Name: Kathie McMahon
Genre: Middle Grade Contemporary
Title: Road Trip With Crazy Grandma
“Watch out, Indiana!” I yelled as the boulder thundered down the passageway in the Temple of Doom. Legos flew everywhere as I rescued the figurine from the scene just in time.
“Nate?” A tired voice drifted up the stairs. “Dinner’s almost ready and you need to set the table.”
I sighed and picked up my Indiana Jones book that I had been using to create the Temple of Doom out of Legos. I tried to follow the descriptions exactly, every little detail. I was just getting to the good part of the story, too.
“Nate!” Dad’s voice got louder, with more of an edge to it. The kind of parental tone that makes you jump.
“Coming!” I tossed the book onto my bed and bounded down the stairs.
Smells of garlic filled the kitchen. Dad stood over the stove and stirred his prize-winning spaghetti sauce as he hugged his cell phone between his ear and shoulder.
“No, I haven’t mentioned it to him yet, Lou. I plan to talk to him about it at dinner.” Dad glanced up, his lips in a grim line. “Okay we’ll see you in a bit.”
“What’s up?” I asked, as I got the silverware out of the drawer. “Who was on the phone?”
Dad continued to stir the sauce with one hand as he dumped the spaghetti into a colander in the sink. “Grandma Lou. She’s coming over in a little while. She has something she wants to show you.”
“Oh, yeah? What is it?” Grandma Lou loved to surprise me with all sorts of unusual stuff, like an arrowhead she found or a collectible comic book.
Dad didn’t say anything as he struggled with the pasta like it was a huge ball of twine that he scooped onto two plates. I winced as he ladled the sauce sloppily onto each pile of noodles. I would have to get a separate bowl for my salad and ranch dressing. I hate it when different foods touch each other.
“There,” Dad said as he plunked both plates down on the table. “Grab the salad and napkins and we’re good to go.”
I slid the chair out and carefully laid the napkin on my lap. “So what’s Grandma Lou coming over for?”
“There’s something I want to talk to you about,” Dad said.
Uh oh, this can’t be good. Parents never start a sentence that way when they’re planning on taking you to Disneyland or buying you a cool video game. They only want to “talk” when there’s bad news, like a phone call from your teacher, or the movie you can’t go see, or . . . someone is sick.
“What’s wrong?” My stomach lurched at the thought that Dad might be sick, or maybe something had happened to Grandpa Don or Grandma Lou.
“Nothing’s wrong, really.” Dad tried to force a smile. “We need to talk about what you’re going to be doing this summer until I get my vacation in July.”
“I think I’m old enough to stay home alone this year.” I grabbed my fork and started swirling my spaghetti around the tip, careful not to splash any sauce on my clean shirt.
“I know that’s what you want to do,” Dad said, “but I’m afraid that’s not an option.”
I slammed my fork down a little harder than I meant to, spaghetti sauce spilling over onto the table. “Why not? All the other guys do! I’m almost eleven, you know.”
“I’m well aware of that,” Dad said. “But I’m not comfortable leaving you here by yourself yet.”
“Well, one thing’s for sure – I’m NOT going to Boy Scout Camp again!” I picked up my fork and stabbed at my salad. I had told Dad about the crafts and the fossil hunt and a few other things that I did at camp, but I didn’t tell him about the bad stuff, like throwing up while horseback riding or almost drowning in the creek. And I definitely didn’t say anything about the bully Oliver.
“It’s too late to sign you up anyway,” Dad said. “About the only thing left is Kids Kamp.”
“No!” I jumped up from the table, causing my glass of milk to wobble back and forth and splash onto the placemat. “All the kids are younger than me and they play a bunch of baby games. I want to stay home and read my books and build things with my Legos and stuff like that. If Mom were here, she would trust me enough to let me stay here alone!”
