Saturday, September 5, 2015

1st 5 Pages September Workshop - Pohl

Name: Laura Pohl
Genre: Young-Adult Fantasy
Title: FIREBIRD

The smell of blood always reminds me of my dreams.

It penetrates the whole body through the nostrils, pungent and
feverish. The prelude to death.

That's what the cabin smelled like -- as soon as I opened the door,
there was that overwhelming smell of blood. The smell of death. I knew
I was in the right place only by that.

I ignored the creaking door and the breeze that the wind brought
inside -- the winter was gone past and I had no fear of winds. A raven
cawed outside, the single noise among the deadness of this place.

There was no avoiding what came next -- there never was. I didn't know
how many times I had done this before -- how many scenes like this, to
the point where I was not able to distinguish which ones are dreams
and which are real. It didn't matter anyway.

The body lay on the wooden floor. It was a woman and she had been
stabbed multiple times. I tiptoed my way around the room, avoiding
where the blood had touched. After all this years, I had learned not
to stain my clothes. I held my breath as I smelled her death, her
blood and her nightmares. Her nightmares smelled like shadows and her
death sang around the room. I did not know this woman's name.

But she knew mine.

"Tatiana Koscheiovna" she said, with her last will. Her final
words.Daughter of bones, daughter of blood, daughter of death. "Have
you come for me?"

There was no relief on her voice, like there isn't in any of the
others. She knew she was as good as dead. Her body lay violated and
broken in her own house, having suffered the most violent of deaths.
My appearance only confirmed what she already knew.

"Yes" I answered. "I have come for you."

#

Outside, the smell of death vanished. For a moment I almost forgot I
was awake the entire time. It was not often that those who had died
violently saw the spirit of the violent death in person before they
left this world.

My hands slided back to my fur coat. I could barely remember the woman
in the cabin, her bones already forgotten by this world. Sixteen years
of ferrying the spirits and it never got any easier -- at least, not
for me. The third daughter of Koschei, born on the dark winter night.
Even the one who wasn't wanted had duties to fulfill.

"Did you find it?" Morena's voice echoed in the clearing in front of me.

In a moment, the raven materialized into shadows and then into the
goddess of nightmares. Her appearance never failed to take my breath
away, as if for a moment my nightmares had come alive. She stood with
her dark clothes and dark skin against the bleak setting of the dying
woods, a vision among mortals. Her crow pendant hung from her neck,
bright silver, the only color among her figure.

"Yes" I answered through gritted teeth.

I threw her the bloody dagger, still wet from the body that was not so
cold inside the wooden cabin. An anonymous cadaver. Morena caught it
with extreme ease. Her eyes turned to appraise me, dark and
mysterious, a pitch of endless black.

"Are you awake or asleep?"

It took me a few moments. "Awake."

"Very good" she nodded her head. "How did you know?"

I wanted to answer her that I know by the smell. That I know what it
feels like when I ferry the souls awake or when I am asleep. In truth,
neither of them matters -- they always come to me, no matter what. If
I don't come to them, I'll find them when I close my eyes. In this
world, there is no such thing as escaping duty. And my own burden is
this -- ferry the souls of those who have died a violent death.

My father tells me it's a noble duty. My sisters tell me I am lucky to
have such an important task.

None of them ever have to see the body.

"Luck" I answered instead, and Morena scowled.

I was not in the mood for games today. I walked past my godmother,
wrapped in my own fur coat as I stepped further away from the cabin
with the dead body. This had been one of the closest I ever came to
the mortal world -- I usually only came here through dreams. Now, more
than ever, Morena allowed excursions. She thought distinguishing
dreams from wakefulness was important. To me, it never mattered. Both
of them smelled alike.

Neither of them really belonged to me.

"Are in you such a hurry that you need to forget your lessons?" Morena
asked, keeping pace with me. She's several feet taller than me, her
eyes and cheekbones set perfectly in her aristocratic face. She's a
true goddess, while I'm the shadowy copy of what ought to be one.
"Tatiana."

She called my name and it sent shivers down my spine. Morena's voice
was powerful, as if she could break through all of my fears and
nightmares and expose them to me until I had lost my mind into
darkness.

The difference, of course, was that my fears were already all laid out
before me. There was nothing left for her to take.

So I kept walking, my boots pacing evenly against the ground on the
mortal world. Where my lungs breathed a little easier, where my bones
weren't killing me for staying where I didn't belong. I walked back to
the carriage that took me to the Other Realm without looking back.

