Sunday, October 16, 2016

1st 5 Pages October Workshop - Milton Rev 2

Name: Michelle B. Milton
Genre: YA Gothic Dystopian
Title: Trigger Warning
 
[PITCH]
 
Killdeer Saskatchewan sits on the blurring American/Canadian border, transformed over the decades from a little farming community to a diseased industrial city.

The Fletcher’s, industrial leaders in metal made products, run Killdeer with two other families: the Harts and the Quinns. These three families once struggled for control over the city, until the night of a horrific murder that Brooke Fletcher and sole Hart survivor, Victoria, narrowly escaped.

Nearly twelve years after that horrific night, sixteen-year-old Brooke is still harassed by the ghost of the youngest Hart child, Leo, who was once her closest friend. When an old flame tries to kill Brooke and is found dead the next morning, Brooke begins to receive texts from a non-government sanctioned cell number. Then, a strange boy moves into the Hart house with Victoria, and Victoria begins to act very erratically. When Brooke begins to uncover new evidence in the Hart house, she begins to question whether or not the real orchestrators of these heinous crimes had been caught.

In order to survive in the shadow of a civil war, Brooke must uncover the city’s best kept secrets, as childhood friends threaten to return from the dead.
 

[CHAPTER 1]
 
<i>Killdeer, Saskatchewan<i/>
 
<i>5:00PM<i/>
 
I was often visited by Leo Hart, even long after his funeral.

It was the last day before exams, and according to the clock on my cell Leo had been dead for 11 years, 344 days, 4 minutes.

A thick layer of smog had sunk down, and the last light of the sun filtered through the trunks of long dead quaking aspens, boxing in my birthday party. I stood by the lake, shivering and feeling sorry for myself. Micah said this would be ‘a year of firsts’; I had suffered enough firsts already; first broken bone, first F on a test, first dead body, and worse, first heartbreak.

The deep red lake lapped gently against my shoes. In front of me, cherubic Leo lay face up in the water. Red-gold sunlight flickered on his brown arms, like I was looking at him through a slatted door.

In the blink of an eye, the lake became the green kitchen. Blood streamed from two cavities in Leo’s chest, feeding into pools of blood on the checkered tile. He turned his head towards me and opened his mouth in silent question, his every breath a loud gurgle. Leo started crawling towards me, leaving a slow bloody trail streaking behind him. I didn’t take my eyes off him, my heart pounding. He had never reached me before; but this time he might.

As he struggled closer, the air grew cold. I watched as his hands moved from olive to lime tile as he pulled himself towards me. I didn’t move, except when risking small,

controlled,

breaths.

“Hey!”

The icy air dispersed. The green kitchen turned to pebbles and rotted logs. Leo was gone; there was nothing but the viscous water and the rocky bank of Copper Lake Park. I rubbed the goosebumps on my arms.
 
“I’m talking to you, Brooke. I’m starting to think you really are just my lame cousin.”
 
Beside me, Micah squinted at the lake in the dying light. He’d mastered the art of looking purposefully disheveled; and paired with the distressed jeans and the acoustic at his feet, Micah fit the part of working class Romeo perfectly, though he’d never worked a day in his life. In this light, his skin practically glowed, a look I certainly didn’t inherit from the family.

Back when we were five, Micah was inseparable from Leo, even more than I was. I never had the courage to ask him if he ever saw Leo too.

Micah sat on a nearby log.

“Come here,” he said, and I joined him. “Look around! I delivered. This will be the best party of the year; just make sure people remember it’s yours, not mine. Do something interesting.”

He swept his arm theatrically towards the party. My terror was replaced with shame.

Last week I’d begged him to help me out, and in exchange, I ghost wrote his now infamous A grade essay ‘Breaking the Final Chains of British Rule: Pharmakon’s Emancipation of Canada’. I had wanted this party <i>that<i/> bad.

And Micah had delivered. The speakers on the beach were finally pumping out music from the deep archives. Illegal bonfires were erupting all over the lakeside. Ten cases of soda, twenty cases of non-alcoholic champagne, seven cases of non-alcoholic beer… and the opportunity to get Riichi Cole alone!

This party was secret, exclusive, and well worth the risk of terrorist attacks. And as for the authorities, any academy classmates who blabbed would be discarded from Micah’s social life.

