Name: Gabby Gilliam
Genre: NA retelling
Title: Hooked
“Jill, have you seen my lip gloss?” I shouted over my shoulder. Jill’s earbuds were a permanent attachment, and I knew she’d pretend she couldn’t hear me if I didn’t shout.
“Nope.” She smacked her lips, which were a suspicious shade of strawberry frappe. I rolled my eyes. Whatever. In a few hours, I was out of here. She could keep the damned lip gloss. I looked around the tiny dorm room I’d called home for the past ten months. Goodbye cheap mattress that made it impossible to sleep for longer than two hours at a time before a spring dug into my skin. Sayonara tiny window. Can’t say I’ll miss your inability to let any sunlight into this little cell, or your beautiful view of the crumbling brick wall across the alley. Good riddance inconsiderate roommate and your kleptomaniacal habits, especially where my sweaters and cosmetics are concerned. I didn’t even wave to Jill before I carried my last bag down the stairs to wait for the taxi that would take me home.
For the sake of accuracy, the taxi was not actually taking me home. It was taking me to the bus stop at Virginia Tech. My rustic little college wasn’t even large enough to merit its own transportation service. Once the taxi dropped me off, I would catch a bus to Charlottesville where I would transfer to a train for the rest of the way to Fredericksburg. It was a convoluted way to get home, but I didn’t care, as long as it got me out of Blacksburg.
Even with meticulous planning, there was still twenty minutes between when my bus arrived at Charlottesville Union Station and when the train would get there. It wasn’t long enough for me to do anything other than people watch. My stomach growled, but I decided to wait until I got on the train to quiet it with offerings of food. I didn’t have enough time to get anything from a restaurant anyway, not that I could afford it even there was time. I had spent the last of my money on the tickets home.
A flood of travelers coursed over the platform around me. My entire college life lay at my feet. It fit into three suitcases and a knapsack, and the sack was only filled with snacks for the train ride home. I watched as mothers and children embraced before parting, and lovers cried as their other half pulled out of the station. My only companions were my battered suitcases, purchased second hand last summer when I still believed that college was the solution to all of my problems. As it turns out, my oppressive hometown was not the root of my suffering. I was even more miserable on campus. A year of processed, packaged dinners had earned me twenty extra pounds and a bad case of acne. I thought college would help me discover my true self, that I would blossom outside of my Mom’s walls. Instead, I locked myself in my dorm room and avoided interaction with fellow students at all costs. It was a far cry from the transformation I had hoped for.
My train pulled into the station, so I lugged my bags across the platform. A kindly old porter helped me load them into the luggage compartment before I found my seat. When the whistle blew, the seats near me were still empty and I was relieved. After a year of hermitage, I was unpracticed in the art of small talk. I fished my headphones out of my knapsack and plugged them into my phone. I found a playlist that suited my mood, the dark melodies of Florence and the Machine, and let the music drown out the noise of the other train passengers.
Mother, make me
Make me a big tall tree
So I can shed my leaves and let it blow through me
Mother, make me
Make me a big grey cloud
So I can rain on you things I can't say out loud
I did my best to pretend I was alone, closing my eyes and losing myself in the music. Pretending no one else existed had kind of become my specialty. It made the indifference of my peers hurt less.
The rain pelted the windows of the train—each drop striking the glass like the clouds were unleashing pebbles instead of water. I crushed my hoodie into a ball and tucked it between my head and the window. I don’t know whether it was the inadequate pillow or the fear that the rain would shatter the glass, but I wasn’t close to falling asleep. Or comfort. I stared out across the dismal fields of Charlottesville. Normally, the view was lovely—the deep, rich green of fresh grass and trees against the Blue Ridge Mountains. Today, it was gray upon gray, and I couldn’t even make out the mountains in the distance through the mist. It’s like Nature manifested my emotions. My guilt and apprehension attacked my stomach with the same intensity as the rain. I was headed home to Fredericksburg from Radford University, and I had no intention of going back. I had not yet shared this information with my mom. Summer break lasted for two and half months. So, I had that long to find my courage, and let my parents know I was pissing my future away. Shouldn’t be too hard, right? Lightning forked across the sky, and I did my best to pretend it wasn’t a bad omen.
The train pulled into the station with a squeal of brakes against the wet tracks. I could see my mother’s Mickey Mouse umbrella through my window. She used to walk me into school on rainy days under that umbrella. Now, she was picking me up from my last day of school with it. Weird how some things come full circle. Granted, she didn’t yet know that school was over for me, but we’d get to that. Eventually.
