Sunday, March 20, 2016

1st 5 Pages March Workshop - Schunemann Rev 2

Name: Lisa Schunemann
Genre: YA fantasy
Title: RAISE THE BLACK

Pitch:
To Drei, merchant ships and laws are meant to be broken. Working with Mal, their friendship borne out of blood and tragic loss, they specialize in raiding and smuggling goods across the Skettion Sea and into the most heavily guarded countries. Then Mal is captured and given a proposition by Klein, the head of the Maritus, the ruling naval force of the sea. The job: smuggle themselves into a rival nation’s prison hulk ship and retrieve an individual known as the Firebird.

But after their crew assembles and infiltrates the prison hulk, dangerous complications come to light. An enemy raider from the past gives Mal information about the brutal death of his mother, and the Maritus’s involvement in it. The Firebird isn’t who they think. And the Maritus cadet smuggled in with them may be a traitorous mole. Time is running out, and Drei and the crew face an impossible task. Escaping with the Firebird will either get them the payday of a lifetime, or a bullet if the Maritus crosses them. If they can’t get off the ship, their futures will be in chains and a noose.

First five pages:
Drei kept her eyes downcast as thick fingers bit into the flesh of her chin. The sour combination sweat and spices overpowered her nose as the captain leaned in close, turning her face to each side and back. She focused on the damp floors of the hull beneath his weathered boots.

A rough thumb brushed the painful spot on her cheek. “Who bruised her up?”

“Like that when we brought everyone on board,” the skin runner said.

The captain grunted and jerked her face up. Damp fingers pried open her lips and he glanced at her teeth.

She kept her jaw clenched, deftly kept the lock pick under the back of her tongue. She fought the temptation to kick out, but let him inspect her teeth. The satisfaction wouldn’t be worth the guaranteed gag and bag on her head. She remembered that lesson from the last job.

The captain spat a wad of chew at her bare feet, his gaze calculating. He seemed disappointed when she didn’t flinch or cry when the glob slid down her leg. Drei knew what he saw – her cut feet, torn pants and stained shirt showing a bony shoulder.

“You tell your men to keep your hands off the merchandise, you hear me?” said the captain. “Sloppy records and damaged goods when we pull into Ceissames will reduce my cut.”

The skin runner scowled, the log book and ink point in his hands. “We didn’t touch her none—”

He cowered when the captain raised a fist in his direction.

“I’m not taking disrespect from the likes of you.” His yell caused a ripple of fresh tears and cowers amongst the row of chained bodies. “This is my ship. You filth should be grateful I let you hide your merchandise in my hold.”

The ship swayed on the water, causing boards to creak as they rubbed against each other. The sound mingled amidst the soft crying. A single lamp swayed from the low-hung ceiling, but the scant light was better than the pit where the rest of the human cargo was stashed.

Drei dared to glance out one of the small port holes. Anticipation churned in her stomach. How much time did she have? Two days had passed since she’d stashed herself on the merchant’s ship, lying in wait until the rest of her own crew caught up. It should have only been a day at most, but a nasty squall had hit the area after they’d crossed Faulto Passage.

Her stomach twisted, but not from anticipation this time. She remembered being stuck in the smuggler hold, crammed against bodies stinking of urine and fear while the storm raged outside. But if that was what it took to make money on the job, she’d gone through worse.

“Girl, young. Mark her as sixteen, it’s the best number. Five and a half feet.”

Drei blinked, refocusing her attention on the captain. He’d moved closer, assessing slowly.

He continued, “Skinny as a birch rod. But pretty.”

“Earmark her for the brothels?” the runner asked.

“Maybe. Lotus likes the darker-skinned ones on her roster. But that bruise better fade by the time we pull into shore,” the captain said. “Who chopped her hair off? Nobody wants a girl with hair like a boy.”

If he only knew the real reason. The length made it easier to clean out the blood and mess at the end of the day. At the same time, no strands concealed her eyes or hid the contempt she felt. Slaves bartered and shuffled across the Skettion Sea didn’t resemble anything but beaten baggage. She forced herself still as stone, not fighting when rough hands roamed over her hips and chest. It was inside, down in her soul that she raged in the cold places.

“Well, if any of them don’t want her, she’ll do housework—eh!” The captain hauled her hands to eye level and glared. “Damaged goods. Her little finger is clean chopped off.”

The finger and a small portion of flesh from her right hand were missing, a fierce webbing of scars marring her skin. Lighter than her burnt sand coloring, they stood out and drew the eye. She missed her glove at these moments, but let him look at the old wound. It let her survey her real targets.