But despite all this, I wasn’t in the mood. And not just because the police crashed the party an hour ago, and I had to bribe them, or that Leo was forcing me into rigged games of red light green light: I’d recently learned that perfect, kissable Columbina Adams didn’t want me around if I didn’t put out. Nothing about our relationship was right. I ended things; then she stopped coming to school.

Micah’s ‘can do’ attitude fizzled out as we sat in silence. Maybe Columbina was right: I was impossible to please.

“I need to say something.” Micah rubbed both his hands on his face. “Things aren’t good between Bean and me. It’s our three-year anniversary–  I haven’t heard from her in two days– and I can’t believe she’s missing your party!”

My eyes watered.

“Maybe she got lost,” I shrugged.

I pulled my cell phone from my pocket and texted Riichi, casually wiping the edges of my eyes:

<i>*Are you here yet? *<i/>

Between Leo and Columbina, the Chairman should change my name to Waterworks.
 
“Let’s just enjoy your party, okay?” Micah said, punching my shoulder gently. He had zero clue that Columbina was my first everything. I forced a smile.

“I don’t know. Tonight’s sucking hard: you promised no supervision.” I said, pointing to Executioner Hart, sitting just past the furthest bonfire.

The twenty-three-year-old sat in the dark, illuminated by the light of her cellphone. She was never in a party mood; someone from the city council must have forced her to babysit Micah and I. She wasn’t even bothering to keep an eye on us, but the police stationed around the park certainly were.

Micah rolled his eyes; “I’m not the one who told Riichi I outsourced my essay. I bet you he’s the one who told your granny-”

“The Chairman,” I corrected, “and I doubt it.” Riichi was terrified of the Chairman ever since he came over to study that one time.

“Whatever- the police knew where to find us. Riichi’s a rat: he’s dead to me.”

Text Message from: RIICHI COLE

<i>*On the dock. What’s up? If its about Micah, you know how serious I am about being Valedictorian. There can only be one; hashtag sorry. *<i/>
 
Micah put his hands on my shoulders as he normally did when he was going to impart some piece of useless wisdom.

“Listen,” he said in an undertone, “there’s a blind spot in their surveillance at the shed. Have fun tonight. Please.”

“Ok,” I said. Micah gave me an over-enthusiastic high-five.

I quickly spotted Riichi skipping rocks on the surface of the lake. Micah would makeup with him within the week. I replied:

<i>*There’s a shed on the other side of the lake. Meet me there ASAP. *<i/>
 
“Yeah virgin, go to the shed with someone gross so you have a chance.”
 
It was the first time we’d heard her voice in days, and it sounded off.

Columbina stood in front of us, arms crossed over a black sequined party dress, with a smoke and ash eye shadow that left me uncomfortably aware of her eyes. She was wearing black! She always wore bright colours; she said dark colours were only to be worn at funerals.
 
“Bean!” Micah said, getting up. “I was getting worried!”

“Don’t touch me,” Columbina pushed him away when he tried hugging her. “Who were you texting, Brooke?”

“I’m glad you made it,” I evaded, hopeful I could smooth things over.

“No you’re not,” she said sharply. She then gave Micah a passionate kiss, glancing up to make sure I was looking.

I really hated her.

Text Message from: RIICHI COLE

<i>*I’ll be there. *<i/>

I could hardly look at her. I stood up, anxious to leave.

“I’m going to take a walk. You’re not invited.”

“We’ll be here!” Micah said, kissing Columbina again.

Columbina avoided him, looking back at the dock. Large air bubbles jostled the water as I turned away.
 
Eat shit, Columbina Adams.

13 comments:

  1. Hi Michelle!

    (Pitch)

    Awesome detail about the 'blurring' border. That paints a really interesting picture, filled with possible conflicts and tension.

    I'm not 100% sure about the second paragraph. There are five new names introduced, which overwhelmed me a bit. Since that para is mainly backstory--that doesn't seem to be mentioned in the first 5 pages--maybe either cut it, or weave one or two details into the paragraphs that follow?

    Totally get that Victoria is important, because she's the only Hart survivor, but I don't really feel a connection to her yet. Could you maybe mention one detail about her to help the reader invest in her a little more? Maybe that she's Brooke's childhood enemy or competition or something?

    Really love the line about being 'harassed by the ghost.' I wouldn't include Leo's name though. Since there are already several names in the pitch, and his name isn't mentioned again. It doesn't seem necessary to include it.