Mom was everything that I’m not. She had dark auburn hair that fell in loose, natural curls around her heart-shaped face. My hair can, at best, be called coffee-colored. I usually referred to it as an enchanting cow patty brown. I begged Mom to let me dye it when I was in high school, but she refused, claiming it would damage my hair and I’d regret it later. I had planned to dye it as soon as I left for college. Once I got settled on campus, I was too busy to care about the color of my hair anymore. Even though she was forty three, the freckles that peppered her nose made her look more like my sister than my mother. My nose is slightly too large for my face, and doesn’t have any freckles to make it cuter. While her eyes were the green of the first fresh grass of spring, mine are the same dung brown as my hair. She was petite, the shortest person on the train platform even with the ridiculously large Mickey Mouse umbrella.
I’ve always felt my name is a bit of a joke. Maybe a cruel trick of nature to punish my parents. They named me Willow, most likely expecting a daughter that fit the name. Meanwhile, they got me. I’m nowhere near thin enough to be considered willowy, carrying my freshman fifteen and then a few. I did get the height though. I’ve towered over Mom since I was about fourteen.
Hi Gabby!
ReplyDeleteI like the direction of the story. Willow seems like a character that I would like to get to know.
I felt like the last paragraph would have been great as the first paragraph. The first line of that last paragraph stood out to me immediately after I read it. It shows a glimpse of Willow's personality, and sets up a paragraph that nicely sums up (and could transition into ) most the previous paragraphs.
There seemed to be a lot of redundancy in the paragraphs. I could see the third to last paragraph as the second paragraph, and the second-to-last paragraph as the third paragraph. (Please let me know if that makes sense). I think that in that order, it would have raised questions that would keep the reader reading to find the answers.
I did like some of the word choices that you used for descriptions. Willow's "cow patty brown" hair made me chuckle. I really like Willow's voice and what we see of her worldview.
I also like Willow's taste in music. However, it may be better not to name the artist or quote the lyrics. It could date the story and possibly throw the reader out of the story. I know that I immediately wanted to look up the lyrics to figure out exactly which song she was listening to, since I don't know F+tM's music by heart. Might I suggest looking at how F+tM's music is described and using that to describe what kind of music Willow is listening to. That way you can convey the mood and features of the music to show more of how Willow feels through the rhythms and such.
I'm very curious as to what this story is retelling. Can't wait to see more of it. Hope this helps.
Adana, thanks for the feedback. I think I just might play around with the paragraph order a bit to see if I can get it to flow better. Your suggestion about the music is definitely worth considering. I think I could gloss over it with a mention of the tone/feel of the music versus the actual lyrics. I just felt like those lyrics were a good match for where Willow was at the time. Definitely going to play around with it though! Thank you!
DeleteI found Willow very intriguing, and definitely felt like you’ve developed a relatable character with a rich backstory and personality.
ReplyDeleteI liked the opening, as it felt like a very real roommate interaction, and I got a great sense of Willow’s voice. However, I did wonder whether Jill was important enough to get so much early airtime, if Willow is leaving college and presumably might not see Jill again anyway? Or does Jill come back, or have left such an important impression on Willow that we learn about later? Or does Willow return to college?
I loved the paragraph about the Mickey Mouse umbrella. I wondered whether you could switch the order of paragraphs so that this would be when we first learned that Willow is not returning to school (rather than learning it at the end of the previous paragraph).
I found myself unsure as to where Willow fit on the spectrum between victim/martyr (she’s isolated because people are treating her unfairly) vs. needs-an-attitude change (she’s shutting people out). While the answer is probably too complex to develop in the first five pages, and I imagine will shift as the character grows throughout the novel, I found myself wanting to get a better sense of where she starts out. The sentences “pretending no one existed had kind of become my speciality. It made the indifference of my peers hurt less” really stood out to me, since they gave a good sense that it’s both (problems with the world around her, AND Willow has certain defense mechanisms up). I think I wanted a little bit more of this interplay.
Looking forward to learning more about Willow!
Thanks for the feedback, Melanie. Adana also suggested a possible reordering of paragraphs, so I'm definitely taking that into consideration. The brief interaction with Jill kind of sums up Willow's year at college and everything she's ready to escape from. References to the crummy roommate are made later on, but Jill doesn't become a main character or resurface, just memories of her do.
