Name: Erik Cruz
Genre: Young Adult Historical
Title: Bloody Trails
Pitch:
Trekking deep into the untamed jungles of Africa’s Gold Coast, fifteen-year-old Gaspar de Faro has two goals: collect riches for the Portuguese Crown…and steal enough of them to buy his own ship. After all, he deserves it since he’s the one risking his life against dangerous beasts and unfriendly natives. And as the peasant child of a Muslim and a Jew newly converted to Christianity, he can’t expect anyone else to help him.
But when the stakes rise, the self-taught dreamer may have to be more than just a thief to follow through on his plans. Though Gaspar always wanted to explore, he never thought he’d have to become a soldier in the War of Castilian Succession—or a murderer to hide his own crimes. He faces a choice between giving up the last piece of his soul to reach his dreams and returning home to work his family farm. He’s sacrificed enough already, so he must push forward, even if it means leaving a bloody trail wherever he goes.
Chapter 1
5 Outubro 1474
Trekking through a jungle of towering ebony and mahogany trees, I spot a black snake and creep towards it, slowly withdrawing my colhona from its wooden scabbard.
“Gaspar, what are you doing?” Simão Rodrigues yells.
Within seconds, the snake, several feet in front of me, uncoils, showing me the yellow markings on its underside and spits in my direction. Instinctively, I raise my arm to cover my head, shielding myself from the venom. My fellow explorer tugs my shoulder and drags me away.
“What’s wrong with you, boy? That spitting cobra could have poisoned you.”
“What’s wrong with you, boy? That spitting cobra could have poisoned you.”
“Anything in this jungle could kill me.” I rub my itchy hand and notice that most of the venom landed on my green doublet sleeve. As much as I want to kill that snake, I know that Simão won’t allow me, so all I could do is dejectedly stash my sword in the sheath at my hip.
“I promise you, keep being reckless and it’ll happen.”
When I left the peaceful Açores ten months ago, my family, friends and neighbors warned me these jungles would bring me closer to Saint Peter. They heard the Gold Coast holds deadly beasts and diseases, poisonous man-eating plants and spear-wielding natives. Every time, I smiled and responded, “But there’s gold waiting for me. Don’t worry. I have my gun and sword for protection.”
Still in one piece, I march toward the nearby sparkling waterfall. How badly I want to go under it, close my eyes and feel the soothing water rush over my filthy brown hair. But I can’t, because I need to stay vigilant. There’s always the chance that a crocodile or hippo is lurking around. My swollen legs carry me forward until I spot numerous pink round-petalled flowers containing melegueta pepper, the spice that fuels Fernão Gomes’s African Gold Coast trade. I stop briefly and snatch five of the bright red pods, stashing them in my bag along with some gold and red hog ivory tusks.
Still in one piece, I march toward the nearby sparkling waterfall. How badly I want to go under it, close my eyes and feel the soothing water rush over my filthy brown hair. But I can’t, because I need to stay vigilant. There’s always the chance that a crocodile or hippo is lurking around. My swollen legs carry me forward until I spot numerous pink round-petalled flowers containing melegueta pepper, the spice that fuels Fernão Gomes’s African Gold Coast trade. I stop briefly and snatch five of the bright red pods, stashing them in my bag along with some gold and red hog ivory tusks.
We continue our trek past the thick evergreen canarium trees, ripe with brown and purple fruits reminiscent of grapes—though slightly bigger. It takes a lot of restraint on my part not to reach for one. But Simão has swatted them from my hands several times already. He thinks they’re poisonous and wasn’t too pleased when I told him that trying them was the only way to find out. Considering I’ve lost track of how many times I’ve upset him throughout the months, I decide against it. And I did promise my mãe, my little brother and Sofia that I’d be careful and return safely, so it’s best to rein in my trouble-seeking tendencies from time to time.
I kneel over the water's edge, splash some of that clear water on my face and refill my canteen. Before rising from the ground, I inspect my matchlock’s slow match and discover it’s been extinguished yet again. Slinging the strap over my shoulder, I know I can only rely on my colhona. I’m not even sure why I carry that gun around. It’s as long as my sword, weighs even more and it’s not nearly as reliable.