    Ooo, is Columbina the old flame??? Very intriguing. Is the old flame's death in any way related/similar to the Hart deaths? I might would mention that, if it is...bring things full-circle.

    Nice job weaving in the dystopian-vibe with the 'non-government sanctioned cell number.'

    Could you be a little more specific with the 'new evidence' she discovers? An extra detail/hint would hook the reader a bit more.

    Really love the last line/paragraph. It fits nicely here and could also stand alone--as a shortened version of the pitch. My only nit-picky thing, would be to give us just a tiny bit more about the 'city's best kept secrets' in order to really dig the hook in. ;)


    (Pages)

    I'm not sure why I didn't put it together before, but I really like the detail of the specific number of days/minutes the cell notes that Leo has been dead. Gives us a subtle and interesting glimpse into the world.

    I would hyphenate 'long-dead' so that it doesn't read quite like a list.

    Really like the description of Micah. Excellent job showing us who he is and simultaneously weaving in world-building.

    The line about the drinks/Riichi seem too far removed from the line about what Micah delivered. I had to go back and re-read that para to see how it fit together.

    Wonderful line about Columbina being right. It does a great job of showing us her and Brooke's personalities.

    Nice work on your revisions!

    *high fives*

    ReplyDelete
    Replies
    1. Hey Karen,

      I’ll keep in mind what you said about the pitch- I’ve never really written one before so this was hard. I can see how too much exposition/vagueness can kill interest in the story, so I’ll have to find the happy medium.

      Thanks for the comment!

      Delete
  2. Hi Michelle! Here are my comments:

    Pitch:

    I like the bones of the story here as well as the hints of atmosphere. Sounds like a really cool set up in this crumbling industrial city and three warring families. I am intrigued!

    I do think your pitch could be doing more work for you. The first few sentences/paragraphs are a bit too much exposition. I think you should start immediately with Brooke – does the story pick up years later after the “horrific night?” If so, that’s where we should meet Brooke as well. We need to hear first about where Brooke is now, then what happens thatkind of leads to this old mystery being unraveled.

    Also remember that your pitch should not be weighed down with backstory – it’s okay to be a bit vague and allude to these events, for example, as something like a “dark, violent past” of the town. In YA it’s also extremely important that the character takes center stage in the pitch, so the query should be in a way from her point of view (not in first person, necessarily, but giving us a view of the story as she will experience it). I should also have a vague sense of what kind of person Brooke is from reading the pitch. I’m not sure I’m getting that just yet here! So I suggest thinking about the story as Brooke's story, rather than the story of the world when writing the query and see how that helps you.

    Pages:
    Again, atmosphere is really one of the strengths here. I think you have a great eye for visual detail and establishing mood.

    I got confused by the number of characters introduced in the first few pages. I am a fan of introducing characters slowly, and so many characters to keep track of in these 5 pages made me feel overwhelmed. I would suggest choosing your selected 1 or 2 to have Brooke interact with in the first scene – it will be a much easier invitation into the world and will help us to settle in with Brooke much more quickly.

    I have to confess I’m not a big fan of a “dream” opening. Even though Brooke is daydreaming here! This is a personal preference for me as an agent, I suppose, but I think you can start this story off a bit stronger. I love your opening line, though. So perhaps have Brooke interacting with Micah, but something reminds her of Leo, or perhaps she thinks she sees him a bit later on in the chapter, so we can get the lay of the land first and understand where her head is through her conversation. I feel like it’s all right to have her mind wander, but the vision/dramatic switch of scenery, etc, to me felt a little heavy handed here for so early on.

    I loved all the little world building hints you sprinkled throughout, like the threat of a terrorist attack or the involvement of city council to keep Micah and Brooke chaperoned. It’s great that you have teenage characters still acting like teenagers (having a party) within this world, rather than having them act unusual just because of their circumstances. That is a huge success!

    You mention that the party had been broken up by police. That seems like it might be a more impactful scene to start with rather than picking up this chapter after. You could also bring in more detail about the world by having the authorities raid the party. I might suggest including that in the first five pages – potentially after Brooke’s conversation with Micah. Just a thought.

    Really great work – some minor changes here will take you a long way. Thanks for the chance to read!

    ReplyDelete
    Replies
    1. Hi Shannon!