#

There was something strange about the Other Realm. I never put my
finger on it -- the stark whiteness of the walls, the lack of color
that filled everything. The magic of death that flowed between the
walls and in the air, and that enclosed everything that didn't belong
in the mortal world. The gods were fueled by it, fed by it, and
thrived on it. The same death magic that my Father controlled better
than anyone else in the kingdom. The same magic that kept balance on
the entire universe. Were Koschei to fall, the entire Other Realm
would.

This would never be a problem. My father was as ancient as death
itself, and his magic never wavered. Here, every creature that needed
magic to exist was protected. Everyone except his own daughter.

The crows flocked around Morena in our arrival, greeting their master
but went without acknowledging me. I blew past them in a hurry to get
to my room.  I could still feel the smell of blood in my hands, even
though I knew it was only paranoia that was putting it there. There
was no blood in my hands, and if I could help it, there never would
be.

I escaped Morena's gaze and went to my room as fast as I could,
leaving her to her crows and servants. My room was on the distant part
of the palace, on top of one of the towers. On the better days, I
could fancy myself as a princess from the old tales, awaiting the
rescue of a brave knight. On the worst days, I could look in the
mirror and face the truth that nobody would come and rescue the third
sister. Not when the only word that followed her was death.

7 comments:

  1. Hi Laura,

    I do not envy Tatiana’s job! It’s an interesting high-concept, that she comes to claim those who are killed violently. I also like the hint that she is somehow an outcast in her family. I’d consider an even clearer statement about this aspect of Tatiana’s life. Was it something she did? Some foreshadowing here could increase our interest.

    Overall my main note on this draft would be that I found waking/sleeping distinction hard to follow. It seems to me Tatiana is awake here, but she isn’t always for these “jobs”—but I had to re-read the passage about waking and sleeping that comes with Morena’s arrival. I’d work on clarity here so that you don’t lose whoever is reading the first five!

    There are some great details here, such as “After all this years, I had learned not to stain my clothes.” That short sentence packs a lot of punch: it’s a strong sensory detail, it’s concrete, and it gives us a fast insight into what this MC’s life is all about. You even manage to convey something of her personality (practical and world-weary).

    In contrast I’d focus in on some of the less concrete phrases. “Her nightmares smelled like shadows” stopped me. What does this mean? What does a shadow smell like? I am always wary of figurative language that doesn’t connect to a real feeling or sensation. This sentence stopped me as well, “It was not often that those who had died
    violently saw the spirit of the violent death in person before they
    left this world.” Is Tatiana the “spirit of violent death”?

    She clearly doesn’t like her job (and we can’t blame her). But who is she as a person? World-building is so important in fantasy, but character is still so important! I'd like to learn more about her here at the outset.

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  2. I would suggest you tighten up the sequence of the first part of this. As worded, she is telling us about the smell before she opens the door. Then, she is ignoring the creaking (but the door is already open by this point ) and then she finds out the woman knows her name before she actually speaks. You have to be careful that the reaction always comes after the action and not before. The normal sequence is 1) action, 2) physiological reaction, 3) thought.

    The later parts seem to be a little heavy on the telling. It also seems to pack a lot into 5 pages. We have 3 different settings in these 5 pages and that doesn't leave much time for the reader to settle into any of them. I think you might want to consider spending a lot longer on this first section and using that scene to really ground the reader in the world.

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  3. Hi Laura,
    I love your opening line! It packs enough intrigue about Tatiana’s story to hook me.
    I was a little confused about dreams versus being awake. Particularly when Morena asks Tatiana, “Are you awake or asleep?” I want to know more about this. It’s clear that she has to ferry souls any time of day or night, but why is it important for her to be aware of sleep or not? Is it more dangerous to do her job if she’s unaware of her consciousness? I have a feeling this is a big part of your plot, so I’d like to know the stakes.
    Morena’s character description is very unique: “In a moment, the raven materialized into shadows and then into the goddess of nightmares.” It made me crave more descriptives about Tatiana.
    Also, why does the magic of the Other Realm protect every creature but Tatiana? And if she hates her position in it, what would happen if she left?
    This world sounds beautiful and scary! I’m excited to learn more about your main character.

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  4. I love stories with grim reapers and the like. I would want to read more but there are a few things holding me back at the moment. For one, the words death, dying, dead were used seventeen times, with eight of those in the opening part. Repetition kills suspense so perhaps use this word sparingly to get the impact.


    Then phrases like this: the breeze that the wind brought inside. The breeze is the wind so how does the breeze bring the wind inside?

    I was lost with all the dream vs. awake parts, too.

    With the opening part, I was a bit lost when he comes into the cabin. He gets there and smells blood then comes inside but the main description is about outside the cabin.