“We’re lost, aren’t we?” I ask, rejoining Simão.
“What do you think?” He glares at me and notices my smile. “Stop enjoying this.” Even after five months of exploring with him, I’m not used to that fatherly tone of his. Pai died eight years ago, so my ears barely remember it. I suppose Simão can’t help it. I’m fifteen, the same age as his daughter back in Lisboa.
I stare into the sea of cedar trees and chuckle. “I can stop smiling, but I can’t stop relishing this moment. We’re standing in lush jungles hearing the parrots’ caws and the buffaloes’ bellows. I’ve always wanted to explore. I’m here, so I may as well enjoy these sights and sounds.”
“Who cares about the dumb animals? We’re carrying tainted treasures. We have to get back to camp soon. We’ll be in trouble with the captain if Fernão asks him questions.”
“It’ll be fine. We’re only siphoning a little of the haul for ourselves. Fernão should be happy someone searches the jungles for gold.”
He shudders. “What if he finds out we’re keeping a tenth of it?”
“They probably wouldn’t flog us. They might toss us overboard, though.” Why is he so nervous? I’m the child of New Christians. My head would be the first to roll, probably sparing his in the process. “Stop worrying. Fernão doesn’t know us, and Captain Pêro de Sintra probably thinks too little of us. Never would he imagine that we’d keep even a single gold pebble.”
Simão snorts and marches up to me. He snatches my canteen and takes a swig from it. “You’re crazy. I can’t believe I let you talk me into this. After years of honorably sailing for King Afonso V, I’m stealing from him.”
“Don’t think of it as stealing. Instead see it as a small fee for the dangerous work we do for the Português Crown.”
He fights it, but can’t help but smile. “Gaspar, how do you always answer so fast?”
“Well, I’m used to everyone disagreeing with me, so I’ve learned to answer criticism. It comes naturally now.” I chuckle. Seeing as how Simão is in a good mood, I know it’s the best time to ask about trekking further. “Should we go deeper along the river basin?”
“No. Stop being crazy. We barely have enough food to last the trip back. I know we didn’t get as much treasure this time, but that doesn’t mean we act stupid.”
Ah, another tongue-lashing from the experienced sailor. I should probably listen more carefully to him. It has been four days since we left our ship in Cape Coast. Our supplies rarely last more than a week. As much as I hate to admit it, his voice of reason is correct. “Fine. How far do you think we are from camp?”
“Close to fourteen leagues.” He looks up at the cloudless sky, as if seeking heavenly guidance.
“We can do that in two days. What’s the plan?”
“We backtrack and hope to God we find our old path. We need to stay close to the beaches and the Fante tribe.”
I look around my surroundings and it angers me that I have no clue where the way back lies. Sometimes it frustrates me how little Captain de Sintra helps or cares about our well-being. We shouldn’t be out here without navigational tools. If we stray too far into the jungles, we run the risk of stumbling upon unfriendly tribes. I prefer seeing danger and then facing it, rather than it finding me by chance.
“If only we had a dry compass. It would make it easier to map out these parts. Simão, you do know why they don’t give us one, right?”
“It’s damn expensive.”
“Yes. They’re considered valuable…unlike us lowly explorers. We’re immediately replaced and forgotten the moment we die, just as I replaced that page ten months ago, after he died of dysentery. That poor, faceless sailor-in-training never had the opportunity to be promoted.”
Not even Simão’s thick beard can hide his cheeks turning red. “Shut up, boy. I’m trying to get us back to Cape Coast. Shut your mouth or—” he clenches his teeth, clutches his wooden crucifix and continues his rant “—I swear on His cross, keep chirping and I’ll leave you behind in the jungle.”
Hey Eric! Nice revision!
ReplyDeleteYour pitch was interesting to read, and definitely hints to a really fun story! I like how Gaspar’s voice seems to cut in with the italicized ‘he’ in the first paragraph.
Overall you really sold me on the story, so I’m just going to nit-pick. I’m wondering if you need to include the part about being an eventual murderer when we don’t have any understanding of Gaspar’s personality. This sounds like a shocking moment in the story- perhaps it would be better to allude to something going wrong/ a disastrous turn of events instead? This is purely on a personal level, but I feel it would be hard to ‘sell’ a novel with a murdering protagonist without the proper build up and character development a novel or chapter provides. I don’t know!