      Writing the pitch was kind of scary, so thank you for all the advice; I’m definitely taking all that you said into account!

      I think my main issue with my revision is that I’m trying to introduce too much in this scene. In fact, this is technically the first half of the chapter, and I’m starting to think this should be split into almost three separate scenes, which will give each character a large enough cameo for the story to not feel rushed. As for the opening, I didn’t intend Leo’s scene to be a dream but more of something that straddled between reality/imagination. I’ll make sure to give more clues. Nevertheless, the dream opening is a total cliché, so I understand!

      I’m still struggling with the police being there. I dropped in a line about how Brooke bribed the police (to keep the party going) in this latest draft, but that’s as far as I could go given the word count. I might have to draw that out a little more- I feel like bribery might be a nice problem to have Brooke and Micah overcome together right off the bat. As you can imagine, they’re going to turn on each other pretty fast.

      Thanks again for the critique! I’ll keep all that you said in mind as I’m writing my next revision!

      Delete
  3. Hi Michelle! Here are my comments:

    Pitch:

    I like the bones of the story here as well as the hints of atmosphere. Sounds like a really cool set up in this crumbling industrial city and three warring families. I am intrigued!

    I do think your pitch could be doing more work for you. The first few sentences/paragraphs are a bit too much exposition. I think you should start immediately with Brooke – does the story pick up years later after the “horrific night?” If so, that’s where we should meet Brooke as well. We need to hear first about where Brooke is now, then what happens thatkind of leads to this old mystery being unraveled.

    Also remember that your pitch should not be weighed down with backstory – it’s okay to be a bit vague and allude to these events, for example, as something like a “dark, violent past” of the town. In YA it’s also extremely important that the character takes center stage in the pitch, so the query should be in a way from her point of view (not in first person, necessarily, but giving us a view of the story as she will experience it). I should also have a vague sense of what kind of person Brooke is from reading the pitch. I’m not sure I’m getting that just yet here! So I suggest thinking about the story as Brooke's story, rather than the story of the world when writing the query and see how that helps you.

    Pages:
    Again, atmosphere is really one of the strengths here. I think you have a great eye for visual detail and establishing mood.

    I got confused by the number of characters introduced in the first few pages. I am a fan of introducing characters slowly, and so many characters to keep track of in these 5 pages made me feel overwhelmed. I would suggest choosing your selected 1 or 2 to have Brooke interact with in the first scene – it will be a much easier invitation into the world and will help us to settle in with Brooke much more quickly.

    I have to confess I’m not a big fan of a “dream” opening. Even though Brooke is daydreaming here! This is a personal preference for me as an agent, I suppose, but I think you can start this story off a bit stronger. I love your opening line, though. So perhaps have Brooke interacting with Micah, but something reminds her of Leo, or perhaps she thinks she sees him a bit later on in the chapter, so we can get the lay of the land first and understand where her head is through her conversation. I feel like it’s all right to have her mind wander, but the vision/dramatic switch of scenery, etc, to me felt a little heavy handed here for so early on.

    I loved all the little world building hints you sprinkled throughout, like the threat of a terrorist attack or the involvement of city council to keep Micah and Brooke chaperoned. It’s great that you have teenage characters still acting like teenagers (having a party) within this world, rather than having them act unusual just because of their circumstances. That is a huge success!

    You mention that the party had been broken up by police. That seems like it might be a more impactful scene to start with rather than picking up this chapter after. You could also bring in more detail about the world by having the authorities raid the party. I might suggest including that in the first five pages – potentially after Brooke’s conversation with Micah. Just a thought.

    Really great work – some minor changes here will take you a long way. Thanks for the chance to read!

    ReplyDelete
  4. Hi again, Michelle!

    Another good revision which gives a shiny polish to the changed elements in the last one. My only quibbles are with the typos, little slips, which you'll want to fix before these become the sample pages you send out.

    I also like the pitch, which gives me some crucial background information as well as that terminal hook about the resurrecting childhood friends! A few niggly corrections there, which I'll start with.

    "The Fletcher's" should be "The Fletchers."

    Could "a horrific murder" become a "massacre"? Stronger word.

    Watch for wordiness and repetition: "Nearly twelve years after that horrific night, sixteen-year-old Brooke is still harassed by the ghost of the youngest Hart child, Leo, who was once her closest friend." Could be something like: "Nearly twelve years later, sixteen-year-old Brooke is still harassed by the ghost of the youngest Hart, Leo, once her closest friend."

