Sunday, September 20, 2015

1st 5 Pages September Workshop - Pohl Revision 2 + Pitch

Laura Pohl
YA Fantasy
FIREBIRD

PITCH

Tatiana Koscheiovna’s existence revolves around the prophecies spoken at her birth – she would be feared and eventually become a killer, a destiny she desperately wants to avoid.

When she is summoned to attend her sister’s engagement tournament, Tatiana sees no choice but to go back to Koschei’s palace, where she obviously doesn’t belong. During the tournament she meets one of her sister’s suitors, Ivan Tsarevich – a charming and handsome prince, who believes Tatiana is more than her destiny – and falls madly in love with him. They plan their escape together, knowing they belong in each other’s arms. On the night of the escape, however, Tatiana has a prophetic dream and comes back home to find her father gone and her kingdom burned to ashes.

Helpless and alone, Tatiana begins on a new path to find a way to stop her father’s death and rescue him and her captured sisters from the clutches of her enemies.  Time is running out – if Koschei is not back on the throne of the Dead, the entire world will shatter and life will cease to exist.

From the palaces of Imperial Russia to the hut of Baba Yaga, Tatiana chases the legendary Firebird, the key to restoring her kingdom, knowing that finding it may cost her her life. With betrayal lurking at every corner, Tatiana must decide whether she will lead the mortal life she has always wanted to – or save her father and the kingdom she loves.


REVISION

The body lay sprawled on the floor, the blood creating a pool around her that stained the wood a deep red.
It was a woman and she had been stabbed multiple times. I tiptoed my way around the room, avoiding where the blood had touched. After all this years, I had learned not to stain my clothes. I held my breath as I faced her, only a pale reflection of what she once had been. Her life was slipping away, as she struggled on the floor, the knife plunged into her chest.
I did not know this woman's name.
But she knew mine.
"Tatiana Koscheiovna" she said, with her last will. Her final words.Daughter of bones, daughter of blood, daughter of death. These were her last moments. I had seen too many like it to care anymore."Have you come for me?"
There was no relief on her voice, like there wasn't in any of the others when they saw me. She knew she was as good as dead. Her body lay violated and broken in her own house, having suffered the most violent of deaths. My appearance only confirmed what she already knew.
"Yes" I answered. "I have come for you."
#
I stood outside with the knife in hand, my braid slashing in the wind like a coiling whip. The smell of the blood didn't seem to vanish from my nostrils, grounding me to the world that wasn't accustomed to my presence.
The Mortal Realm. Something I thought I'd never see in person, and yet, here I was.
The wind sent shivers down my spine, but the sensation was relishing. New. Like my body was telling me that I belonged here, and not the drab and cold castles on the Other Realm. Telling the daughter of Mariya Morevna and Koschei the Deathless that she had stood in the wrong place. Like always.
 At the same time, the scene of death had never felt more real. At least, in the dreams, the blood hadn't smelled so strongly. The woman didn't matter -- like none of the others had. Ever since the day I was born and my role was made clear into the world as the daughter of the Tsar of Death. Three daughters of death, with three different roles as spirits of death. My sisters appeared for those who had died honorably or reached old age.  I was the one who had to appear to all of those who had been murdered.
Not ferry them into the next realm exactly -- but remind them that death didn't forget, even when life had. When life had abandoned them, death was there to welcome them home. Every time I closed my eyes to sleep, the dreams would be a mixture of mortals' violent deaths -- be it murder, fire, poison or punishment. At least by now I'd gotten used to it, and their features weren't more than a blur in my head.
This had been one of the first time I had done this presently, and not my powers acting and splitting me into a thousand different fragments to appear at every mortal who died and waited for me to appear. My name played on their lips like echoes of bones, but it got them nowhere. It was no use praying to the spirit of violent death.
I slid my hands back into my fur coat, one of them still gripping the bloodied knife while I waited. I wished my godmother would hurry herself.
"Did you find it?" Morena's voice echoed in the clearing, as if my thoughts had summoned her.
In a moment, the raven materialized into shadows and then into the goddess of nightmares. Her appearance never failed to take my breath away and a chill climbed up my spine, as if my nightmares had come alive. She stood with her dark clothes and dark skin against the bleak setting of the dying woods, a vision among mortals. Her crow pendant hung from her neck, bright silver, the only thing that gave her any color.
"Yes."
She walked forward and I handed her the bloodied dagger, still wet from the body that wasn't so cold inside the cabin. An anonymous cadaver. Morena caught it, turning it in her hands and evaluated it. Her eyes turned to appraise me, dark and mysterious, a pitch of endless black.
"How did it happen?"
Morena knew very well, but still she wanted to evaluate me. Test my knowledge.
"Multiple stabs" I answered, my voice barely a whisper. The blood didn't stain my fingers, but if I looked close enough, it was almost like they were tinged with red. "By a man. He missed the first strike and went for the second, which hit close. The third was only to make sure she died."
Morena didn't question me any further. By touching the dagger, she could probably tell this and much more from the victim. The dead woman who knew my name like every child in Russia feared it. The last face anyone who died violently would ever see before they really left this world.
I stood in the middle of the clearing, shifting my weight as Morena took the dagger and slid it inside her cloak.
"Walk with me" Morena ordered, turning around to walk in the woods. I followed her, having to take double steps for every single she took. She's several feet taller than me, her eyes and cheekbones set perfectly in her aristocratic face. She's a true goddess, while I'm the shadowy copy of what to be one. Of what could be but never was. "Tatiana." The way she said my name sent shivers through my spine, as if she could break through all of my fears and nightmares and expose them until I had lost my mind to darkness. "Do you ever wonder why I train you like this?"
Morena's training was grounded on making sure I knew what I was doing in the Mortal Realms. She had taught me spells and how to read the bones of a man when he falls, or how to listen to the whisper of the wind when death was knocking at your door. She had taught me how to use my magic and when not to use it, how to wield my sword and any weapons, and how to survive the coldest of winter snows without food. I knew what shadows and nightmares looked like and how to walk in a way that would make a man's spine stretch and what patterns crows would fly if a man's death was near. I knew how to look at a man's face and tell what his death was, and whether it was bound to his bones. I had still two years left of my training, but not one one single time had she mentioned why she did it.
Not that I needed much training. When it came to frightening people, I had somehow become a legend without even a contest for the crown. The thoughts made my mouth turn sour.
So I tried my next best guess.
"So I can't run from my destiny?"
Her voice was firm when she answered, "So you can fulfill it. No one escapes destiny, Tatiana."
My destiny -- the one no one ever talked about, and still everyone seemed to be conscious of it, that started when the Zoryas had come down from the Heavens in the Other Realm and made the prophecies by my crib. Promising me a future of endless death, of being feared and despised. A future of not belonging.
"Yes" I answered through gritted teeth, unwilling to go further into the subject that seemed to shape my life and upbringing. That beat me into obeying, that molded me into something I did not wish to be. "I know, godmother."