Also, the last sentence ‘he’s sacrificed enough already, so he must push forward’ doesn’t really excite me. I personally don’t like it when characters seem to be resigned to their fate, which is kind of what’s coming across here with the sacrifice line. In my opinion, good plots and strong motivations allow for protagonists to willingly chose their path- especially if that is the path of most resistance, like the one Gaspar seems to be going down. I think if you bring in Gaspar’s true motives for continuing on this bloody trail instead of the implied ‘well I’ve come this far’, you’ll make him come across as a more active character, rather than a passive one.
That opening bit with the snake is super good- way more tension, and then the backstory provides a nice release of that tension. Glad you snuck the word ‘African’ in there :D
I like the age dynamics between Simao and Gaspar- compared to your last drafts, this comes out very well!
I’m finding it hard to critique anything! So I’m just going to point out small stuff:
I feel like the line “his voice of reason is correct” is a bit odd. Merriam-Webster’s definition for ‘voice of reason’ is “a person who influences others to act sensibly”. I think someone ‘is’ the voice of reason, they don’t ‘have’ a voice of reason.
I’m also wondering if Gaspar’s “how little Captain de Sintra helps or cares about [their] wellbeing” is too forward thinking for a 15th century adult, especially one who seems to be discriminated against often for their ancestral history. Rights for workers is a very modern thing- changes really started in the Western world in the 18th century, and we’re still fighting against unfair labour practices today. I’m assuming Gaspar and many other sailors knew they were not going to be treated well/ wouldn’t be given anything but the bare minimum to aid their voyages. Would Gaspar really be angry at his boss for being treated unfairly? Or would he simply yearn for the opportunity to use the technology unavailable to him, because his lack of a compass and his low status in society is simply is a fact of life?
Solid first five pages/pitch! Way to go!
Hi Erik!
ReplyDeletePitch:
Intriguing pitch. Great work introducing Gaspar's goals and lacing them with tension in the first paragraph.
The second paragraph does a wonderful job of showing the reader more about who Gaspar is as a 'self-taught dreamer' and 'more than just a thief.' I was slightly confused, though, at the line that says 'faces a choice between...' At first I wasn't certain what the 2nd choice was, because I thought returning to his family farm was still part of the giving up the last piece of his soul. After re-reading it, I realized giving up the last of his soul and returning to the farm were actually two different choices. Maybe just switch out the 'and' with an 'or' to make it a bit clearer? So something like: He faces a choice between giving up the last piece of his soul to reach his dreams or returning home to work his family farm.
I really like how his two choices are both negatives to him. That definitely adds an extra layer of conflict. I also like how you were able to weave in your title. :) Great work!
Pages:
Awesome revisions. You've done a wonderful job of alternating dialogue with narrative. The narrative also does an excellent job of painting the scene, and subtly showing us Gaspar's personality.
*high fives*
Hi Erik!
ReplyDeletePitch:
Intriguing pitch. Great work introducing Gaspar's goals and lacing them with tension in the first paragraph.
The second paragraph does a wonderful job of showing the reader more about who Gaspar is as a 'self-taught dreamer' and 'more than just a thief.' I was slightly confused, though, at the line that says 'faces a choice between...' At first I wasn't certain what the 2nd choice was, because I thought returning to his family farm was still part of the giving up the last piece of his soul. After re-reading it, I realized giving up the last of his soul and returning to the farm were actually two different choices. Maybe just switch out the 'and' with an 'or' to make it a bit clearer? So something like: He faces a choice between giving up the last piece of his soul to reach his dreams or returning home to work his family farm.
I really like how his two choices are both negatives to him. That definitely adds an extra layer of conflict. I also like how you were able to weave in your title. :) Great work!
Pages:
Awesome revisions. You've done a wonderful job of alternating dialogue with narrative. The narrative also does an excellent job of painting the scene, and subtly showing us Gaspar's personality.
*high fives*
Hi Erik! Here are my thoughts:
ReplyDeletePitch:
This sounds intriguing! You do a great job of introducing us to Gaspar and his outsider status. The setting also sounds like a fantastic atmosphere for a suspenseful story. I love unique settings and many agents are definitely looking for them.