    "Then, a strange boy moves into the Hart house with Victoria, and Victoria begins to act very erratically." Could be: "A strange boy moves into the Hart house, and Victoria Hart begins to act erratically."

    "When Brooke begins to uncover new evidence in the Hart house , she begins to question whether or not the real orchestrators of these heinous crimes had been caught." Could be: "After uncovering new evidence, Brooke questions whether the real orchestrators of the massacre have been caught."

    "In order to survive in the shadow of a civil war, Brooke must uncover the city's best kept secrets, as childhood friends threaten to return from the dead." Could be, "To survive civil war, Brooke must root out the city's best kept secrets, even as childhood friends threaten to return from the dead."

    Sample pages:

    "In the blink of an eye, the lake became..." Cliche. Maybe merge this paragraph with above and just go with "The lake became the green kitchen."

    "Leo started crawling..." Could strengthen the transition from previous sentence with, "Then he started crawling..."

    "....leaving a slow bloody trail streaking behind him." Could be simplified, sharpened: "leaving a broad red streak behind him."

    "The green kitchen turned to pebbles and rotted logs." Maybe sharpen the focus: "The kitchen floor turned to pebbles and rotted twigs."

    "I never had the courage to ask him..." Could be: "I've never had the courage to ask him," because the lack of courage is ongoing.

    "I ghost wrote" should be "I'd ghost-written."

    "...the police crashed" should be "the police had crashed."

    "...and I had to bribe them" should be "and I'd had to bribe them."

    Formatting problem? "I don't know ......_......sucking hard." A few other places coming across like that.

    "....must have forced her to babysit Micah and I" should be "....must have forced her to babysit Micah and me."

    "I quickly spotted Riichi" could be "I spotted Riichi." To my "ear," "spotting" implies quickness, suddenness.

    "Micah would makeup with him" should be "Micah would make up with him."

    "...with a smoke and ash eye shadow" could be: "wearing a smoke and ash eye shadow."

    " 'Bean!' Micah said, getting up. "I was getting..." Two gettings in close proximity, maybe "...Micah said, rising."

    "...Micah said, kissing Columbina again." But since Columbina avoids him, it might be better: "...Micah said, leaning toward Columbina for another kiss."

    Very good work with this opening, complicated by a changed world setting and multiple relationships!

    May the agents and editors be with you!

    Anne

    ReplyDelete
    Replies
    1. Hi Anne!

      Glad you liked the revision and the pitch! I’ll be sure to take a close look at all of your editing suggestions!
      Thank you for your help!

      Delete
  5. Hi, Michelle,

    Your pitch is very intriguing! You give us great insight into what your story is about. My only comment is try not to use horrific twice. Well done!

    Pages:
    This is so good - In the blink of an eye, the lake became the green kitchen. Blood streamed from two cavities in Leo’s chest, feeding into pools of blood on the checkered tile. He turned his head towards me and opened his mouth in silent question, his every breath a loud gurgle. Leo started crawling towards me, leaving a slow bloody trail streaking behind him. I didn’t take my eyes off him, my heart pounding. He had never reached me before; but this time he might.

    clock on my cell - this made me think of a prison and I know you mean cell phone.

    This - Back when we were five, Micah was inseparable from Leo - makes me wonder about the relationship between the three of them. Are they all related? Was Leo just a friend to both? I know you mention it in your pitch, but you may want to mention it in your first pages.

    Your pages get tighter with each revision.

    And this is still a great line - Eat shit, Columbina Adams.

    Good luck as you complete your manuscript!

    ReplyDelete
    Replies
    1. Hi DLE!

      Happy to see that you liked the pitch and pages!
      The relationship between the characters becomes way clearer with the introduction to last names, which unfortunately couldn’t be introduced naturally into the scene. I feel like this scene could use a bit of expansion, so I’ll keep what you said in mind!

      Thank you for your help!

      Delete
  6. Hi Michelle,

    Pitch:

    Really love the opening line. Great job contrasting what Killdeer was to how it stands now. The word ‘deceased’ certainly jumps off the page and catches your attention.

    The second paragraph gives us a lot of names but I feel it takes focus away from the protagonist.

