Christa French
YA
PITCH
Cate’s magic is the worst. She loves singing and dancing through the Free Cities with her traveling caravan show; magic threatens everything. Unlike normal, cookfire-and-candle magic, Cate’s manifests as wildfires. Or earthquakes. Or blood rain.
When her mother dies, Cate starts to lose control. She has to find a magic teacher, fast, and there’s only one place to look: the magician-priests of the Union – terrifying, self-mutilated, and morally opposed to such frivolities as singing, dancing, and freedom. But when Cate travels to the Union and meets her first priest, she finds the last thing she expected: love. And also that the Union is about to invade her homeland.
Cate must fight for control – not just of her magic, but of those who would use her for it. As the world erupts into war, she must make peace with her own destructive power in order to protect those she loves.
UNION is a young adult fantasy novel about making one’s place in the world, complete at 79,500 words. It will appeal to readers of Kristin Cashore, Rae Carson, and Sarah Maas.
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REVISION
I’m dreaming of my mother when fire wakes me.
My wagon is blazing, flames spread beyond saving anything but my own skin. My eyes burn; smoke strangles my screams. A crockery jar explodes, sending jagged shards to slit my cheek. The canvas cover is in tatters, burning to bright ash, revealing the night sky. And there, unmistakable even in the roaring chaos of the fire, singing through my veins as the last of it leaves my body, is the magic.
I wrap the blanket around myself and launch over the side of the wagon to the ground. Someone screams, and I hear running feet. I'm rolled over and over inside my cover. I struggle out, coughing and disoriented, a circle of indistinct faces staring down at me. Then I scramble up in panic and lurch back toward the wagon. Mama hasn’t been able to walk by herself for a year. I have to get to her.
“Cate! No!” Hands clutch at me, but I break free.
“I have to get Mama!”
“Cate!” The new voice stops me. It’s Nerissa. My best friend scrambles between me and the wagon and plants her feet, palms digging into my shoulders. Her dark hair rises behind her like flame, caught in the updraft. “Stop it! She’s not in there! Catey! Look at me!”
I blink. Try to wake up.
My mother is not in the wagon, I remember, because she is already dead.
I let Nerissa pull me back toward the others. The rest of my caravan stands a safe distance from the flames, contortionists, fortune tellers, animal trainers, and musicians all staring at the blaze that used to be my wagon. Behind them, just visible in the pre-dawn light, rise the great stone faces of what we on the island call the Gathering of the Gods: a host of well-worn statues, some lovingly preserved, some mysterious with age. Among them stands the Lady of Mist, goddess of the dead, at whose feet I personally vomited earlier tonight.
Nerissa says, "Calm down, Cate. You have to calm down.” She’s right. I squeeze my eyes shut, try to let the searing emotions of the dream fade into the night.
“Are you all right?”
I am not. I’m still wearing my green dress, slightly drunk on the wine of my mother’s funeral celebration. I have burns I can barely feel. And everything I had left of my mother is charring to cinder.
Because I can’t control the magic.
Someone tugs at my skirt. It's Boggle, the goblin who rides with our caravan. The top of his head only comes to my knees, but I see his knobby black body plainly in the firelight. He butts his head against my legs and winds around them, humming and hopping a cheerful dance.
At least someone likes my magic.
***
In the morning I sit a fair distance from the cook fire, wrapped in one of Nerissa’s blankets, and let her brew raspberry tea for both of us. Boggle sits close by, eyeing Nerissa’s proceedings and smacking his lips.
Nerissa would be with me anyway, but as of last night she’s officially also here as my babysitter. No one has decided yet what to do when I sleep, but in the daytime, they rest of the caravan will be taking shifts to stay near and keep me calm. To stave off magical catastrophe.
I pick at the dressing on my burns and wish the air would stop smelling of smoke and ash. At least, I tell myself, it only burned my wagon, and not anyone else’s. At least it wasn’t worse.
At least this time it wasn’t blood rain.
Minor fire magic is normal. I’ve met plenty of people who could heat a pot or kindle a cookfire, and our sword-swallower lines his blades with magic flame for his act. I’ve heard there are a few wild magicians in the Union – but to Unionists, Free Cities folk are all godless heretics, in need of salvation by punishment. The only wild magician I ever knew was my mother; and by the time my own wild magic showed up, she was too sick to train me.
My friend Carolaine stumbles up, still strapping on her knives, and heaves down next to us. She came all the way from Kern for the funeral, and she’s not used to the caravan's famous white liquor. Nerissa has been at the stuff since she was ten, and she's sipping more from a hip flask right now. I’d join her, but I can’t afford anything that might make me lose control.
“You look like you’ve been wadded up in a pocket,” Nerissa tells Carolaine, smoothing her own pretty blue dress. “Don’t traders learn how to drink?”
