense that we already know from line one that this is a place of peace and the intruder changes that. It just seems cliche rather than getting to how it changes her life specifically.
ReplyDeleteThis incident sets off a series of strange events . . .
These words are unnecessary. When the King sens Quinn's sister, McKenna, on an expedition into the mountains (Give us a why: to find the intruder? because it needs to be something that follows the logical plot), the mission is equivalent to a death sentence. To save her sister, Quinn starts digging into the King’s motivations and enlists the help of the (ONLY other person: make him unique) other person who knows the truth behind Concordia’s dark history, the intruder.
I like the fact that we're in a kind of fake world like The Island--love that movie--and that there is magic and technology. Try to avoid the cliche phrases and really focus on what makes your protagonist the only one qualified to save this world and her sister. And make the stakes more specific rather than 'save the world' type of phrases. We cringe a lot more at the intruder turned lover who will be eviscerated in addition to the sister who will be chained to the dragon as a slave, and the peasants who don't even know they're about to be squashed by tank-like machina.
PAGES:
. . . after we were repeatedly caught, it was clear I wasn’t very good at it. [How does she feel about this? Just a sprinkle of emotion.]
I'd take some time to add a touch of emotion to everything. And avoid distancing language like, "I wonder if . . ."
Not much more to add to the other comments. I think you've got something really great here!
Heather
@HeatherCashman
Pitch:
ReplyDeleteI loved these lines in your pitch: “To save her sister, Quinn starts digging into the King’s motivations and enlists the help of the other person who knows the truth behind Concordia’s dark history, the intruder. She soon learns that the safe, anti¬-technology, non-magical world around her is merely an illusion” (but what does this mean to Quinn?)
Your stakes are present but they are also vague. You could cut the depths of deceit line. Why is time running out? Does she have a certain amount of time to succeed? What happens if she doesn’t in that amount of time that means she failed? In the next line Fact should be Fast, I think. Along with that though, be more specific, what does Quinn have to do to succeed before time runs out, what is in her way? Who will be lost that is of significance to Quinn and how will their deaths affect her?
I also think you could cut out “the piercing blue eyes” line and move your second paragraph up so it reads: When an intruder infiltrates the castle, the King orders to Quinn’s sister, McKenna, on an expedition into the mountains, a mission equivalent to a death sentence. To save her, Quinn…”
Along with that, I think we need to know what the purpose of this expedition into the mountain has.
You are so on the right path with your pitch, it just has some repetition and needs more specifics to get us really caring about and understanding her struggle.
Pages:
Your pages have improved quite a bit. I love, love , LOVE the twist that it is sometime AFTER 2013 and there are castles and zero technology. I’m so glad you gave us this because I feel much more interested now just knowing the time period and that it was so different than what I had imagined. I think you could tighten that up a bit though so it’s not an info/history dump just by having Quinn say “It’s been the land of piece since (whatever date that war ended). You could just end it there, no further explanation needed.
I’m not sure either way on the bees but I like that you are willing to try new things! I do think you should delete phrases such as: “As I am admiring the castle” and “I wonder is people…” these types of telling phrases seem really out of place in your otherwise awesome opening!
I will back up Ms. Grimm’s suggestions. She really knows what she’s talking about and has explained it so much better than I. Make no mistake, I really enjoy your story and feel totally invested in it! You’ve done fine work pulling us all into it.
To everyone, I thank you. Your opinions on what works and doesn't work, even when the author doesn't agree, is what makes this workshop so special. We have had the chance to get so much feedback regarding that in such a short amount of time, its just amazing! It's taken out a lot of guesswork and I am so grateful! Thank you all again. I would say good luck to us all with our work but we don't need it. We are making our own luck. We are writers, we just need an audience.
ReplyDelete