One thing I thought was missing from the pitch is Gaspar’s reasoning for embarking on this criminal (and presumably dangerous) mission. He wants his own ship – is that to escape Africa? What is his motivation? To start over without facing prejudice? Revealing this in just a few words will actually do a lot of work in helping us to relate to Gaspar and want to learn more about him by reading.
When you say “the stakes rise”, be specific! This rising of stakes seems to be the catalyst for the conflict of the story, so it’s important that you mention what it is. Is there someone forcing his hand?
The last two sentences work nicely together. Perhaps separate them into a third paragraph to make it easier on the eye.
Pages:
The first lines to me feel a little “zoomed out.” I think it might be better to start with a closer up view and then sort of “pan out” into where Gaspar is/the setting. For example, you might think of a first line just about the snake from Gaspar’s point of view. Like “the snake before me uncoiled on the path and revealed yellow markings, hissing in my direction.” Something like that!
My overall note would be to not cram so much background information in the first five pages. Sometimes it’s better to just start with the immediate scene and establish who is there (which you’ve done), where they are (yes), and why they are there (not sure this is clear so far). The bigger picture – in this case historical context and Gaspar’s family issues – can come a bit later. I always like to see information revealed indirectly through action rather than offered up in narration. So I think you could cut back some of the background info here and really establish a vivid setting and sense of motivation for these characters.
In terms of writing, this seems pretty polished which is great! It’s good to see you’ve come a long way in your revisions from what others are saying. I think what would really help is just making the first five pages a more focused look at what is going on in this moment rather than trying to set up the whole story right away. Let us figure it out as we go a bit!
Great work. Love historical!
Hi, Erik,
ReplyDeleteI love your pitch and knowing where your novel is headed!
A few thoughts:
Crown…and steal - I don't think you need the ...
Also, instead of saying, But when the stakes rise, tell us what the stakes are.
I love this sentence - And as the peasant child of a Muslim and a Jew newly converted to Christianity, he can’t expect anyone else to help him. Life must be very complicated for Gaspar!
Pages -
Why can't he kill the snake?
This is awesome - My swollen legs carry me forward until I spot numerous pink round-petalled flowers containing melegueta pepper, the spice that fuels Fernão Gomes’s African Gold Coast trade. I stop briefly and snatch five of the bright red pods, stashing them in my bag along with some gold and red hog ivory tusks. It gives a great visual.
“Well, I’m used to everyone disagreeing with me - I don't think you need the "Well."
Simao has been fatherly (kind even) to Gaspar, so this - “Shut up, boy. I’m trying to get us back to Cape Coast. Shut your mouth or—” he clenches his teeth, clutches his wooden crucifix and continues his rant “—I swear on His cross, keep chirping and I’ll leave you behind in the jungle.” - feels a little harsh.
This improves with each revision and you have a great historical story to tell. I'm very interested in seeing what happens to Gaspar.
Good luck!
Hi again, Erik!
ReplyDeleteYes, the spitting cobra spits! What could be nicer? Okay, maybe a king cobra rearing five feet to stare you in the face, but they don't have any in Africa, I fear.
Very nice pitch, squeezing in much background information and laying out the protagonist's dilemma and choices in clear and vivid terms. He's a societal underdog, yet self-taught, which intrigues -- a brief explanation of how he came by his education?
A few pitch suggestions, mainly to tighten up so you'll have space to add how self-taught, maybe a tad more about the War, what that was about, how Gaspar got sucked into it.
Second paragraph of pitch: Maybe something like "But the self-taught dreamer may have to do more than pilfer to achieve his goals. He always wanted to explore -- becoming a soldier in the War of Castilian Succession is another matter. So is murdering to cover his own crimes. He faces the choice of returning home to the family farm or giving up the last of his soul for his dreams. Already he's sacrificed so much. Why not push forward, even if that means leaving a bloody trail wherever he goes?"
Openingof sample - could use mention of why Gaspar wants to kill the snake. Hates snakes? Wants its skin?
