Monday, June 13, 2016

1st 5 Pages June Workshop - Tran Rev 1

Name: Teresa Tran
Genre: Young Adult Fantasy
Title: Fortox

Imara believed there were three types of dawn.

‘To the Compeer of the Fortoxes, my most reverent greeting,’

The first dawn came when twilight just began, the perpetual blanket of darkness touched again by a hazy cascade of purples and blues. The catalyst to Imara’s race against time, as if the day was already running and she was panting, panting, panting to catch up, all the while trying not to trip on her own two feet.

‘Because you know and I know that the Fortoxes have never been one to be forward. Or to bother taking part with the rest of Realiswefn. But let me not mistake your people’s idleness these past eighteen years as an ample version of generosity.’

The second shade of dawn was a shy pale light peeking through the folds of the Cyan sea and a sky full of stars, a sudden flare of energy and brightness that shined over the entire world of Realiswefn as if saying I am coming. Prepare for me.

‘I am not a patient person. But I believe there is more you and your people can offer. I seek your help with an issue if it is within your capability to do so.’

And last, though she told no one, the third shade of dawn and Imara’s favorite was the one that bathed the world in orange light, with soft strokes of yellow, gold and red, where it blended with the jungles that wrapped its’ vines across the realm. It somehow always made Imara feel restless and alive like she had better spit out words before they got caught in her throat or accomplish something grand and spectacular. Possibilities became more than just possible. They became tangible.

‘This cannot wait until the next letter I will no doubt send to plead on behalf of all of Realiswefn. If you have any care for the world you live in, that you are a part of, meet me before sunrise tomorrow, as time has no longer been generous. You know where the wind is harsher and the dust is thinner.

Queen Kepi of the Violets, the people of air’

Leaning on one side of a black stone arch, Imara felt a cold breeze whip at her skin, causing her to shiver slightly. Yet, she did not draw her cloak tighter around her. Instead, she let the wind rustle her dark locs, billow the midnight fabric behind her, and clear her head.

“What do you make of the letter, General?” Imara asked.

Imara and her second-in-command were standing at the highest point of a citadel carved from one of the many tall mountains that surrounded their people’s lands. Where windows should have been, the arches that gave the fortress its’ structure framed out to open space. Imara reminded herself that it was okay to indulge once in a while as she looked to see the world laid out before her, where the finishing layers of dawn transitioned to a luminous morning.

The female warrior next to Imara, sheltered in her leather flaps and a similar cloak, sighed audibly. “How many letters have you received?”

“This was the twelfth. The Violet Queen has sent a letter practically every two hours. The storm that accompanied them has not stopped pounding on my window since.”

The Violets are such dramatics, Imara thought. The Queen especially.

After she’d read the letter, Imara considered her options. One: she could ignore the plea written so plainly in bold black ink. Two: she could send a letter back, (one was sufficient), made of shadows and reeking of death, just for pure entertainment. Imara would beg to see the kind of reaction that would produce. Or three: she could go see for herself what all the fuss was about.

If Imara had her way, she would shed her cloak and leave for the nearest town where responsibility did not exist and adventure awaited. But this letter nagged at her, tugged at her edges, begging to be answered, to be addressed.

“Those bastard leaders have been trying to glimpse a Fortox for the past eighteen years, Compeer. These letters could be no different; another desperate attempt to reel you out from the depths of the shadows and to come out into the light. It would not be wise to help them.”

“You mean it would not be wise to risk our people for the sake of everyone else’s,” Imara said.

“There will always be risk. If the reputation that precedes the Fortoxes has any say in how people treat us. But if is indeed a trick, bait made especially for you… we will not be wholly unprepared in the manner of defense. You have assured that, have you not?”

Imara looked down and flexed her hand, a ring gleaming on one of her long fingers, the black band a shade darker than her skin. Etched into the band was a symbol of two hands covered in shadows outstretched from a gray mountain. Her reminder. Her promise.

When Imara looked back up, her General was looking at her with hard, analyzing eyes; tracking Imara’s every single movement, the way she had looked at her ring. They had a way to peer into anyone’s soul and pluck out all the answers. And afterwards, the soul would be left as a blubbering mess. Bare.

“So when are you leaving?” Her General asked.

“How do you know that I –?”

“I am no fool, Imara. I see the look on your face. You have already made up your mind, despite the consequences.”

