Sunday, September 11, 2016

1st 5 Pages September Workshop - Guthrie Rev 1

Name: Melissa Guthrie
Genre: Young Adult Historical Fiction
Title: The Shadow of Death

Chapter 1
Falmouth, Virginia
June 21, 1863
   
In the beginning, there was a revolver. It was a beautiful piece of American manufacturing, composed of metal and ivory that didn’t show wear. It never misfired, not once, as if it were blessed.
 
Before, Ira sat in bed, his face devoid of color. The revolver nestled into his right hand and made a home there. A perfect fit.

“Confederate,” Ira said.

Jacob Clemmons leaned his good ear towards Ira. One hand rested on the bed to keep his balance, in the place Ira’s legs should have been.
 
His heart beat faster as his mouth went dry. His hands twitched. This was the thick of battle; this was black powder burning his eyes and the ragged voice of the captain screaming orders. His eyes darted into the dark corners of the Army tent. Somewhere in the darkness, a man cried out in agony. Closer, voices just outside the tent whispered to one another. Jacob shivered. 

“I said you musta’ stole it from some Reb,” Ira said. He turned the revolver over in his hands. His thumb, stained with dirt and black powder, caressed the back strap of the gun.

“Burial detail,” Jacob said.

The man Jacob had taken the gun from was older than he. By the time he crossed the field with a spade over his shoulder to separate the Union dead from the Confederates and give his men a decent burial, the man’s fingers were bloated to twice their normal size.

Jacob hadn’t pried the gun from the man’s hands. No, he separated the man’s index finger from his hand with a thrust of his shovel. Bones crunched, satisfying and loud among the moans of the not yet dead.
 
Only a demon would desecrate the dead like this, but that thought didn’t stop Jacob.

He was a demon dressed in blue, same as the man in gray he had stood over, on the blood soaked earth of a town called Chancellorsville. Jacob took the man’s shiny gun. He would take all he could from an enemy that wanted him dead.

The voices outside the tent grew louder. Jacob slapped himself in the head. The pain there, it didn’t go away. When he was in camp and all was quiet, his head hurt. He imagined hornets in his mind, chewing on his brain like it was a rotten apple.
 
But that was just plain crazy. There were no hornets in his mind. He shook his head.
 
“What’d you want it for?” Jacob asked.

“My mama,” Ira said, “it’s for my mama.”

Then he placed the revolver between his lips and pulled the trigger.
 
 
Hewitt Town, Ohio
July 4th, 1863
The ceiling above was made of hand hewn beams. When Henry Clemmons opened his eyes in a bed that wasn’t his own, he wondered, first, if he had fallen asleep in a barn, but no. He knew right where he was.
 
The night before was a blur. There was gin involved.
 
Whiskey, too.
 
And possibly dancing.
 
Henry moaned and covered his eyes.

“Ah,” a voice said. “You’re finally awake.”

On the other side of a doorway, Gabriel Hewitt stood beside a workbench, dressed in the same dark pants Henry saw him in the night before. His feet were stained black, his dark hair brown with sawdust. He held a cigarette between the first fingers of his right hand, the scent of tobacco heavy in the air.

Henry climbed from the bed to find his clothes lying haphazardly on a trunk. He slipped a hand into his jacket. The telegram was still there, hidden in the pocket, out of sight and mind until he was reminded. Then he couldn’t forget.
 
Next to the clothing was a mug, half-full of something- liquor, hard cider, or water. It didn’t matter. He drank the contents down. It was tea made with mint and willow bark, meant to take the edge off an impending hang over.
 
Perhaps Gabriel cared about him, Henry thought. Or, maybe, he just wanted his business partner to be in tip-top condition for the day spent working together.
 
“Did you sleep at all?” Henry asked. He pulled his drawers on, and looked up to see Gabriel watching, a smirk on his lips.  

Gabriel drank from the tin mug that seemed permanently affixed to his right hand, and swayed a bit with exhaustion. He glanced around the workshop, as if shocked to see that the sun had risen.
 
“The Welk baby died late last night,” Gabriel said. “I wanted to get a jump on things. This week might be busy…” He looked away.
 
Henry eyed his jacket again. “So you didn’t sleep?”
 
Gabriel scratched his forehead with the same hand that held the cigarette and shrugged.
 
Henry was long accustomed to the strange hours Gabriel kept. He only slept when there wasn’t something to do.