Maybe some tweaks to cobra action, something like: "As if roused by Simao's shout, the snake rears its head, displaying its yellow-splotched underbelly. It spits right at my face. I jerk up my arm to shield myself from the venom. By the time I dare to peek over it, the snake is fleeing and my fellow explorer is dragging me away."
" 'That spitting cobra could have poisoned you' " Could instead cite the biggest danger of the spit (versus bite): " 'That spitting cobra could have blinded you.' "
"...so all I could do is dejectedly stash my sword..." Should be "...so all I can do..."
"My swollen legs" Why are they swollen? Maybe "My legs, swollen with (insect stings? overuse? something else?),..."
"...upset him throughout the months" might be "...upset him these past months..."
"I decide against it." Against reaching for fruit or upsetting Simao? Unclear precedent for "it." Maybe "I decide to leave the fruit alone"?
"...and return safely, so it's best..." We've already seen Gaspar's propensity for recklessness, so you might delete the last clause, leaving "And I did promise my mae, my little brother and Sofia that I'd be careful and return safely." (The inclusion of "Sofia" after "my little brother" makes me think Sofia is NOT Gaspar's sister -- a close friend? Love interest? Clever way to drop her name.)
"Pai died eight years ago, so my ears barely remember it." Maybe better, "...so my ears barely remember his voice."
"...someone searches the jungles for gold." Sounds vaguely off to my ear. Maybe something like "anyone braves these jungles, even for gold."
Paragraph starting "Ah, another tongue-lashing." Could be tightened up. Something like "Ah, another tongue-lashing from the experienced sailor. But he's right. It's been four days since we left our ship in Cape Coast, and our supplies rarely last more than a week. 'Fine. How far do you think we are from camp?' "
Paragraph starting " 'Close to fourteen leagues..." Reverse order of sentences, as it would seem Simao would first check the sky, then make his pronouncement. As in "Simao looks up at the cloudless sky, as if seeking heavenly guidance. "Close to fourteen leagues."
"I look around my surroundings and it angers me..." Wordy. Could be "I look around, and it angers me..."
A very successful series of revisions for this opening, I say. I'm more and more eager to read on, and that, after all, is the magic!
May the agents and editors be with you!
Anne
Pitch
ReplyDeleteIt's great to see more of the story. It was surprising to learn that Gaspar was only 15, so that might be brought out more in the pages with voice and dialogue.
Perhaps the pitch could be a bit more voicy as well. Let us see Gaston's views and also what are the higher stakes? I want to know why he wants a ship so I can get behind him. Is his mom dying and he needs money for her medicine? Is he seeking the world for a long lost relative? Or does he just want to be his own master? That's something I can understand.
Pages
We went back to the first draft, and it's amazing how far you've come!
In the current sample, a lot of your sentences begin with 'We.' Try and vary your first words, structure, and length.
You've done an outstanding job! Good luck with the manuscript!
Brenda Drake, Author
Heather Cashman, Agent Intern
Hi Erik,
ReplyDeleteWow – I am absolutely blown away by this revision! You have come such a long way! I wanted to keep turning those pages – you’ve got me hooked! Now for the comments -
I was surprised by the pitch. I expected this to be an Indiana Jones type adventure story, but the bloody trail of bodies made me think of horror. If it is adventure, focus more on that than the murders.
As for the pages, you’ve done an excellent job. I was stuck on swollen legs – are his legs really swollen? If so, why? I’m also still wondering why he’s travelled so far from home – he says that he’s always wanted to explore. I’d amp that up in that scene – he can think how Gaspar is here to earn money for his family, whereas he has always wanted to see the world – and if he didn’t leave when he did, the only thing he’d see is his family’s farm. The pitch tells us he’s determined not to return there – so give us more of that here – dying from a spitting cobra is better than dying of boredom or some such. Actually, I think that's a really good place to start - with him looking out at the jungle, and thinking how if his family (or his dead Pa) could see him now - they always laughed at his talks of exploring the world, expecting him to stay on the farm like ..... That would give us an immediate context and let us know a bit about your mc - from there you can go to the wonderful snake scene!
Some of the language is still so modern – haven’t a clue – for example, that it is a bit jarring to me. I’d recommend re-phrasing those parts.
Good luck with this – I wish you all the very best!
Erin