Carolaine doesn’t answer. Instead, she palms a knife and whips it into the dirt between Nerissa’s feet. It shocks me out of my self pity, and I let out a startled laugh. Nerissa sticks her tongue out at both of us.
“Kern girls learn other skills,” I snicker, picking up the knife, feeling its heft.
“You should let me teach you,” says Carolaine, her frown making it clear I’m not holding the blade right.
“I could use knife tricks in my act,” chirps Nerissa. Carolaine glowers at her.
“Weapons are not for tricks. They’re for self-defense.”
“Oh, no,” I laugh. “We don't defend ourselves with knives. Nerissa and I are caravan girls! We entertain! When that doesn’t work, we lie. And when that doesn’t work, we run away.”
“Is that your plan for the magic?” Carolaine says. "It's getting worse, Cate."
Carolaine doesn’t pull punches. That’s more fun sometimes than others, and this one lands hard. I hand the knife back. "It’s never happened in my sleep before."
"She was upset last night," Nerissa says, and scoots closer to me. She glares at Carolaine. This is like a starling glaring at a hawk. "It was her mother's funeral. That doesn't happen all the time."
"No," I say. "Carolaine's right. It's getting worse."
Nerissa bites her lip. After a moment, she offers Carolaine some tea, but the bigger girl waves it away. Nerissa gives me a cup, hands Boggle a smaller one, and drinks the rest herself, adding a generous splash from her flask.
Carolaine asks, "What are you going to do?"
"I don't know,” I say, and that is the truest sentiment I’ve uttered in weeks. I’ve been trying to be strong and sometimes succeeding, but right now I’m lost. I press my eyes closed, trying to clear them. They burn from the smoke. “Mama was so sure she could teach me to control it, but at the end . . . well, Nerissa knows. At the end she couldn't remember my name."
Carolaine half-rises, then shakes her head and sits again. It seems like she wants to comfort me but doesn't know how. I smile at her, putting my caravan-girl charm to good effect. Carolaine calls this “lying with your face,” but right now I don’t care. I can’t handle her sympathy on top of everything else.
"It's okay. I said goodbye to Mama before last night." At least that much is true. My mother was a shadow for the last year, a mumbling skeleton who had to be protected from herself. I’m glad, for her sake, that she’s gone to the Other Land. But for myself . . . I could use a little help.
Hi Christa,
ReplyDeleteFirst, for the five pages, I really see the progression here from the first draft—everything is tighter and clearer. You’ve done a really nice job integrating everyone’s comments. I feel I understand the relationship among Cate, Nerissa, and Carolaine, and there are some hints about the different types of places they come from that give us some exposition without feeling overpowering.
The one beat that was a bit of an exception to that, for me, was this sentence: “Behind them, just visible in the pre-dawn light, rise the great stone faces of what we on the island call the Gathering of the Gods: a host of well-worn statues, some lovingly preserved, some mysterious with age. Among them stands the Lady of Mist, goddess of the dead, at whose feet I personally vomited earlier tonight.” This part felt like a mini-exposition dump. If you were to fine-tune any chunk in the first pages, this is the one I’d hone in on.
I’m invested in your story and I like your writing style…but I don’t think your pitch is as exciting as it needs to be to match! The tone of the first line sounds sort of self-deprecating and modern “Cate’s magic is the worst,” but then your tone shifts into a more elevated one. There also may be too much “tell” in the first paragraph. You do make it clear that Cate’s quest is to tame her magic, which is good—we want to know the stakes. I’d like to see a few more concrete, sensory images in the pitch. Perhaps you could include the wagon fire in the first section of the pitch?
Again, I really like what you’ve done, and I’d like to read more of Cate’s story :)
Hi Christa,
ReplyDeleteI really like your whole pitch, but you can add more stuff in, and take care with the words -- that last paragraph doesn't count inside the pitch, (250 word pitch + 100word for introduction/mini-bio/comp titles) so you can work out in that frame. The voice in the query feels off at first, but definetly fits into fantasy on the rest of the pitch.
Your hook is a lot better this time around, as well -- there are some great hints at what's coming next, and your version is a lot tighter than the other ones. The part about magicians in the Union feels a little too exposition to me, information woven at the wrong place.
Great work, and I hope you find a home for Cate's story soon - I would really love to read the rest someday!
Nice changes to the opening! I can almost feel the searing heat and Cate’s intense fear. You also did a great job bringing together a better flow with your character movements (i.e. the tea).
ReplyDeleteYour pitch provides us with a lot of new information. The Union is an intriguing element, but I wish you would present it in a more fluid manner. “And also that the Union is about to invade her homeland.” This feels like such an afterthought, but it seems like a big part of the plot. Work on weaving it into the overall pitch and it can only great stronger from there.