DeleteWillow kind of walks the line between victim and martyr. Her peers isolated her, so she became defensive to lessen the blows. Her sarcasm and sharp tongue get her into trouble more than once. She becomes a lot less of a victim as the book goes along and begins to care less about what others think.
Hi Gabby,
ReplyDeleteI like how you introduce us to the character through her attitude to her roommate and her dorm room (especially the “goodbye” mattress and window parts). I also like the ease with which you put me into the character’s head.
What was missing for me was why I should like the character? There must be a reason she is such a desperate hermit. So far she is overweight, spotty, insecure, and a kind of a loser. Sure, I like her snarky attitude, but it’s not enough to make me want to spend 300+ pages with her. Why is she a loner, what internal demons can explain her failure to have a life? I understand this may be a very long explanation, but just a sentence, or a hint would maybe help make her more likable. For example after “As it turns out, my oppressive hometown was not the root of my suffering.” What is?
I was wondering what your story is a retelling of? Maybe once we know that, we’ll read these initial pages differently.
Sentences I would delete:
1. “Granted, she didn’t yet know that school was over for me, but we’d get to that. Eventually.” (it kind of breaks the flow, and we know she hasn’t told her parents from the previous passage)
2. “I had planned to dye it as soon as I left for college. Once I got settled on campus, I was too busy to care about the color of my hair anymore.” (I think if a teenager really wanted to do something while they lived at home, they will find the time in their busy college schedule to do it. And besides she spent all her time in her room, so it seems to me she should have had time to dye her hair. And besides to me a busy person is a happy person, somebody who is a hermit is not really that busy).
3. Unless the lyrics have some meaning for later in the book, I would delete them.
I would put this at the beginning: “I’ve always felt my name is a bit of a joke. Maybe a cruel trick of nature to punish my parents. They named me Willow, most likely expecting a daughter that fit the name. Meanwhile, they got me.”
I’d be really interested to see what you do with this! Looking forward to reading more,
Lili
Thanks for the feedback, Lili! I've definitely got some shifting of paragraphs to do. I'll see what I can do to make Willow a little more likeable!
DeleteHi Gabby,
ReplyDeleteI like how you introduce us to the character through her attitude to her roommate and her dorm room (especially the “goodbye” mattress and window parts). I also like the ease with which you put me into the character’s head.
What was missing for me was why I should like the character? There must be a reason she is such a desperate hermit. So far she is overweight, spotty, insecure, and a kind of a loser. Sure, I like her snarky attitude, but it’s not enough to make me want to spend 300+ pages with her. Why is she a loner, what internal demons can explain her failure to have a life? I understand this may be a very long explanation, but just a sentence, or a hint would maybe help make her more likable. For example after “As it turns out, my oppressive hometown was not the root of my suffering.” What is?
I was wondering what your story is a retelling of? Maybe once we know that, we’ll read these initial pages differently.
Sentences I would delete:
1. “Granted, she didn’t yet know that school was over for me, but we’d get to that. Eventually.” (it kind of breaks the flow, and we know she hasn’t told her parents from the previous passage)
2. “I had planned to dye it as soon as I left for college. Once I got settled on campus, I was too busy to care about the color of my hair anymore.” (I think if a teenager really wanted to do something while they lived at home, they will find the time in their busy college schedule to do it. And besides she spent all her time in her room, so it seems to me she should have had time to dye her hair. And besides to me a busy person is a happy person, somebody who is a hermit is not really that busy).
3. Unless the lyrics have some meaning for later in the book, I would delete them.
I would put this at the beginning: “I’ve always felt my name is a bit of a joke. Maybe a cruel trick of nature to punish my parents. They named me Willow, most likely expecting a daughter that fit the name. Meanwhile, they got me.”
I’d be really interested to see what you do with this! Looking forward to reading more,
Lili
Hi Gabby,
ReplyDeleteYou're a really good writer and there were so many creative and well-done lines and descriptions that I really loved in these pages and brought the scenes to life. You've set up an interesting premise and character with lots of potential.
I'd love to have more hints about why Willow ended up sitting in her dorm room for most of her first year at college. That's a long time for a girl to withdraw into herself. She was still going to class, right? There would still be other people around and professors, etc. Phrases like Willow rolling her eyes or saying "Whatever" can be unsympathetic, especially in the first page when you're establishing your character and situation. Be careful about not allowing her to be too whiny or indifferent to those around her.
Surely something terrible happened, especially if she wasn't like this in high school. Give us some little hint. Also, give us a hint about her strengths, hobbies, Major, and interests.
