Monday, September 14, 2015

1st 5 Pages September Workshop - French Revision 1

Name: Christa French
Genre: Young Adult Fantasy
Title: Union

When I wake, the wagon is ablaze.

It’s already spread beyond saving anything but my own skin. My eyes burn; smoke strangles my screams. A crockery jar explodes, sending jagged shards to slit my cheek. The canvas cover is in tatters, burning to bright ash, revealing the night sky.

I wrap the blanket around myself and launch over the side of the wagon to the ground. Someone screams, and I hear running feet. I'm rolled over and over inside my cover. I struggle out, coughing and disoriented, a circle of indistinct faces staring down at me. Then I scramble up and lurch toward the wagon in panic. Mama hasn’t been able to walk by herself for a year. I have to get to her.

“Cate! No!” Hands clutch at me, but I break free.

“I have to get Mama!”

“Cate!” The new voice stops me. It’s Nerissa. My best friend plants her feet, palms digging into my shoulders. Her dark hair rises behind her like flame, caught in the updraft. “Stop it! She’s not in there! Catey! Look at me!”

I blink. Try to wake up.

My mother is not in the wagon, I remember, because she is already dead.

I let Nerissa pull me back toward the others, who gather me in. The rest of my caravan stands a safe distance from the flames, contortionists, fortune tellers, animal trainers, and musicians all staring at the blaze that used to be my wagon. Behind them, just visible in the pre-dawn light, rise the great stone faces of what we on the island call the Gathering of the Gods: a host of well-worn statues, some lovingly preserved, some mysterious with age. Among them stands the Lady of Mist, goddess of the dead, at whose feet I personally vomited earlier tonight.

Nerissa says, "Are you all right?”

I am not. I’m still wearing my green dress, slightly drunk on the wine of my mother’s funeral celebration. I have burns I can barely feel. And everything I had left of my mother is charring to cinder.

Because I can’t control the magic.

This fire burned too fast for nature. It must have come from me.

Someone tugs at my skirt. It's Boggle, the goblin who rides with our caravan. The top of his head only comes to my knees, but I see his knobby black body plainly in the light from the wagon. He butts his head against my legs and winds around them, humming and hopping a cheerful dance.

At least someone likes my magic.

***

In the morning I sit a fair distance from the cook fire, wrapped in one of Nerissa’s blankets, and let her brew raspberry tea for both of us. I’ve had too much of fire, myself.

Boggle sits close by, eyeing Nerissa’s proceedings and smacking his lips. A flash of black fur in the corner of my eye tells me the trainers are running the weirlings through their act, though my mother’s pack of tamed wildcats performed perfectly last night, as if in tribute. The other members of the caravan tiptoe around us. They know I don't want to talk but can't help smothering me in concerned glances. Everyone has been worried that I’d lose control of the magic with my mother gone, and they were right.

Minor fire magic is normal. I’ve met a fair few people who could heat a pot or kindle a cookfire, and our sword-swallower lines his blades with magic flame for his act. But the only wild magician I ever knew was my mother; and by the time my own wild magic showed up, she was too sick to train me. So I’m dangerous to be around.

Last night showed me one thing: everyone should stay as far from me as possible.

I pick at the dressing on my burns and wish the world would stop smelling of smoke and ash. The others have cleared away the detritus of last night’s funeral celebration, though my mother’s pyre still stands not far from the charred skeleton of our wagon. My known world has, quite literally, gone up in flames. The world is a tinderbox, and I am the spark.

No, I remind myself. Mama’s death wasn’t my fault. She was sick long before magic happened to me.

My friend Carolaine stumbles up, still strapping on her knives, and heaves down next to us. She came here last night for the funeral, and she’s not used to the caravan's famous white liquor. Nerissa has been at the stuff since she was ten, and she's sipping more from a hip flask right now. I’d join her, but I can’t afford anything that might make me lose control.

“You look like you’ve been wadded up in a pocket,” Nerissa tells Carolaine, smoothing her own pretty blue dress. “Don’t Kern girls learn how to drink?”

Carolaine doesn’t answer. Instead, she palms a knife and whips it into the dirt between Nerissa’s feet. It shocks me out of my self pity, and I let out a startled laugh. Nerissa sticks her tongue out at both of us.

“Kern girls learn other skills,” I snicker, picking up the knife, feeling its heft.

“You should let me teach you,” says Carolaine, her frown making it clear I’m not holding the blade right.

“I could use knife tricks in my act,” chirps Nerissa. Carolaine lowers at her.

“Not tricks. Self-defense.”