“That’s enough, young man. Sit down.” Dad bit his bottom lip and I could see redness creeping up his neck, which happens when he’s about to explode in anger. Something that seemed to be happening a lot more lately. I took my seat, careful not to spill anything else.
“It’s not a matter of trust, Nate,” Dad looked me in the eye. “Your mom was a teacher, so she had the summers to spend time with you. I wish I had her schedule, but I don’t. I would like to take you to the museum, go bike riding to the park, have picnics and make movies with the video camera like she did. But I can’t.”
Dad sat up a little straighter. “So I have another suggestion,” he said. “How would you like to go on a road trip with Grandma Lou?”
I nearly choked on a piece of lettuce. “But, Dad, Grandma Lou is SO weird! I mean, I love her and everything, but most grandmas bake cookies and take their grandkids to the museum. How many grandmas do you know that see how many marshmallows they can stuff in their mouths and dress up like Elvis Presley?” My memory drifted back to Grandma Lou lip-syncing You Ain’t Nothing But a Hound Dog at the Parent Night talent show. So embarrassing!
Dad chuckled. “Nate, your grandma may be a little unusual, but she really wants to take you on this trip. Who knows what exciting adventures you’ll have?”
I visualized myself hanging from a cliff, Grandma Lou reaching out to grab me before I plummeted to the ground below.
Dad concentrated on cutting a meatball. “Grandma thought this would be a good experience for you to get away from the house and all the . . . reminders of summers with your mom.”
“But we’ll miss the anniversary,” I said. “I won’t be able to put daisies on her grave. She always expects me to do that.”
“What she expects from you is to live your life. She would want you to move on.” Dad wiped his mouth with his napkin and set it next to his empty plate.
“Is that what you’ve done?” I glared at him. “Is that why you took down all the pictures of Mom after she died and never put them back up? Have you moved on without her?” My throat got tighter as the anger boiled inside me. “Do you want to move on without me, too? Is that why you want to get rid of me?”
Dad’s face paled and his mouth hung open. For a minute, he could only choke on the words he tried to get out. “What . . .? Where did you . . .? How could you possibly think that?”
“Well, I refuse to go on a stupid trip with Grandma Lou and her crazy ideas.” I left the table and stomped up the stairs to my room.
PITCH:
It all started with a scrapbook. “Things I Want To Do Before I Get Old” was printed on the front. A collection of pictures and drawings stored in one place by ten-year-old Nate’s mother. Dreams that would never come true. You see, cancer took Nate’s mom away long before she finished the adventures in the scrapbook.
Nate loves adventure, but finds them in his books and imagination. Fear gets in the way of trying new things. What if he gets hurt? What if he can’t do it? What if he . . . dies?
Grandma Lou is no ordinary grandmother. She tries something new every day and isn’t afraid to do outlandish things like enter a pie-eating contest or skydive out of an airplane dressed like Elvis.
So when Grandma Lou introduces Nate to his mother’s childhood scrapbook, the two of them decide to head out on a cross-country trip in a turquoise Cadillac named Lucille. Their crazy adventures take Nate out of his books and into reality, and Grandma Lou reveals a secret she’s never told anyone.
Road Trip With Crazy Grandma is a middle grade novel about overcoming fears, building relationships, and completing dreams.
Hi Kathie – your new version is a very smooth and well-paced narrative. I really enjoyed it. I also liked the idea of the scrap-book from your query section and think your early suggestion of it makes the opening stronger.
ReplyDeleteIn terms of story-telling, I think it’s spot on for MG. It’s easy to follow and your vocab is just right. My biggest quibble is still the voice, however, – which I think sometimes oscillates between an adult telling a story and your 1st person narrator. I mentioned last week my gripe with the phrase ‘parental tone’ which still doesn’t ring true for a 10 year old.
‘Dad’s voice got louder, with more of an edge to it. The kind of parental tone that makes you jump.’
Contrast this with Nate’s internal dialogue – where he talks directly to the reader:
‘Uh oh, this can’t be good.’