The runner leaned closer and scrunched his nose. “No good for the brothels, then. No customer wants to pay for that touch.”

“You’d be surprised,” the captain said, squeezing the bones of her hand, hard.

He wanted a reaction? She met his leering eyes with a deadened face.

The captain pushed her down with a harsh shove. The iron shackles jerked against her wrists and ankles as she hit the bench. He threaded the chain through the shackles, his stained shirt gaping near the waist. The handle of a knife peeked out for a moment.

Drei’s fingers twitched in response at the sight of the polished wood. Nice piece. She made a mental note of it, of all the weapons hidden on bodies in the small space.

Squeezed between two other slaves, there wasn’t enough room to breathe. Her eyes remained fixed on the slimy floor beneath her toes.

The next captive, a young boy, was yanked to his feet. The process continued, each soul catalogued, priced, and guarded closely. Just like they were the same as the lifeless items crowded between the low ceiling and walls. Then they would be forced back down to the dark pit of the bilge and the other human cargo brought up.

Merchant vessels needed to be fast, but with enough space for storing wares of legitimate jobs while hiding illegal ones below. If the attack went off before she had to go back down there, it’d be a blessing. But the people below weren’t her concern. Her focus was centered on the real reason she’d inserted herself on the ship. The spices, barrels of ignition powder and wine, silks and furs on order from faraway lands. They equaled coin in a raider’s pockets. Well, if she had pockets.

She tried her best to avoid inhaling through her nose. The metal screen of the cargo hatch was bolted tight. Drei glanced at it longingly. The air was stifling in the hull, breezes from the islands unable to weave their way through wood and resin. The lack of circulation made the sweet scent of vomit almost unbearable.

An elbow nudged her side.

She locked gazes with the man on her left. Though disheveled and bruised, his eyes weren’t like the others, glazed over with resignation. A small glimmer of life held firm.

“What happened with hand?” He spoke in staggered Sedan, the common language in most of the ports and cities.

She glanced at the runners. They hated slaves talking and she could do without fresh lashes, but they weren’t paying attention. Out a meager porthole, she recognized Ezcaba’s rocky island peninsula.

They might be close enough to the hit point for her to start moving. And if Mal didn’t like it, he could take her place next time. Drei moved the pick to her front teeth.
“Tried to pet a shark. Don’t recommend it,” she muttered, about to start on the shackles.

“Wait,” he gasped. Heavy footfalls slapped on the deck above.

Her head raised as the doors to the cargo hold swung open and a bald head came into view. “We’ve got trouble! Ship approaching, running a black flag.”

She needed these cuffs off. Now.

7 comments:

  1. Wow! Awesome! Best ending yet--it even tied back to your title. I love the improvements: we now know for sure who she is (thief) and why she's there (opportunism). In the earlier incarnations, I thought she was a slave or that she was there to set them free (abolitionist?). I like that these slavers hiding on a merchant ship are probably still going to lose in the end. (I still feel really sorry for the slaves.) I'd love to find out more about Drei and her work! Great job!

    Regarding the pitch: I got a little lost in the details of what happens, though it still sounds good. Maybe just tighten and clarify a bit. One note: if Mal is so important to the story, it might serve you to mention him more (and speak to his relationship/importance to her, even if it's no more than a sentence). Good luck!

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  2. Hi Lisa,
    that's a great revision. There're a couple of places that need tweaking to to perfect them, but really very few. I like the slight changes you made to the person sitting next to her. I also like the mention of Mal. I wouldn't add anything more about him here. It feels like a very natural way for Drei to think of him, and then she gets on with escaping. Adding anything more is going to make it heavier.

    Regarding the pitch: The first sentence gives us a good idea of Drei's character. On the whole the pitch is good, but there is a lot of info in there. I was tripping over facts about Mal, the crew, Klein, the Maritus, the Skettion Sea, Firebird, and Drei. Maybe lose a few. Is it necessary for the pitch to have the name of the Sea for instance?

    I think a lot could be cut out without losing too much of the meaning. Here are your first few sentences cut down:

    "To Drei, merchant ships and laws are meant to be broken. Working with her oldest friend, Mal, she smuggles contraband through the defences of distant countries.

    When Mal is captured the head of the ruling naval force gives them a job: smuggle themselves into prison hulk ship and retrieve someone known as the Firebird.

    The job doesn't go smoothly."

    Obviously you'll bring your own flair to it, but I think you should lose details to increase clarity.