Imara opened her mouth to protest, but closed it in resignation. “These letters are different. Something is wrong, something not even our spies know about. If the Violet Queen does not lie, then it is my duty as Compeer of the Fortoxes to do whatever I can to help. I leave now.” Imara’s General hesitated, then nodded.

“Will you need me?”

“I’ll always need you.”

“You know what I mean.” A small rise of emotion in her General’s impenetrable voice was clear.

“I will call for you when necessary. I think it is best for me to go alone. Two Fortoxes on foreign soil so early in the morning cannot be good for the digestion.” Imara said.

One corner of her General’s mouth twitched. “No, perhaps not.”

As the two women stood there in comfortable silence, observing the range of mountains that lay in the far distance, cutting through gray fog, Imara’s General did not need to remind her to be careful. Leaving the safety of their fortress to eavesdrop on the workings of Realiswefn was one thing, to reveal that the Fortoxes were active this entire time was quite another. But her General was correct when it came to their abilities. They were tasked with a different sort of arsenal compared to everyone else’s. There was no need to worry, at least not now.

“The Fortress will hold?” Imara asked.

“The Fortress will hold,” her General repeated quietly, firmly. She stepped back to give Imara room.

Looking back one last time at her land, her home, a coil of unease clenched Imara’s stomach. And yet, there it was, beneath the fear, a thrill of anticipation.

I am coming. Prepare for me.

Without another word to her General, Imara rolled her shoulders. Her shadow began to writhe and expand before it wrapped its’ entirety around her body, blending in with her cloak and Imara vanished. Not a slice of darkness left behind.

17 comments:

  1. By the way, the letter is supposed to be in italics, but because it's all meshed in with the beginning, I decided to put apostrophes to differentiate it from everything else. Hopefully that makes it easier on the reader. (:

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  2. Hot dang. I love pretty much everything about this revision, honestly. I love the slowed down pace and the lovely language and the General and the "I am coming, prepare for me" callback. The conversation flows and I'm definitely getting more of a sense of who this MC is. It's awesome.

    There were a couple of things that threw me out of the story. One is that for some reason, my brain REALLY wants to read Fortox as Foxtrot. Or at least Fox something. It might just be me, but I stumble every time it comes up.

    The other thing is this bit:

    "The Violets are such dramatics, Imara thought. The Queen especially.

    After she’d read the letter, Imara considered her options. One: she could ignore the plea written so plainly in bold black ink. Two: she could send a letter back, (one was sufficient), made of shadows and reeking of death, just for pure entertainment. Imara would beg to see the kind of reaction that would produce. Or three: she could go see for herself what all the fuss was about."

    I adore EVERYTHING about this, (and I love the paragraph directly after too). especially the way it gives a hint of the stakes and the choices and the politics for the world. HOWEVER since it's put directly into the middle of a conversation, it threw me out of the flow of the story a bit, especially since that first line feels like almost like dialogue itself. It took me a moment to adjust and realize we weren't still in the conversation. Maybe the discussion of options could also be dialogue? Or you could split up that section a little. Taking a break from conversation to show a character's thoughts can totally work, but having such a large chunk of it might be a problem. I think the "If Inara had her way" paragraph would be fine on it's own, for example.

    (I am just starting my first cup of coffee so I hope that makes sense?)

    The one other thing I'd say is that I'd like a sense of what kind of creatures we're dealing with here. Obviously we're in some kind of high fantasy/fairyland setting and it's wonderfully expressed, but I find myself wondering what kind of people I'm listening too. Do they look totally (deceptively, perhaps?) like humans? Or is there something that sets them apart? One of the other nice things about having two characters in dialogue in a story is that you can describe one of them a bit if you like, without falling into the "character describes herself" trope.

    I think this story sounds amaaaaazing, and I can't wait for the next revision. Good job!

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    1. Ahhh! You're making me blush! Thank you for such lovely comments and feedback (:

      "Fortox" might indeed need some getting used to, but the name is quite significant in these "beings'" origin and purpose in the story. Foxtrot is hilarious though, lol.

      Thanks for mentioning that bit about that big paragraph. I'll try my best to shorten it or include it in the dialogue to make the text flow a bit better.

      In regards to the creatures/beings we're dealing with, I was planning on really describing them and fully bringing them to life to the reader later on, because Imara is one out of four other point of views. But I can definitely try to paint a clearer picture of how they look like.