I enjoyed reading your revisions and look forward to seeing your story on bookshelves in the future :-)
I think your story has come a long way and sounds much clearer now. Great job! The pitch can be confusing at times when you mention things the reader doesn't know anything about, like Free Cities and the Union, magic-priests, etc. The paragraph about how cate must make peace with her magic and learn to control it before someone uses her was a bit confusing. you haven't said anything about someone (who?) using her and I thought she wanted to control it, not just accept it (make peace). Otherwise, the pitch sounded good. Just a little clearing up would help.
ReplyDeleteI think your story has come a long way and sounds much clearer now. Great job! The pitch can be confusing at times when you mention things the reader doesn't know anything about, like Free Cities and the Union, magic-priests, etc. The paragraph about how cate must make peace with her magic and learn to control it before someone uses her was a bit confusing. you haven't said anything about someone (who?) using her and I thought she wanted to control it, not just accept it (make peace). Otherwise, the pitch sounded good. Just a little clearing up would help.
ReplyDeleteHi Christa,
ReplyDeleteI really like how you’ve constructed your pitch!
One adjustment - “magic threatens everything.” Maybe consider throwing in the pronoun, “her magic threatens everything” so that your reader stays on track. I like how you’ve described Cate’s magic and differentiated it from normal magic right away. The intrigue is definitely there.
It does make me wonder, though, about her magic. From what I’ve read in previous entries (and even in this newer one) I thought that Cate’s magic was strictly fire magic. You even compare it in your pitch to “cookfire and candles.” You’re setting the magic up to be very ‘fire-themed.’ So, when her magic manifests into other elements like earthquakes and blood rain, it’s a big jump. While I don’t need to know all of the details at this point in the story, I need a hint as to how fire magic evolves into these larger, more destructive catastrophes.
Otherwise, your writing in this revision is much clearer, the story is tighter, and the relationships are stronger. Great job! I’ve enjoyed reading your entries, and can’t wait to read “Union” in its entirety. :)
Danielle Burby here! (Sorry that my name isn't showing up in the sign in)
ReplyDeleteHi Christa,
I'm going to start with your pitch because there's a lot there to like, but there are also some things in that first paragraph that trip me up. My comments in caps below.
Cate’s magic is the worst. (SPECIFY THAT YOU'RE TALKING ABOUT HER MAGICAL POWERS) She loves singing and dancing through the Free Cities with her traveling caravan show; magic threatens everything. (I LOVE SEMICOLONS, BUT THIS ONE DOESN'T QUITE FIT. THE TWO THOUGHTS DON'T OBVIOUSLY GO TOGETHER SO I AM LEFT CONFUSED AND SCRAMBLING TO CATCH UP) Unlike normal, (NO COMMA) cookfire-and-candle magic, Cate’s (POWERS MANIFEST) manifests as wildfires. Or earthquakes. Or blood rain. (I WOULD EVEN SAY: CATE'S POWERS ARE DESTRUCTIVE, MANIFESTING IN...)
Okay. Moving on to the first pages!
There's a lot here to love. The caravan/carnival setting feels fresh and unique. I don't see that in my inbox often so you definitely have a good angle to work with. You put us right in the action, which is nice. I'm definitely invested in your character and her surroundings.
I'd recommend doing a scrub for stray commas and the occasional grammatical error. I spotted a couple of mistakes as I read.
I will say that it feels a little bit too fast and breathless at times and I wanted to experience breathing moments. I wonder, though, whether that is a product of the present tense. In past tense, your pacing would probably work well, but present tense does require more breathing room because it is so immediate. As you revise, keep in mind that your reader needs to be in the world with Cate, which sometimes means that you need to pause in order to ensure that you're making the setting rich and tangible. I consider this particularly important for you in light of the wonderful setting you've created.
Hi Christa,
ReplyDeleteI am really terrible at queries, and always had friends read (and revise) them for me. But for what it is worth, the voice felt off to me, and it was a bit too businesslike – which is what I always did! So I would revise to make it more exciting/enticing – and ask others to read it. We at first 5 will be here after the workshop ends, so feel free to post a revised query at the fb group!
Regarding the pages – great job revising. It is much tighter. I like that we are getting closer to the story problem – she can’t control her magic and has to find a teacher. ASAP. I wonder if trimming the information about her mother (and putting it in more fully later) would help us get to the story issue sooner. Also, you could think about having her friends frantically trying to hide/minimize her fire, so that she’s not thrown out of the group. Or – if she is soon to leave the group, to find this teacher, perhaps have them toss her out because she’s dangerous? That creates immediate tension and stakes.
Thank you for letting me read these pages – and good luck with your intriguing story!