But then this is also extended and it starts to become more adult in tone:
‘Parents never start a sentence that way when they’re planning on taking you to Disneyland or buying you a cool video game. They only want to “talk” when there’s bad news, like a phone call from your teacher, or the movie you can’t go see, or . . . someone is sick.’
I think you could pare back here to tighten things up. EG – removing ‘a sentence’ from the opening line and shortening the second sentence. ‘Parents never start that way when they’re planning on taking you to Disneyland. They only want to talk when there’s bad news, like your teacher’s phoned or someone’s sick.’
Finally, I love the promise of Grandma Lou – I wonder why Nate doesn’t think his grandma stuffing her mouth full of marshmallows is cool though? ‘How many grandmas do you know that see how many marshmallows they can stuff in their mouths and dress up like Elvis Presley?” ‘ I would have loved a grandma who did that… Maybe there’s a particular reason he finds this embarrassing?
It’s a great piece of writing with good characterisation - tackling a difficult subject with humour and sensitivity. I would just keep working on the voice. Good luck Kathie – I’ve really enjoyed this course with you. Thanks for your feedback. Ro
Hey Kathie - nice work! I like the Legos. I like Dad a lot. I am, definitely more sympathetic to Nate. I know I rode you about the child dialogue and I want you to know I like this better - I don't know if you changed it or I changed, but I like it better. There were a couple of words I thought might not be normal, maybe once a phrase or the amount of information Nate gives out, but I like it better for what that's worth - definitely right track for me.
ReplyDeleteI think an MG boy would say about Nate's dad, "Sheesh, that sounds like MY dad."
I really like the phone conversation with Grandma - it's real and it's surprise.
I have a couple of questions: Would you consider dad saying only, “No, I haven’t mentioned it to him yet, Lou. I plan to talk to him about it at dinner.” Kind of let knowing about the visit come to us a little more naturally.
And would you consider letting us find out about the trip with Grandma nearer the end of the chapter, let dad be trying like parents do to ease into the idea and also keep us on edge a bit waiting it?(I had this vision of Nate discovering the road trip idea when Grandma Lou bursts through he front door, with Born to Be Wild blaring from a boom box, but, like . . . no one uses boom boxes anymore so scratch that.)
Last thing, this is a personal preference - I thought the thing about the anniversary might be a bit melodramatic for me, but I get that we are getting at the "Move on" thing, so it works. It's just a preference and not a complaint.
I enjoyed this again. Thanks for letting me read and comment.
Richard
I like the way you tweaked the beginning. The legos are a nice touch. I like the character Nate very much and I liked how you brought the grandmother into the story. I think this is a very readable story about characters I could care about.
ReplyDeleteTwo things: I agree with Richard about the anniversary. It just didn't read right with your narrative. Also, when the Dad says that the mother would want him to "lead his life" seemed a bit trite. I wonder if you could make that more personal? More something only THIS dad would say to THIS kid in THIS situation? Then I know they're alive and real.
I like the way you tweaked the beginning. The legos are a nice touch. I like the character Nate very much and I liked how you brought the grandmother into the story. I think this is a very readable story about characters I could care about.
ReplyDeleteTwo things: I agree with Richard about the anniversary. It just didn't read right with your narrative. Also, when the Dad says that the mother would want him to "lead his life" seemed a bit trite. I wonder if you could make that more personal? More something only THIS dad would say to THIS kid in THIS situation? Then I know they're alive and real.
Hi Kathie,
ReplyDeleteYou made some really good changes! This feels much tighter -- and that allows you to bring in more conflict with Dad which is terrific! I really feel like I'm starting to understand where this is going by reading your first 5 now. Whatever you cut out of the beginning, I don't miss at all. Everything still feels cohesive and well paced.
Overall, I feel like your entry started strong and just got stronger with each revision. Well done!