Love the Mickey Mouse umbrella, too. It really brings Mom to life. :-)
I'd also love to see more dialogue or interaction with other people in the first 5 pages other than the lip gloss with her roommate. Right now it's mostly 5 pages of straight narration.
I think the answers to these questions are in there, we just want you to peel back the layers a tiny bit more to let us peek inside and sympathize with Willow and want to read more about her.
Looking forward to next week's revision! Good luck.
Kimberley
www.kimberleygriffithslittle.com
Hi there, Gabby!
ReplyDeleteThank you so very much for sending this to the workshop. I really enjoyed reading, and wished I knew what was going to happen next and what in the world Willow is going to say to her mother. Or if she’ll hide the truth for as long as possible!
You’ve gotten some really excellent critique on this already. I thought the idea of using the last paragraph (particularly the sentences that explain her name) as the first was a great suggestion, and would be a stronger opening to the story and a more instant window into Willow’s personality than the lip gloss (though I did like what you were showing us with the interaction with Jill). Since a contemporary, first person story like this is so dependent on the main character’s personality and voice, all my comments for you are going to be about Willow, and how you could bring even more of her into these first pages.
First, I really like starting a character at a low, low place. It gives so much room for character growth, and that upward arc can be such a beautiful thing to read. However, at the same time, the reader needs a point of sympathy with a character, even if the character is a largely unsympathetic one. Even if we disagree with a character’s decisions, understanding their decisions and why they would feel that way helps us root for them. And rooting for them, wanting them to succeed, keeps us turning the pages. To see if they will. But I also think that point of sympathy needs to come fast in the story, almost right away. I wonder if a good point of sympathy for Willow might be found in the idea of what she wanted to accomplish in college, and what she’s lost by not accomplishing that. Right now we don’t know if she’s merely a social failure, or if she didn’t succeed academically either. What does this take away from Willow, and why did it happen? Did she have career plans, or was it just about escaping, or disappointing her mother? What specifically made her give up on her college dream and retreat to her dorm? You’ve alluded to all this already and given us some hints, so I know it’s in her backstory. But maybe having more specifics up front and immediately would help us understand Willow’s emotional devastation and root for her to overcome it. Maybe a good way to show us some of this would be when Willow leaves that dorm room. She would have to walk through halls and pass other people as she goes to the taxi and waits. Is she leaving early? Is everybody leaving? Or just her? Is she a spectacle, or does no one even notice her? Or is she a source of ridicule? This would show us a lot about Willow, about her status on campus, and the result of her decision to isolate herself (for whatever reason), and all that would give us a better grounding of sympathy for her plight. Or you might find an even better way to show us all this!
Also, I would like to know what story you’re retelling. If I was picking this up in a bookstore, I would probably know from the jacket flap or cover anyway. I realize this might be affecting how you handle your main character, and might mean I’m making character suggestions that might not work overall.
Two more very small points: I wondered about the sentence, “In a few hours, I was out of here.” It seems like she’s out of that room within the next minute. And there was one line that jumped out at me. “After a year of hermitage, I was unpracticed in the art of small talk.” This is a great line, and Willow has a fairly sophisticated voice for a college freshman (she says things like “kindly old porter” and “root of my suffering”) which is all way good with me, but that one particular line felt like a little much for her age range. You may disagree, because you know Willow better, so no problem if you do!
You have such a huge scope for character development here. I can’t wait to read your revision!
Hi Gabby,
ReplyDeleteI can't say I like Willow so far but I feel a lot of empathy for her. I took it on faith there was a reason she was the way she is, so I didnt have an issue with lack of a good reason to like her. I felt more like there would be an unfolding of her character through the book and I like that. I am a huge fan of stories with lots of character development.
I also like her exactitude. The way she she give the for the sake of accuracy statement in the second paragraph.
I did feel there was some redundancy and, as others mentioned, some statements could go entirely. I also really loved the idea of the last paragraph being the first. That would draw me in a way they the current version doesn't. That being said, I like the first paragraph and how it shows Willow's personality so I wouldn't want to lose that. But if Jill isn't coming back, perhaps cutting it down a bit.
I like your wording as well, smacked her lips, suspicious shade, kleptomaniacal, wasn't large enough to merit, flood of travelers coursed...etc. your voice is strong and evocative.
I think with removing some of the redundancy t can get to some more explanation quicker and that would help keep the reader engaged.
Looking forward to yr revisions.