      Thanks again! You're so nice.

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  3. This revision flowed really well for me. Nicely done! I really like the addition of Imara's general. For me it brings the conflict forward and seems to make it more immediate.

    I'm intrigued by your decision to break up the letter in the way that you have. I think it flowed better for me when both the description of the dawn and the letter were on their own, but it depends on what you want to emphasize. At the moment I think that maybe the letter is more emphasized.

    I love the feeling I get from the relationship between Imara and her General. You have used few words to depict a strong friendship and reliance between the two, and I love that I care about what's going to happen to both of them while they are separated.

    I might like a leetle more clarity about the world. In the first reading I got a little tripped up by all these different nationalities (and maybe races?) that were described, and though I really like the way you wrote them in, I think this revision is stronger without them. I'm still not clear on the Fortoxes and how they work. They're hidden, but some people know about them? They have magic, but it's a dicey kind of magic? Is everyone in that little hidden kingdom a Fortox?

    Lastly, I just want to go back to character interactions. I really like the balance you had in these pages between dialogue and description. For me it made both the world and the characters come to life.

    Looking forward to seeing the next revision!

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    1. Thanks for the comments and feedback (:

      I'm quite glad you thought the relationship between Imara and her General is effortless and easy to interpret. The things that happen to them...sigh.

      About the Fortoxes and how they work: Because this is only 1250 words and it is just the beginning and the story involves like you mentioned multiple races (which constitutes multiple POVS), I was going to delve deeper about Fortoxes later in the story to preserve a sense of mystery about them. You're at least asking the right questions though! I'll definitely polish the image of the Fortoxes a bit more.

      Thanks again! I really appreciate it.

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    2. Yeah, 1250 words is only enough to give us a taste, and I feel like in fantasy it's hard to balance between saying enough in the beginning and saying too much. I wish I could have a clear answer for that one myself :D

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  4. Wow, great revision! There's a lot of energy in this draft that compelled me to keep reading. I found Imara engaging and I'm already rooting for her. I also liked her relationship with the general (should be lower-case:)). I agree with the comments about Fortox and Foxtrot. I know you have a reason you want to leave it but it stopped me from reading a number of times.

    I also agree that you might want to include a bit of information about Fortoxes right up front. I didn't know what Imara and the general looked like. Are they human? Since you have the general in the scene, you can show Imara looking at her and even comparing herself to her. Maybe Imara is shorter or her lips are a darker blue, for example.

    I agree that placing the thoughts in the middle of the dialogue slowed up the pace; you might want to look at that. But I loved the letter itself. Well done.

    This was a stellar revision!

    Cheers,
    Nancy

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    1. Thanks for the feedback (:

      Fortoxes are an entity/being all on their own. I was most definitely going to be exploring that part of their lore later on, but I can probably clear up the descriptions.

      Thanks again!

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  5. Hi Teresa,

    Thanks so much for letting us read these new pages - I like what you've done so far (SUCH. BEAUTIFUL. IMAGES)! Please reject any of my comments as you see fit!

    So I like the idea of interspersing Imara's belief of three types of dawn with the letter to the Compeer, but in execution I find it confusing and not necessarily the strongest way to start off your novel. It's too distracting too early. (to me, at least. Others may have a different opinion)

    I really enjoy your descriptions, you write beautifully and paint such wonderful images. This is especially prevalent when the General is first introduced and you mention how the windows are missing in the fortress - so great! Some of the images are a tad forced, though, so be careful of that (for example when you describe the letter as 'made of shadows and reeking of death' - it sounds really cool, but because it's so vague it sounds like purple prose and doesn't quite make sense until the last line, but the impressions stays.

    There are a couple of instances where things are unnecessarily repeated or synonyms are used while not being powerful enough to give a different effect. For example 'begging to be answered, to be addressed' or 'possibilities become more than just possible" - something simpler would suffice and do just as well. For example "Where possibilities became tangible". It's cleaner and you're not repeating 'possible' too many times. Also "quietly, firmly" near the end when one adverb would have sufficed.

    You have some great dialogue in this scene. The line about not being good for the digestion made me laugh out loud. Be careful though, as some of the dialogue feels placed there just to get the reaction that you need to complete the scene. For example the "How do you know that I -" seems a little odd coming from someone who has become a Compeer, which probably needs a little bit more elusiveness and tact than she demonstrates here, even just in front of the General. I know what you're doing here (demonstrating the trusting nature of their relationship), but it doesn't seem natural because one image of her is built and then contradicted and it felt off.