As for the pitch, I like it a lot! The scrapbook is a great setup for a fun and emotionally meaningful road trip story. The arc you've laid out for Nate's character is spot-on, and use of the scrapbook will give you plenty of freedom as you write -- which should make it awfully fun for you. The key, in my mind, will be making sure the episodic nature of pursuing a "bucket list" remains cohesive and doesn't become merely a bunch of fun exploits. But, again, being mindful of your main character's arc throughout should help you stay on target there.
Thanks so much for sharing this with us. Best of luck!
All best,
Rob, 1st 5 Pages mentor
ReplyDeleteHello Kathie! Well done on your revision. I was just looking at the middle grade books where I work and I truly believe that this is such an important genre to be written in. I have an idea for another book and I might make it middle grade rather than young adult because I would love to write for kids. I think books can change lives and help people see things in new ways.
Moving on. Your first sentence is still a little shaky but I see what you are trying to do with it. I like that you took us out of a book and put us into the room with Legos, but it still doesn’t drag me in. Of course, in writing a book it seems like everything is constantly being moved around and edited. Give it some time and then revisit it.
“I sighed and picked up my Indiana Jones book that I had been using to create the Temple of Doom out of Legos. I tried to follow the descriptions exactly, every little detail. I was just getting to the good part of the story, too.” This tells me he is detail oriented which I like. Most kids are messy. Is this because of what is going on in his life? It makes me wonder and that is a good thing.
I really liked Nate’s enjoyment of his father’s special spaghetti sauce. It was a wonderful detail. “Prize winning” isn’t the same as it being someone Nate truly enjoys. I liked the description of the garden as well.
The next section:
“What’s up?” I asked, as I got the silverware out of the drawer. “Who was on the phone?”
Dad continued to stir the sauce with one hand as he dumped the spaghetti into a colander in the sink. “Grandma Lou. She’s coming over in a little while. She has something she wants to show you.”
“Oh, yeah? What is it?” Grandma Lou loved to surprise me with all sorts of unusual stuff, like an arrowhead she found or a collectible comic book.
“There,” Dad said as he plunked both plates down on the table. “Grab the salad and napkins and we’re good to go.”
I slid the chair out and carefully laid the napkin on my lap. “So what’s Grandma Lou coming over for?”
Nate’s first and last lines are a little repetitive. The whole section could use a little tweaking and streamlining. Dad giving the order to grab the salad and napkins doesn’t flow with the rest of what is going on. Consider: Nate knowing to grab the salad and napkins without being asked?
“Uh oh, this can’t be good. Parents never start a sentence that way when they’re planning on taking you to Disneyland or buying you a cool video game. They only want to “talk” when there’s bad news, like a phone call from your teacher, or the movie you can’t go see, or . . . someone is sick.
ReplyDelete“What’s wrong?” My stomach lurched at the thought that Dad might be sick, or maybe something had happened to Grandpa Don or Grandma Lou.”
I like the above lines, I really do. But if someone getting sick is Nate’s worst fear, that drop in and then step back. Like:
Uh oh, this can’t be good. Parents never start a sentence that way when they’re planning on taking you to Disneyland or buying you a cool video game. They only want to “talk” when there’s bad news, like a phone call from your teacher, or the movie you can’t go see, or . . .
“What’s wrong?” My stomach lurched at the thought that Dad might be sick, Maybe something bad happened to Grandma or Grandpa.
You could even toss in “maybe they were sick!”
Because it seems like everything was fine until Mom got sick and died and then everything changed. So more people maybe getting sick? That’s the worst! It could really play to Nate’s fear of his own mortality which is what you seem to be going for in the pitch.
“We need to talk about what you’re going to be doing this summer until I get my vacation in July.” Does Dad’s vacation matter in the grand scheme of the story? Or: “We need to talk about what you’re going to be doing this summer.”?
“…careful not to splash any sauce on my clean shirt.” Again with his being detail oriented, I like it.