“Just pull yourself together and eat something for breakfast. The Widow up the way sent biscuits and I found some berries,” Gabriel said.
 
Henry cleared his throat, as if just the thought of the widow’s dry, crumbling biscuits were enough to make swallowing a chore. Gabriel brought the old woman meat and provisions from town. She repaid his efforts with baked goods best suited as doorstops.

“You really want me to eat, don’t you?” Henry asked.

“I can’t have you wasting away.”

“What’s the catch?”

“The Welk baby died last night,” Gabriel said, again, “and we have to go get measurements.”

“We?” Henry asked. He looked around the shop, at the stacks of wood leaned against the wall, all projects half finished.
 
A coffin made of hickory wood leaned against the wall closest to the door, a simple cross carved into the lid. A brass name plaque nailed beneath the cross awaited an engraving. Gabriel had finished the coffin at close to midnight the night before, just as Henry arrived from town.
Henry’s palms went sweaty. He was no stranger to death- it lurked in the shadows of his mother’s home. Death was sudden and unexpected even to people who knew they were on its doorstep. It made hands cold and joints stiff even during the heat of summer. Death changed a human being from the moment it first stole across their eyes.
 
Gabriel drank the last of his coffee and flung the tin cup into the far corner of the workshop. There were the makings of a kitchen there, little more than mismatched cabinets and a woodstove, but it was where Gabriel prepared meals when he cooked inside.
 
“Yes, we,” Gabriel said. The cup rang against the floor, and sent a jolt of pain through Henry’s mind. He crossed the room and bent to retrieve the cup.
 
“You’re certain you need my help with this one?” Henry asked. He poured some black coffee into the same cup Gabriel drank from and added a measure of goat’s milk. There was no sugar; there hadn’t been an abundance of sugar in some time. Gabriel stuck his cigarette between his lips and returned his attention to the workbench and the wood lying there. “It’s just a baby.”
 
“Just a baby, yes,” Gabriel said, without removing the cigarette. Henry blushed. Gabriel’s talent with his lips was undeniable. “Generally, when a baby is dead, it doesn’t come back to life. Of course, there are some cases, in which…”
 
Henry’s eyes widened as the creamy milk floated to the surface of his coffee.

14 comments:

  1. Hi Melissa!!
    First let me give my deepest apologies to you and everyone for this being so late! My dad is ill, and this past week, my mom was sick as well, and I've been helping them out. Everything else fell to the wayside and I am so, so sorry!!
    Second, congratulations on making it into Erin's awesome workshop! I really liked your pages, and I'm really intrigued with the concept.
    It's right up my alley, a dark, atmospheric historical piece!!

    Here are my comments, and I'm happy to answer any questions you may have!

    In the beginning, there was a revolver. It was a beautiful piece of American manufacturing, composed of metal and ivory that didn’t show wear. It never misfired, not once, as [though] it had been blessed.

    Before, [Before what? Cut] Ira sat in bed, his face devoid of color. The revolver nestled into his right hand and made a home there. A perfect fit.

    “Confederate,” Ira said.

    Jacob Clemmons leaned his good ear towards Ira. One hand rested on the bed to keep his balance, in the place Ira’s legs should have been. [This was confusing to me, I couldn’t picture it.] How about: To keep his balance, Jacob placed one hand on the bed, in the middle of the flat, empty stretch of sheet where Ira’s legs should have rested.


    “I said you musta’ stole it from some Reb,” Ira said. He turned the revolver over in his hands. His thumb, stained with dirt and black powder, caressed the back strap of the gun.

    “Burial detail,” Jacob muttered. His heart beat faster as his mouth went dry. His hands twitched. He was back in the thick of battle; black powder burning his eyes, the ragged voice of the captain screaming orders. His eyes darted into the dark corners of the Army tent. Somewhere in the darkness, a man cried out in agony. Closer, voices just outside the tent whispered to one another. Jacob shivered. [Since part of this is a flashback, I think we should move it here.]

    The man Jacob had taken the gun from was older than he. By the time he crossed the field with a spade over his shoulder to separate the Union dead from the Confederates and give his men a decent burial, the man’s fingers were bloated to twice their normal size.

    Jacob hadn’t pried the gun from the man’s hands. No, he’d separated the man’s index finger from his hand with a thrust of his shovel. Bones had crunched, satisfying and loud among the moans of the not yet dead.