9 comments:


  1. Hi Laura,


    The first line of the pitch has good clarity, “Tatiana Koscheiovna’s existence revolves around the prophecies spoken at her birth – she would be feared and eventually become a killer, a destiny she desperately wants to avoid”—but this description doesn’t match my understanding of Tatiana’s power so far. I thought she was more of someone who ferries the souls of the dead to some other side?
    The mention of “Koschei’s palace” in the pitch also stopped me. You mention him later, but you may need a note about who he is! I also don't understand why her sister’s engagement tournament is not at her home in her lands—you mention that she goes BACK home after a premonition.

    Your first few pages are definitely clearer and sharper in this iteration. I like that Tatiana’s “job” is more clearly defined. I’d still love to hear at least a hint of why—if the other two sisters are in charge of those who die of natural causes, why did Tatiana draw this short straw? Was it birth order or something else?

    There are some pronoun choices here that need to be tweaked, such as “…my role was made clear into the world as the daughter of the Tsar of Death.” The “into” doesn't work in this context and “drab and cold castles on the Other Realm” (do you mean “in”?)

    Still such a great concept, and really much clearer in this version—I’d just make sure that your pitch fully sets up expectations to match the first chapter!

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  2. The opening lines of the pitch are great, they drew me right in. I liked the information presented in the rest of the pitch, but I was a bit confused by the mention of the name Koschei without an identifier, as well as Baba Yaga. Simply by bringing more clarity to the specific elements you’ve brought up will give the pitch a better flow.

    The interaction between Morena and Tatiana are much tighter. I’m getting a better sense of their relationship which is helping to ground me in this new world. There are still some tense issues going on here, “She's several feet taller than me, her eyes and cheekbones set perfectly in her aristocratic face. She's a true goddess, while I'm the shadowy copy of what to be one.” Be careful of slipping into the present tense.

    Great revisions. It was a true pleasure reading your story. :-)

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  3. Oh man. This story is so cool.

    This draft is so much better! Way to make her powers clearer, and also her longing to belong.

    This is just something to think about and not necessarily to include at all in these pages: I’m wondering what it would do to someone to see violent death every day of her life, starting from when she was tiny. She would probably just see it as the building blocks of the world, right? Like that was normal, and everyone else was weird? My question is, at what point did Tatiana figure out that other people got a better deal? When did she start to long for something different?

    Let’s talk about your pitch. You include a lot of details that are probably important in the story, but are distracting here: the location of Koschei’s palace; the fact of the engagement tournament; the palaces and Baba Yaga. And you leave out things we need to know: how does her quest for the Firebird put her in danger of becoming the killer she is prophesied to be? Who are her enemies, and how will finding the Firebird defeat them? Also, since not saving her father would mean the entire world ending, she doesn’t seem to actually have the choice to not save him, because then she couldn’t have her mortal life anyway, right?