“But I’m not comfortable leaving you here by yourself yet.” I’m nit picking. I know. But “Yet” gives the kid hope. It lets the reader see that maybe there is an option. Cut it.
“Well, one thing’s for sure – I’m NOT going to Boy Scout Camp again!” I picked up my fork and stabbed at my salad. I had told Dad about the crafts and the fossil hunt and a few other things that I did at camp, but I didn’t tell him about the bad stuff, like throwing up while horseback riding or almost drowning in the creek. And I definitely didn’t say anything about the bully Oliver.
ReplyDelete“It’s too late to sign you up anyway,” Dad said. “About the only thing left is Kids Kamp.”
“No!” I jumped up from the table, causing my glass of milk to wobble back and forth and splash onto the placemat.
There is a lot of action in the above lines. A lot going on. And this time, it’s the dialogue needs to shine. He needs to throw out his trump card as soon as he can, which is: If Mom were here, she would trust me enough to let me stay here alone!”
My advice is, let the scene build to that point, starting with the first sentence.
“Nate comes downstairs.” “There is something we need to discuss.” “IF MOM WERE HERE EVERYTHING WOULD BE DIFFERENT!”
Build, build, build.
“Dad bit his bottom lip and I could see redness creeping up his neck, which happens when he’s about to explode in anger. Something that seemed to be happening a lot more lately. I took my seat, careful not to spill anything else.” This is all fantastic detailing.
“It’s not a matter of trust, Nate,” Dad looked me in the eye. “Your mom was a teacher, so she had the summers to spend time with you. I wish I had her schedule, but I don’t. I would like to take you to the museum, go bike riding to the park, have picnics and make movies with the video camera like she did. But I can’t.”
Dad sat up a little straighter. “So I have another suggestion,” he said. “How would you like to go on a road trip with Grandma Lou?”
Try to connect this a bit better. Dad stops talking, and then he starts again. Which is how people talk, but… move it all around a bit.
Dad chuckled. “Nate, your grandma may be a little unusual, but she really wants to take you on this trip. Who knows what exciting adventures you’ll have?” Why not hint more at her being unusual rather than say it? Leave a little mystery and let the reader decide just how unusual she is.
“Is that what you’ve done?” I glared at him. “Is that why you took down all the pictures of Mom after she died and never put them back up? Have you moved on without her?” My throat got tighter as the anger boiled inside me. “Do you want to move on without me, too? Is that why you want to get rid of me?”
This is good conflict, but Nate has a lot going on conflict wise with his father already. Pick one thing and really focus on it. Maybe this fear can come up later. Maybe the first day of the road trip when Nate is still feeling hurt and out of sorts at being sent away.
As for your pitch, it is very well written. Watch addressing the reader “you see…” Be direct. Tell it how it is. Cancer took Nate’s mother away and she’s left a lot behind.
However I really enjoy visualizing book covers and “the two of them decide to head out on a cross-country trip in a turquoise Cadillac named Lucille. Their crazy adventures take Nate out of his books and into reality, and Grandma Lou reveals a secret she’s never told anyone” has me seeing an awesome cover. I wish you the best of luck in this project and in all you do!
Thank you for your detailed critique, Melissa! I appreciate you taking the time to give me such wonderful feedback these past three weeks.
Delete
ReplyDeleteHi Kathie,
I thought this has a really warm tone to it and very much reminds me of Maggie Harcourt’s THE LAST SUMMER OF US. I can already imagine the rest of the novel with a brilliant dynamic between Nate and his slightly eccentric Grandma, and exploration of family / loss / grief.
For the pitch I would suggest making it more concise and starting with your second paragraph. At the moment, the first paragraph doesn’t mean anything to us and it is only when you read the rest of the pitch that you then understand. Start with your character, then move on to setting, obstacle and resolution.