“Oh, no,” I laugh. “We don't fight with knives. We're caravan girls! We entertain! When that doesn’t work, we lie. And when that doesn’t work, we run away.”

“Is that your plan for the magic?” Carolaine says. "It's getting worse, Cate."

Carolaine doesn’t pull punches. That’s more fun sometimes than others, and this one lands hard. I hand the knife back. "It’s never happened in my sleep before."

"She was upset last night," Nerissa says, and scoots closer to me. She glares at Carolaine. This is like a starling glaring at a hawk. "It was her mother's funeral. That doesn't happen all the time."

"No," I say. "Carolaine's right. It's getting worse."

Nerissa bites her lip. After a moment, she offers Carolaine some tea, but the bigger girl waves it away. Nerissa gives a little cup to Boggle and drinks the rest herself, adding a generous splash from her flask.

Carolaine asks, "What are you going to do?"

"I don't know,” I say, and that is the truest sentiment I’ve uttered in weeks. I’ve been trying to be strong and sometimes succeeding, but right now I’m lost. I press my eyes closed, trying to clear them. They burn from the smoke. “Mama was so sure she could teach me to control it, but at the end . . . well, Nerissa knows. At the end she couldn't remember my name."

Carolaine half-rises, then shakes her head and sits again. It seems like she wants to comfort me but doesn't know how. I smile at her, putting my caravan-girl charm to good effect. Carolaine calls this “lying with your face,” but right now I don’t care. I can’t handle her sympathy on top of everything else.

"It's okay. I said goodbye to Mama before last night." At least that much is true. My mother was a shadow for the last year, a mumbling skeleton who had to be protected from herself. I’m glad, for her sake, that she’s gone to the Other Land. But for myself . . . I could use a little help.

8 comments:

  1. The opening feels much more realistic now. Great addition of the exploding crockery acting as shrapnel. You’ve also done a nice job changing up the mention of the statues on the island. It feels like a more seamless introduction without all the names to bog it down. Well done.

    The only thing I’m really noticing is a tendency to lead the reader. When you says things like “So I’m dangerous to be around.” The reader already knows this after Cate lit her wagon on fire on accident. Or “Because I can’t control the magic. This fire burned too fast for nature. It must have come from me.” You’re spoon feeding the reader with this information, give them enough information to be suspicious and keep them reading.

    A small note on consistency, if Nerissa is brewing tea for herself and Cate, she needs to give Cate the tea rather than offer it to Carolaine and give it to Boggle or have Cate grumble about not getting her tea. Just something to keep an eye on.

    I can’t wait to read the next revision.

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  2. I'm still not getting a good sense of some of the things going on. When Nerissa is talking to Cate while the fire is burning, you describe how she plants her feet and her hair is flowing out behind her. Cate would only see this if Nerissa were in front of her, but it seems like she is behind Cate after that. Be careful with first person POV that you can only see what your MC sees. Also, I still don't get the statues. It feels like this was rushed over and I have no idea why it is there at that point in the story.

    Also, there are a few times when the action stops. You are describing the burning wagon but I rarely feel like there is danger or drama in that because she gets out of it so quickly and then just looks around. I just don't see the tension enough with that. the bit about the fire just starts and stops too quickly.

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  3. Hi Christa,

    This is a much better opening, I read it without batting an eye at strange mentions and the worldbuilding around the caravan felt much more real this time. You've toned the atmosphere really well. I really like the new parts of the dialogue, which feel a lot more real to me now, a conversation between friends.

    I'd suggest being a little less obvious in relation to Cate's power, she repeats several times about her powers. Mentioning it once or twice is probably enough to keep the reader going and be curious enough about what will happen next. I feel a lot more of Cate's put-on charms on this version, so it's very good! I can definetly see the caravan girl act she can put on this time.

    Good work!

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  4. Hi Christa,

    Great imagery in this opening scene: “The canvas cover is in tatters, burning to bright ash, revealing the night sky.” This and the previous sentences are vivid but concise and capture every sense. I also really like the new descriptives on the island god statues. It makes more sense to me now and they have more purpose in setting the stage for Cate’s world.
    “The fire burned too fast for nature. It must have come from me.” I understand what you mean here, and it’s a delicious little morsel about regular fire vs. Cate’s fire, but I feel I need a bit more detail here to differentiate the two. Something indelible about fire magic that makes it really stand out from your average man-made/nature-made fire.
    I might leave out “So I’m dangerous to be around.” When you say: “The world is a tinderbox, and I am the spark” I get the danger there, in a much more powerful way.
    Nice addition in explaining why Carolaine has joined the caravan.
    Love the friction between Nerissa and Carolaine, as well as the interaction between all three girls. Good contrasts.
    At the end, when Cate says: “I could use a little help,” I wonder if we could get an inkling beforehand as to where or how or who she could possibly get that help from. Just a teaser for her character’s upcoming journey.
    Really nice work here!