    I love this world. I think your book is going to be great. =)

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  4. I think your story is really improving. Good job! But the pitch confused me a bit. The opening line is great, but this part stopped me:
    When she is summoned to attend her sister’s engagement tournament, Tatiana sees no choice but to go back to Koschei’s palace, where she obviously doesn’t belong. During the tournament she meets one of her sister’s suitors, Ivan Tsarevich

    First, you say her sister is engaged, but then she has multiple suitors. And you mention she has no choice but to go to Koschel's place. This came out of nowhere. Who is this and why does she have to go to his/her place? What happened? And why doesn't she belong? And then she's back at the engagement thing and meets the other one. This just stopped me completely and I was lost from then on. You might want to try posting your query on Evil Editor or on Agent Query Connect. Both sites are great at helping clear up and tone up a query.

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  5. I think your story is really improving. Good job! But the pitch confused me a bit. The opening line is great, but this part stopped me:
    When she is summoned to attend her sister’s engagement tournament, Tatiana sees no choice but to go back to Koschei’s palace, where she obviously doesn’t belong. During the tournament she meets one of her sister’s suitors, Ivan Tsarevich

    First, you say her sister is engaged, but then she has multiple suitors. And you mention she has no choice but to go to Koschel's place. This came out of nowhere. Who is this and why does she have to go to his/her place? What happened? And why doesn't she belong? And then she's back at the engagement thing and meets the other one. This just stopped me completely and I was lost from then on. You might want to try posting your query on Evil Editor or on Agent Query Connect. Both sites are great at helping clear up and tone up a query.

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  6. Hi Laura,

    Your pitch is very cool! I think if you tighten it up, it will flow even better. I agree with J. J. that Tatiana’s power needs a different description to clarify that she is destined to become a killer. That really changes the stakes from simply hating her job to actually becoming the cause of people dying violently.
    I really like the last two paragraphs of your pitch - very interesting plot turns here. But I would like to know why she is “helpless and alone.” Did her lover ditch her? Also, the Firebird sound fascinating, maybe drop a hint more about his legend in your pitch.
    As for your first five, everything about Tatiana is so much clearer in this revision. You’ve done a great job reworking your opening. I think you could cut this part from your pages: “At the same time, the scene of death had never felt more real. At least, in the dreams, the blood hadn't smelled so strongly. The woman didn't matter -- like none of the others had.” I don’t think it’s necessary just yet to have all of these extra details, you’ve already explained so much - it pulls me from the flow of the story.
    I think “Firebird” is going to be such an exciting ride!
    Thanks for letting me your story. :)

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  7. I found the first line of the pitch confusing. Do you mean she WILL be feared... since it is prophesizing the future? Also, it seems clear that her goal in this story is to avoid this destiny, however that gets muddled further on when she goes on to want to be with Ivan and to save her father. These things need to be presented as obstacles to her main goal and not as further goals, otherwise, it's not clear what she really wants. Finally, her choice in the end should be tied to her goal and conflict. If she's deciding between being mortal and saving her father, I would expect her main goal to have been to become mortal and her main conflict to have been saving her father.

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  8. Hi Laura,

    I am not great at pitches, full disclosure here, but I found it confusing. Like Jen, I was surprised to read that her destiny was to become a killer. Also, I found a suitor at her sister’s engagement odd, and the fact that she falls madly in love with him and plans to run off with him that night, very insta-love-ish. (Unless later we find out he is a jerk, and she was foolish, then it would work because we would see her growth!)

    As Holly said, try to focus on the main goal and the main conflict. And have others read it over for you. Feel free to post it over at the first 5 fb group – just because the workshop ended, doesn’t mean you can’t ask for help and advice going forward!

    Regarding the pages, wow! You’ve done a great job. I LOVE the new beginning. It sets the tone so clearly, and immediately drew me in! The concept is wonderful. Read it out loud a few times, and you will pick up on repetitive words and pronoun issues, but overall it is in great shape. Like Jen, I would like to know more about the sister hierarchy – why does she have a different job? What is their jobs? Just a few lines here and there will add to the story without taking away from the reader’s curiosity.

    Good luck revising! I will be rooting for you!

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  9. Hi Laura,

    This sounds like it has a lot of potential! There's clearly a lot happening in your story, which is a great thing. However, it made your pitch a tad confusing. I'd recommend distilling the pitch down to only the necessary details so that you can cut right to the heart of the story. I'd start with the prophecy and then cut right to falling in love with her sister's fiance. I am unclear about whether the kingdom burning is part of her prophetic dream or whether it really happened and she spends most of the story in the aftermath of that event. (Basically, is she trying to prevent it or is she living with the reality of it?) I also don't know why she went from being in love with Ivan to being alone. Did he die? Leave her? I would like to know that in the pitch. It seems that the firebird is the point of her journey so I would try to get there much sooner rather than spending a lot of time on the preamble. The story itself was very enjoyable and I liked your writing. This actually reminded me a bit of Graceling, which is one of my favorite books! I highly recommend polishing that pitch. Something I like to tell people to do is go to the bookstore and read flap copy to see how publishing professionals pitch the books they've worked on. You'll see that there's a certain type of language that everyone uses. The more flap copy you read, the more you'll get a sense of the ways you can frame your own projects. If you imagine that I'm a person in a bookstore deciding whether to buy it based on the description it may help you. Good luck!

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