    Only a demon would desecrate the dead, but that hadn’t [watch your tenses when describing past events] stopped Jacob.

    He was a demon dressed in blue, same as the dead man in gray. Same as every mother’s son on this blood soaked earth of a town called Chancellorsville, [state?]. Yes, Jacob took had taken the man’s shiny gun. He would take all he could from an enemy that wanted him dead.

    The voices outside the tent grew louder. Jacob slapped himself in the head. The pain there, it never left him now. When he was in camp and all was quiet, his head ached like there were hornets inside his skull, chewing and chewing on his brain as if it were naught but a rotten apple.

    But that was just plain crazy. Ira knew there were no hornets in his mind. He shook his head. The pain did not cease.

    “What’d you want it for?” Jacob asked.

    “My mama,” Ira said, “it’s for my mama.”

    Then he placed the revolver between his lips and pulled the trigger.[EEEEEEK!!!!!]

    {{{MORE IN 2ND POST- SAYS i CAN ONLY PUT IN 4,096 CHARACTERS}}}

    ReplyDelete
  2. Hewitt Town, Ohio
    July 4th, 1863 [If putting the date and location here, might be a good idea to do the same on the section above.]
    The ceiling above was made of hand hewn beams. When Henry Clemmons opened his eyes in a bed that wasn’t his own, he first wondered if he had fallen asleep in someone’s barn.

    The night before was a blur. There was gin involved.

    Whiskey, too.

    And possibly dancing.

    Henry moaned and covered his eyes. It was all coming back to him now, and now knew exactly where he was. [Moved from above and reworded a bit]

    “Ah,” a voice said. “You’re finally awake.”

    On the other side of a doorway, Gabriel Hewitt stood beside a workbench, dressed in the same dark pants Henry had seen him in the night before. His feet were stained black, his dark hair scattered with sawdust. He held a cigarette between the first fingers of his right hand, the scent of tobacco heavy in the air as he placed it in his mouth. Henry blushed. Gabriel’s talent with his lips was undeniable. [Moved this up here, a more natural spot, and also establishes their relationship early on.]
    Henry climbed from the bed to find his clothes lying haphazardly on a trunk. He slipped a hand into his jacket. The telegram was still there, hidden in the pocket, out of sight and mind until the crinkle of the flimsy paper brought it all back.

    Next to the clothing was a mug, half-full of something- liquor, hard cider, or water. It didn’t matter. He drank the contents down. It was tea made with mint and willow bark, meant to take the edge off an impending hang over.

    Perhaps Gabriel actually cared about him, Henry thought. Or, maybe, he just wanted his business partner to be in tip-top condition for the day spent working together.

    “Did you sleep at all?” Henry asked. He pulled his drawers on, and looked up to see Gabriel watching, a smirk on his lips.

    3RD POST TO FOLLOW

    ReplyDelete
  3. Gabriel drank from the tin mug that seemed permanently affixed to his right hand, and swayed a bit with exhaustion. He glanced around the workshop, as if shocked to see that the sun had risen.

    “The Welk baby died late last night,” Gabriel said. “I wanted to get a jump on things. This week might be busy…” He looked away.

    Henry eyed his jacket again. “So you didn’t sleep?”

    Gabriel scratched his forehead with the same hand that held the cigarette and shrugged.

    Henry was long accustomed to the strange hours Gabriel kept. He only slept when there wasn’t something to do. [reword this. Maybe…when exhaustion made working impossible.]

    “Just pull yourself together and eat something for breakfast. The Widow up the way sent biscuits and I found some berries,” Gabriel said.

    Henry cleared his throat.Just the thought of the widow’s dry, crumbling biscuits were enough to make swallowing a chore. Gabriel brought the old woman meat and provisions from town. She repaid his efforts with baked goods best suited as doorstops.

    “You really want me to eat, don’t you?” Henry asked.

    “I can’t have you wasting away.”

    “What’s the catch?”

    “The Welk baby died last night,” Gabriel said, again, “and we have to go get measurements.”

    “We?” Henry asked. He looked around the shop, at the stacks of wood leaned against the wall, all projects half finished.

    A coffin made of hickory wood leaned against the wall closest to the door, a simple cross carved into the lid. A brass name plaque nailed beneath the cross awaited an engraving. Gabriel had finished the coffin at close to midnight the night before, just as Henry arrived from town.
    Henry’s palms went sweaty. He was no stranger to death- it lurked in the shadows of his mother’s home. Death was sudden and unexpected even to people who knew they were on its doorstep. It made hands cold and joints stiff even during the heat of summer. Death changed a human being from the moment it first stole across their eyes.