Your writing is very effortless and I could really picture Nate sat round the table with his dad, but I think you need to cut down on the dialogue as less is definitely more. There is always a balance to be struck between realistic dialogue and then so realistic that we lose the pace from the narrative. It is also always tempting to add backstory to dialogue but actually the two characters talking will often already know the facts of what they are talking about, such as ‘reminders’ versus ‘reminders of summers with you mum’.
All best,
Sarah
You pages have gotten SO MUCH BETTER! Such a stronger start, good tension, sharper characters. I still think the "adult trying to sound young" voice is shining through a little bit (a few people have pointed that out above so I won't repeat them) but you're on your way!
ReplyDeleteAs for your pitch: I think you can do away with that whole first paragraph. You don't need it, and it gives us confusing details--it sets us up to think the story is focaled around Nate's mom. Start with the conflict, and then tell us why we should care or why the stakes are so high--Nate's dead mom is part of those stakes, but that's not where the story starts. A pitch should be set up, conflict, consequences. That first paragraph is the weakest of your pitch, and you don't want to start on a weak note or you won't get through to the second and third :)
Good luck!
One more thought, Kathie. My co-mentor Melanie Conklin brought this up a couple of times and I completely agree with her -- you really need to rethink your title. Using the word "crazy" in it risks alienating a LOT of your potential readership and their parents. If I recall correctly, about one in five kids today have been diagnosed with some sort of mental illness (not to mention the elder population who suffer from age-related dementia), and reducing them to "crazy" is really quite tone-deaf. I understand it may be a working title, but if you're putting it out there for the world to see, I think you need to be mindful of this. Melanie had mentioned this in the previous rounds and her advice on that point is well worth taking.
ReplyDeleteThanks again,
Rob, 1st 5 Pages mentor
I don't get why Grandma is crazy? I came here expecting a mentally ill grandma but....??????
ReplyDeleteHi Kathie,
ReplyDeleteFirst I'd like to share feedback on your query pitch:
"It all started with a scrapbook. “Things I Want To Do Before I Get Old” was printed on the front. A collection of pictures and drawings stored in one place by ten-year-old Nate’s mother. Dreams that would never come true. You see, cancer took Nate’s mom away long before she finished the adventures in the scrapbook."
>> This is backstory. I would omit it and begin with a pitch line such as, "When ten-year-old Nate finds out he's spending his summer with his larger than life Grandma who lives life on the edge, he retreats into the scrapbook his mother left him before she died. The book is filled with adventures they'd planned to have together--but life had other plans."This kind of opening grounds us in the premise, central conflict, and central characters.
"Nate loves adventure, but finds them in his books and imagination. Fear gets in the way of trying new things. What if he gets hurt? What if he can’t do it? What if he . . . dies?"
.. This is expository and again tells us nothing about the plot. A pitch should ruthlessly focus on the plot: what the character wants, his steps to get it, and what is at stake if he does not get it. The feeling we get from this section of exposition can be communicated with a couple of well placed adjectives.
"Grandma Lou is no ordinary grandmother. She tries something new every day and isn’t afraid to do outlandish things like enter a pie-eating contest or skydive out of an airplane dressed like Elvis."
>> Again, expository. Weave these elements into the plot description as I have suggested in my example above.
"So when Grandma Lou introduces Nate to his mother’s childhood scrapbook, the two of them decide to head out on a cross-country trip in a turquoise Cadillac named Lucille. Their crazy adventures take Nate out of his books and into reality, and Grandma Lou reveals a secret she’s never told anyone."
>> WHEN! We are finally at the action--the start of the story. Start there. Then tell us the ways this story gets complicated: "But when XXX happens, Nate must face [his greatest fear]..."
"Road Trip With Crazy Grandma is a middle grade novel about overcoming fears, building relationships, and completing dreams."
>> These themes are lovely but unnecessary in a query. A closing line should include the title, category, genre, and word count for easy reference by agents.
I still strongly urge you to consider my advice last week regarding the title, which I consider to be offensive and could certainly be off putting to agents and editors.
Best,
Melanie
First Five mentor