    I like the punchy final sentence.

    Good luck!
    Sarah

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  3. This is great, Laura! You've really brought this opening to the next level and I love it!

    The query just needs a little tightening and some clarity. And you'll want to mention your characters age right at the beginning of the pitch.

    To sixteen-year-old Drei, merchant ships and laws are meant to be broken. Working with Mal, their friendship borne out of blood and tragic loss, they specialize in smuggling contraband into the most heavily guarded countries. When Mal is captured, the head of the Maritus, the ruling naval force of the sea, gives them a job: smuggle themselves into a prison hulk ship and retrieve someone known as the Firebird.

    But after their crew assembles and infiltrates the prison hulk, dangerous complications arise. An enemy raider gives Mal information about the brutal death of his mother, and the Maritus’s involvement in it. [How does this information that Mal receives affect the plot? Does he go pyscho and endanger their plan? You need to make that clear here or don’t include it in the pitch.] The Firebird isn’t who they think. And the Maritus cadet smuggled in with them may be a traitorous mole. Time is running out, and Drei and the crew face an impossible task [What impossible task? Isn't the entire mission impossible or dangerous? If something more happens make it clear what it is.|. Escaping with the Firebird will either get them the payday of a lifetime or a bullet in the head if they double cross {or better verb here] Maritus. If they can’t get off the ship, their futures will be in chains and a noose.

    So just a few tweaks and I would keep things that showcase the flavor of your story. Wonderful job! I can't wait to see how you do in the next round.

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  4. This is definitely your best opening uet. So, so good. Definitely still getting a Throne of Glass feel, mixed with some Six of Crows!

    I genuinely think all you need to do is smooth it out a little and you're all set.

    Wrt the pitch: maybe lose a few details - it's a little weighed down with unnecessary frills. It was a little strange to start with Drei and then have most of the pitch be about Mal, so you might want to tweak it a little. It could also be a little more cohesive, but it definitely made me want to read your story, so good job!

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  5. Hi Lisa,

    The passage flows smoothly from beginning to end. You've really improved it with this revision.

    The only thing that caught my eye was the repetition (this is a picky detail) in the first few paragraphs of damp floors, damp fingers, thick fingers.

    Great job on a well-written beginning. The story sounds packed with action, mystery and suspense.

    Joel

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  6. My comments from last week about places to repetition in bodily reactions and being careful about word usage stand, but again I'll say this is a fascinating beginning, and I think you've found an utterly perfect place to leave off through your choices about what to trim!

    In terms of the pitch, I think it's a good start--so much intrigue, and the stakes are very clear. However, I get almost zero sense of Drei in this pitch apart from the first sentence. After that, she disappears into the crew and doesn't stand out. She's barely even mentioned. Mal is actually more prominent in terms of unique conflict. Drei is so strong in the opening pages, so the pitch is surprising in terms of how unimportant she appears to be. Are her goals distinct from her crew's? What's HER conflict? Who is she? If Drei is the one we're signing up to spend time with, the query or copy must focus on her journey, conflict, and stakes.

    Great work, and best of luck!

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  7. I would work on clarifying your pitch. Better to include fewer details than to overwhelm an agent with so much detail that it becomes confusing. Establish the world before you present the conflict and characters within that world.

    What does it mean that their friendship was borne out of blood and tragic loss? That doesn’t connect me to them because it’s too vague. Who is the Firebird? Why do they want him?

    Some of these images are unclear: “thick fingers bit into the flesh of her chin.” When you mix metaphors, I can’t get an image in my head.

    “Drei knew what he saw – her cut feet, torn pants and stained shirt showing a bony shoulder.”
    What does this mean to him? Why is this detail important?

    “Earmark her for the brothels?” the runner asked.
    I’m suddenly very worried for her! Well done.

    “Anticipation churned in her stomach”: Beware of these kinds of details. Sometimes I see authors take “show don’t tell” to the extreme.

    “Nice piece. She made a mental note of it”: Over-explaining. We know she’s making a mental note / thinking this thought because you’re narrating it.

    “Merchant vessels needed to be fast, but with enough space for storing wares of legitimate jobs while hiding illegal ones below”: What does this mean? I’m confused.

    “If the attack went off before she had to go back down there, it’d be a blessing.”
    What attack?

    “Tried to pet a shark. Don’t recommend it”:
    Funny! Could you move this up (or something like it) that gives us an idea of her personality and sense of humor?

    Love the pirate element here --- especially girl pirates!

    ReplyDelete