    Gabriel drank the last of his coffee and flung the tin cup into the far corner of the workshop. There were the makings of a kitchen there, little more than mismatched cabinets and a woodstove, but it was where Gabriel prepared the few meals he cooked for himself.

    “Yes, we,” Gabriel said. The cup toppled off the cabinet and rang against the floor, sending a jolt of pain through Henry’s mind. He crossed the room and bent to retrieve it.

    “You’re certain you need my help with this one?” Henry asked as he poured black coffee into the mug Gabriel had drank from and added a measure of goat’s milk. There was no sugar; there hadn’t been an abundance of sugar in some time. “It’s just a baby.” [Moved this comment up where indicated, so it will be clear that it’s Henry’s comment and not Gabriel’s. then pull Gabriel’s comment up to this paragraph]

    Gabriel stuck his cigarette between his lips and returned his attention to the workbench and the wood lying there. “Just a baby, yes,” Gabriel said, without removing the cigarette.

    “Generally, when a baby is dead, it doesn’t come back to life. Of course, there are some cases, in which…”

    Henry’s eyes widened as the creamy milk floated to the surface of his coffee.


    I can't wait to see where you take this, Melissa!! Good luck and GREAT JOB!!!

    ReplyDelete
    Replies
    1. Thank you so much for the feedback, Janet! Bets of luck with your family.

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  4. Hey Melissa
    Thank you for letting me read and comment.

    I enjoyed the tone and the mood you have set. You have worked hard to engage the reader’s senses and create an emotional response. Your style is very effective.

    At times the heavy quality of the style makes hard work for the reader. I think you can make it easier by taking care with pronoun and word combination confusion. One example - “His heart beat faster as his mouth went dry. His hands twitched. This was the thick of battle; this was black powder burning his eyes and the ragged voice of the captain screaming orders. His eyes darted into the dark corners of the Army tent. Somewhere in the darkness, a man cried out in agony. Closer, voices just outside the tent whispered to one another. Jacob shivered.” You have four “his” and two “this”, plus “a man”. It’s a little too shadowy for me to move through efficiently as a reader. I associate “twitching” with fingers (and shaking with hands), and while I know what you are driving at, “eyes darted” was for me an unusual pairing – I pictured eyes moving quickly through space. It is effective to stretch the reader, but tall together, that might be a little more stretch than I would accept as a reader.

    You’re characters are unique – there is no confusing them. While I have some suspicions, I’m not sure which is the main character. Also, your story begins with a significant description of the revolver, and I feel lead to believe that the revolver is nearly a character. If the revolver is significant as the story moves forward, you have set that up well. If not, I think it will become a loose end that the reader worries over and is distracted by throughout the story.

    I did not see the connection between the two stories you have presented. The first one ends with great finality. I can accept it and look for the resolution between the pair of stories after the page turn, but young readers might be looking for a more apparent start to the action and a more apparent hero.

    Thanks for letting me read and comment. I hope I was able to help.

    Richard

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    Replies
    1. Hello, Richard! Thank you so much for reading and commenting! I am going to rework the first section. It seems that not everyone likes it but it's something that matters later on so I am hesitant to do away with it. Best of luck in your writing!

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  5. Hi Melissa, I thoroughly enjoyed this – like your mentor - I like a dark and stormy bit of history. The opening section is clearer than last week’s version although I didn’t like the opening sentence. It felt a little over-wrought to me. I also had to re-read the section describing the missing legs, and later the paragraph that Richard takes you through, and would agree that there are times in your narrative where you could simplify things for clarity.

    Later you describe the absence of sugar (lovely period detail) ‘There was no sugar; there hadn’t been an abundance of sugar in some time.’ I would be tempted to write ‘there hasn’t been any sugar in some time.’ A small niggle – but your use of the word ‘abundance’ jarred. Is there no sugar? Or is there just not an abundance?

    The two opposing narratives for me are very intriguing - although I would fairly quickly like to understand the link between them. I’m prepared to be patient as I love a dual narrative – although they inevitably involve more work (& reward?) for the reader. I think the characters are so vivid in both parts – I’m fascinated by what Jacob will do next…

    And I LOVE the ending. ‘Of course, there are some cases, in which…”
    Henry’s eyes widened as the creamy milk floated to the surface of his coffee.’