    The pitch overall provides good info on the story, but probably not enough on the MC.

    It does make me want to read more, so it definitely succeeds on that front. And well, that’s the hardest battle! Great job with the pitch.

    Sample:

    It’s interesting to see the first five pages after reading the pitch. You do a great job at setting up Leo’s importance right from the start.

    I liked the new detail about the police crashing the party and having to bribe them to go away. Although I’m not clear if the bribery was necessary due to the “illegal bonfires” or something else.

    The small changes (like changing “I was officially uncomfortable” to “I could hardly look at her”) definitely made it easier to visualize Brooke more.

    The sample pages are really solid. You really did a remarkable job at showing the atmosphere of the party and the interactions between characters felt authentic, especially Brook/Columbina’s complex dynamic.

    Good luck with the rest of the chapters! You really have a great premise and you establish the world really well in the first five.

    ReplyDelete
    Replies
    1. Hi Erik!

      It seems like I really need to steer the pitch away from plot and more to the protagonist! Thanks for pointing that out. This pitch definitely needs more work!

      I feel like now that I don’t have so much of a word count issue I can expand more on the bribery part so that it becomes clearer.

      Glad you liked it! Thanks for all your help!

      Delete
  7. Hi Michelle,

    Again, a nice revision, but I've noticed a few things more this time around, and I'm not positive whether that's the pitch, or the pages themselves. So let's start with what I've noticed and I'll cover the pitch in a bit.

    Things that jumped out at me as I read:

    1) I don't think you need the paragraph break between the second and the third paragraphs. It doesn't add any value. Nor does the break between the current 4th and 4th paragraphs.

    2)I'm still not sure whether Leo is an actual ghost or a manifestation of her trauma, and I'm okay with that overall. What I questioned as I read this time was the word cherubic. It's bothered me before, but given the pitch, it seems like he's not a baby when he dies, so the word brings up a conflicting image for me this early in the story.

    3) The year of firsts, and the "first dead body" makes it seem as though Leo was killed this year. Rephrase for clarity.

    4) Micah's initial dialogue doesn't feel believable. It's clearly intended to identify him to the reader, and I think you can simply do that with "my cousin Micah"

    5) Be careful of clarity in your drifts between the past and present. There are times when the use of a "now" or other transition phrase would ground us better when returning to the present and the use of the past perfect tense would be helpful for establishing the appropriate sense of time, for example in describing the police crashing the party or the sentence about Micah being even more inseparable.

    6) Reading this again, I really think that you need to choose what this scene is going to accomplish. Setting up the relationships and the mood is something that you've already accomplished well, but I think that you're stretching with the introduction of the Executioner and the Chairman. I'd rather get a better sense of how the world works slowed down, so perhaps introduce the Executioner as an arrival after the fact when you can take the time to place her in context and place the world in context. The mention of terrorism and the police, that's a good teaser, and I think we have time for the rest. You could even introduce the city as a view across the lake and give us a paragraph of overview.

    Okay, now the pitch. I love the idea that it's a dystopian mystery, that's unique. But I'm not certain whether you're implying that Leo is actually potentially coming back to life, or whether his ghost is more alive to her than ever. In the pitch you need to make that distinction. And you need to choose your details more carefully for the pitch. Pare it down to the essential characters and the story. Give us the world, Brooke's wound/misconception as part of her character, her goal/story question, and the major conflict opposing her more clearly and succinctly.

    Best of luck! This is a really intriguing story, and I look forward to seeing it on the shelves someday soon!

    ReplyDelete
  8. Hey Martina,

    You pointed out some things that I worried were a bit unclear. My goal is to be as clear as I can be in the least amount of words possible (I get wordy), so I’ll take a look at those problem areas and see if I can’t rewrite them better.

    I could have sworn cherubs were pushing the toddler side of age- I think I’m wrong. You’re not the first to tell me this, so I think I need to change this.

    I really agree with your comment about deciding what the scene is going to accomplish. I think I set out to do too much in this scene… so I’m going to try and expand it and see what happens. So far this bit is simply meant to be an establishing shot before the real drama in the chapter, but maybe it can be more than that.

    That was my first attempt at a pitch, so thank you for pointing out where I stumbled! I think I’ve been focusing too much on the environment and backstory and not enough on the protagonist!

    Thank you for all your help!

    ReplyDelete