    I really had a hard time feeling grounded in the setting because he's telling me he's going into the cabin and finds a dead body and it seems like maybe he's a detective investigating a crime. Then what seemed like a dead woman is now speaking and he's not investigating. I wasn't sure what he was doing at all. I think for me, this reads like purple prose but not very clear. at least for the opening, i want to be able to connect with the mc and feel like i am right there beside them experiencing everything. with this, i was lost.

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  5. Hi Laura,

    Great opening line! It drew me in instantly. Your premise is intriguing and holds a lot of promise.

    I did have some confusion between being awake and asleep. I understood what the characters were saying but I couldn’t understand why the distinction is so important. Also, just a thought, if Tatiana is a figure of death (and magical, as I am assuming), does she need to sleep? If so, why?

    You have several large transitions happening here (from the crime scene to the conversation with Morena to the palace) and I wish you would slow down. Does Tatiana feel mournful about the dying woman or resentful perhaps? Does she want to know what happened to her or is she past caring? I don’t feel as though I know enough about her.

    Great start. I look forward to reading your revisions.

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  6. I really, really like this world and am very interested in Tatiana. I love the tone you’re establishing, dark and dreamy and terrifying. The fatal flaw of this draft is the same thing that makes it awesome: your intense creepy world-building. The thing to do is to narrow down and focus so that the reader knows where to look.

    I’d cut out all the preamble and start with the paragraph that begins “The body lay on the wooden floor.” That is a serious plunge for the reader, and it’s a mighty little paragraph. I’d stop before the nightmares smell like shadows, though, because it’s too big of a leap for the reader this early on (does it mean something specific to Tatiana, and is that specific thing important? If not – if it’s just figurative language – I’d cut, but you bring up her sense of smell more than once, so maybe it is?).

    Maybe this isn’t something to cover thoroughly in your first few pages, but if you could give some small verbal nod to what Tatiana actually does for the woman in the cabin, that would be helpful. “I have come for you” made me think Tatiana was going to take her somewhere.

    Like other commenters, I found the dream/awake bits confusing; please clarify. How does Tatiana feel about actually traveling to the mortal world? I want to hear more about the physical sensation of being there – you tell us that she feels physical pain because she doesn’t belong there; but Morena questions Tatiana’s ability to perceive whether she is dreaming/waking, which is confusing if they feel different. Is the difference between dreamwalking and physically visiting the mortal realm important to the rest of the story and/or to Tatiana’s character? It’s super prominent here.

    I find myself wanting to see more of Tatiana’s inner struggle, and slightly less of the details of the world’s backstory. What does she particularly dislike about her job? What does that dislike feel like? Is there anything she likes about it (taking the souls away from their pain maybe)? What does she feel about mortals v gods (does she pity/envy the mortals at all, or just want to be a better kind of goddess like Morena)? You’re starting to get there in the last paragraph, and I love it. I bet you could put in more of that personal touch throughout, and it would make this foreign world seem more relatable.

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  7. Hi Laura,
    There is a lot to like in these pages! I can tell where you’re going, and I’m intrigued, but the narrative has a lot of repetition and the wake/dream distinction is confusing.
    I have a couple of ideas.

    First, read it out loud. Your ear will find things your eye might miss. For example, there’s a tense slip - There was no relief on her voice, like there isn't in any of the others. She knew she was as good as dead. As you read it aloud, cut everything repetitive. In the first few lines we have prelude to death, smell of death, and blood twice. Also, try to condense paragraphs when you are basically repeating what we know. Such as here, you don’t need to tell us twice that she’s been doing this for years. If you keep just the powerful words and image, you could easily trim this to one paragraph:

    There was no avoiding what came next -- there never was. I didn't know
    how many times I had done this before -- how many scenes like this, to
    the point where I was not able to distinguish which ones are dreams
    and which are real. It didn't matter anyway.

    The body lay on the wooden floor. It was a woman and she had been
    stabbed multiple times. I tiptoed my way around the room, avoiding
    where the blood had touched. After all this years, I had learned not
    to stain my clothes. I held my breath as I smelled her death, her
    blood and her nightmares. Her nightmares smelled like shadows and her
    death sang around the room. I did not know this woman's name.

    Lastly (and your probably going to hate me for saying this!) Think about where to start. I loved this paragraph – it is beautifully written and mysterious. Why not start with this? (just and idea!)

    In a moment, the raven materialized into shadows and then into the
    goddess of nightmares. Her appearance never failed to take my breath
    away, as if for a moment my nightmares had come alive. She stood with
    her dark clothes and dark skin against the bleak setting of the dying
    woods, a vision among mortals. Her crow pendant hung from her neck,
    bright silver, the only color among her figure.

    Good luck, and I can't wait to read where you go with this!!

    ReplyDelete