    Could you be any more intriguing? Great job – I look forward to your next revision.

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    Replies
    1. Thank you, Ro! You focused in on the things that I was already on the fence with.

      Delete
  6. Melissa - the compelling beginning of this story kind of flounders when we get to "Before, Ira". It made me read back over it a few times without resolution or satisfaction - which is a shame because the idea and the tension are excellent.

    One thing that strikes me is that Ira's death is so poignant, so shocking that it might take from the Jacob character a bit. The idea that Jacob is driven and haunted - the lovely description of hornets eating rotten apples - is suddenly shoved aside when Ira dies. When that scene ends, I'm thinking a lot about Ira and not so much about Jacob.

    I agree with one other poster that if you have a by-line indicating time and place for the second section, you might consider doing the same for the firs section. In this way those of us who know the Civil War will understand just what sort of things Ira and Jacob have suffered through. A simple byline of "Chancellorville, 1863" carries so much weight, has such power, that no other thing need be said. The ground is already blood-soaked.

    I'm still curious as to how the two sections work together. i have trouble reconciling them. As a reader, I want to invest much more time in the first characters before I'm ready to put them on a shelf and explore new ones. I do like the idea of shifting the narrative to a new set of players, but i can't help my feeling that it's too soon. I don't like leaving jacob, with all his tension and terrors, all of a sudden.

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    Replies
    1. Thank you, Matt! i have work to do! Best of luck on your revisions!

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  7. Hi Melissa,

    (This is Mackenzi Lee commenting under my real name! Don't reveal my secret identity :)

    This is right. up. my. street. Civil War historical fiction YES PLEASE. You have great historical details, and you set the scene really well. Your voice is a great balance between historical but still modern enough to be accessible--major props for that. Your writing is lovely and atmospheric, and mostly I just want to keep reading!

    A few notes:

    -I think you have two first lines here. The first two paragraphs both felt like they were accomplishing the same thing, and I wanted you to pick one or the other. hitting the second paragraph felt like starting the book over. I'd recommend always starting with the character.

    -I had a hard time orienting myself in the first section--we were in bed, sounded like in a hospital. Then a battlefield? I couldn't quite track the transition.

    -There are a LOT of characters in these first five pages. Who am I supposed to care about and follow? Who's going to show up later? Why are we jumping around place? I wanted the first section to be longer, give the reader a sense of where we are. I felt a little jerked around by such a quick transition.

    Good luck! This is a great start!

    -M

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    Replies
    1. Thank you Mackenzie! I won't blow your cover. Thank you for the feedback. I am happy you wanted to keep reading!

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  8. Hi Melissa! I can tell that you made quite a few revisions in this! Some I liked, some not so much. Let me give you some examples.

    In your first section, I actually liked your "Ira is dead" first line that you had in your first draft. It got my attention immediately. But I also like the description of the pistol, since it does play an important role -- gives Jacob a chance to put us in the setting, as well as his own conflicting feelings about war. You could put that description in the paragraph about Ira holding the gun. Just a thought. I did get rather confused about past, present, and future -- you cover all of that in the first section, but your transitions need to be smoother so the reader doesn't feel so jolted. The suicide scene packs a wallop, but I really miss Jacob's reaction to it that you had in the first draft. If Jacob is your main character, this section needs to end with him.

    In the second section, Henry needs to wake up before the ceiling is described. Otherwise we don't know who is noticing that the ceiling is made from hand hewn beams.You've done a good job of showing why Henry is so disoriented and you've described the room so that I'm there with them. I'm intrigued by the telegram -- I want to know what's in it! My first thought was, did they have telegrams back then? I actually researched it and found that they did, so nice job. Gabriel's character has me wondering what the relationship is between him and Henry. The phrase "Henry blushed. Gabriel’s talent with his lips was undeniable" is very odd to me. Not sure where you're going with it.

    I, too, am curious how you will tie Jacob and Henry's story together, and I also like dual narratives. Did you change the title? Seems like there was something about demons in your title before, but maybe that was another submission. This topic is way too dark for my personal taste, but your writing is fabulous! Keep up the good work.

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    Replies
    1. Thank you! I am so sorry it was dark. It's actually not a super dark novel. At least I hope not. And yes, I decided to bring the telegram in earlier. There is a reason for everything in this. Thank you so much! Good luck with your revisions!

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