    I really love the changes that you've made to this piece. You're such a fantastic writer and I think you've got something here. I look forward to reading your pitch to know what the rest of the story is about.

    Best,
    Carly

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    1. Thanks for the feedback! I agree about the "made of shadows and reeking of death part." It is a bit like purple prose.

      I also agree about the repetiton and how it erases the powerfulness of the text.

      I also hadn't realized that I contradicted Imara's image. Good catch!

      Thanks again! Your comments were really helpful. (:

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  7. Hi Teresa,

    This is a great revision, and I really like what you've done with it.

    Your writing is really lovely and I'm intrigued by many details in this excerpt. You have many great critiques here, I'm with Carly on many points.

    Unfortunately, the letter mixed into the descriptions of the dawns is not working for me. Not only is it confusing, but also it makes me feel like she's not really interested in the letter and that it's not important because her mind is also on the dawns.

    Also, the descriptions of the dawns feels too much. Is it important to the story to have so much of it? Could you get the same image across by cutting some of it? To something like this ...

    "The first dawn came when twilight just began, the perpetual blanket of darkness touched again by a hazy cascade of purples and blues. The second shade of dawn was a shy pale light peeking through the folds of the Cyan sea and a sky full of stars.

    And last, though she told no one, the third shade of dawn and Imara’s favorite was the one that bathed the world in orange light, with soft strokes of yellow, gold and red, where it blended with the jungles that wrapped its’ vines across the realm. It somehow always made Imara feel restless and alive like she had better spit out words before they got caught in her throat or accomplish something grand and spectacular."

    This would cut it down to two paragraphs instead of the three. Then you could have the general come up and talk to her, and then the letter? I'm not sure. Just something is off for me here.

    This could just be my tastes, so decide from others comments and use if you agree with me.

    As Carly mentioned, be careful with redundancies and purple prose. Don't overload your sentences. But really I so love your writing.

    Other than that, I love the work you did here. Can't wait to see how this will do in the next rounds.

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    1. Thanks for the feedback! (:

      I'm having a bit of trouble as in how to weave the letter itself. Because for one thing, having it all by itself disrupts the pacing but weaving it in with the beginning distracts from the "dawns." So...


      Also the image of the dawns are pretty symbolic and kind of foreshadowing certain things, but I understand the part about overloading my sentences. It probably made everything seem overly pretentious, ha!

      Thanks again!

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  8. Teresa,

    This version flows pretty well! And there’s a lot more going on from the beginning. That’s good! I loved your previous opening of the dawns though. I feel like this new version disrupts my immersion to the imagery, because now I have to make sense of the letter. Do you absolutely have to show the letter? If you don’t, maybe consider just bringing it up in narration. I actually didn’t mind the way you presented it last time.

    So everything flows pretty well. I recommend going back and removing some extra words here and there (adverbs and “that”) and just brushing up the paragraphs so they’re clean and easy to read :). I felt the anticipation toward the end—Imara’s excitement—so it entices me to continue reading.

    Good work!
    Gabriela

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  9. Teresa,

    I really like this! Again, I love the images you're painting here (like everyone, haha). Your prose is beautiful, and I feel I get a sense of Imara and her relationship with her general already, which is great.

    I actually struggled with the alternating letter/prose in the beginning. It seems like I'm the only one--perhaps the italics you mentioned would help it flow better for me? It seemed disjointed to me and I actually felt more grounded in the first revision. I love the letter itself, but I had a hard time making my brain switch gears back and forth.

    The only other thing I'd say is I felt the dialogue lines could've been clarified with some sort of action tag. For example, this section:

    “I am no fool, Imara. I see the look on your face. You have already made up your mind, despite the consequences.”

    Imara opened her mouth to protest, but closed it in resignation. “These letters are different. Something is wrong, something not even our spies know about. If the Violet Queen does not lie, then it is my duty as Compeer of the Fortoxes to do whatever I can to help. I leave now.” Imara’s General hesitated, then nodded.

    “Will you need me?”

    “I’ll always need you.”


    There are several lines I had to read more than once to make sure I knew who was talking.

    Honestly, though, this is great! :) I'm looking forward to the next revision.

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