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  5. Hi Christa,
    I like what you’ve done here so far—I have fewer questions, and I think the opening works well. I love the image of Cate waking up in the burning wagon. I’m a little uncertain how I feel about her starting fires in her sleep. It seems like an odd manifestation of magic, but as long as you have self-consistent rules for your magical world I’m sure I can go along with it!

    I would definitely watch out for too much “tell”—especially lines which express the same idea. You have Cate state that she can’t control her magic, then she says (in her interior monologue), “So I’m dangerous to be around” and then in the very next line she repeats that everyone should stay away from her.

    The extra details about caravan girls here are welcome, at least to this reader. Is Carolaine one? I’m not sure after reading this version. She seems to be looking down at Nerissa, at least. Is that out of jealousy over her friendship with Cate, or something else? Maybe a few more hints would help your characters gel even more quickly.

    I noticed there are a lot of great sensory details in this draft, as for example in the moments after the fire when Cate sits wrapped in a blanket. Could you connect this specific sensory moments more to the magical part of the world? What does it feel like to start a fire? Does that fire smell or look different than a “natural” one?

    One small edit note: “Carolaine lowers at her”—I think you may want “glowers.”
    Overall, I still really like what you’ve got here, and looking forward to seeing the next revision!

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  6. Nice revision! It reads much more smoothly, so great job!

    My main issue is that the reader keeps being told that she is too dangerous to be around – so why does no one else seem worried? Perhaps the friends would say, you have to keep this a secret, no one can know or they’ll give you the boot. Otherwise, if she starts fire in her sleep – who would want to be around her? It is great stakes – but it feels like the stakes are only in your MC’s head. Her friends seem worried, but not panicked. And the others worry she can’t control it, but still are smothering her with worry. Very nice, but I’m not sure it’s realistic! A plan would be set in place, I would think, to keep her with them, and keep themselves safe.

    As in the last draft, I love your writing – the beautiful images, and wonderful voice and style you have. But I agree with Jen – what does it feel like to start a fire? She picks at her dressings – does her hand burn when she starts it? What does it feel like to loose control?

    I’m looking forward to reading next week!

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  7. Christa! First off my sincerest apologies for being behind on leaving comments. I've been swamped with getting my minions back into school and a few others things.

    Your opening scene is beautiful! I love the imagery, the fact that you pull in multiple senses. It can envision it well. My only concern is the lack urgency by everyone else around her. They don't seem that worried about her. Only Nerrissa comes to her after she's almost incinerated herself and her belongs. I would imagine that others would rush to her aid and still others would be attempting to put the fire out.

    Regarding the above comments on telling: I agree with most of them. However, have you read Tahereh Mafi's book Shatter Me? Her does something similar in which she tells the reader she's a monster because of her abilities. This worked well for her story because her whole journey is about changing her view of her self and skills from being a monster with cursed abilities to recognizing she's more than special and ability is a gift. I think this telling piece that others are pointing out could work if your MC is taking a similar journey. If she's self-loathing and then self-loving at the end, I think you tweak those kind of statements enough to make it work. But they be powerful and few. So instead of saying I'm dangerous...maybe I'm deadly. People are frightened of me. No one comes to help even though everything I own burns. I don't know, I'm just brainstorming some thoughts here. But overall, I think the others are right in that there seems to be a lot comments and focus and how dangerous she is. I'd rather see a few punchy lines.

    I do love the little trio of friends. Great job introducing them and giving them such distinct voices. I'd encourage you to hook up with a critique partner with a critical editorial eye. There were a few small things that I thought could be cut or could be written a bit stronger.

    Overall, much better opening pages! WTG! Keep on writing!

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  8. Christa! First off my sincerest apologies for being behind on leaving comments. I've been swamped with getting my minions back into school and a few others things.

    Your opening scene is beautiful! I love the imagery, the fact that you pull in multiple senses. It can envision it well. My only concern is the lack urgency by everyone else around her. They don't seem that worried about her. Only Nerrissa comes to her after she's almost incinerated herself and her belongs. I would imagine that others would rush to her aid and still others would be attempting to put the fire out.

    Regarding the above comments on telling: I agree with most of them. However, have you read Tahereh Mafi's book Shatter Me? Her does something similar in which she tells the reader she's a monster because of her abilities. This worked well for her story because her whole journey is about changing her view of her self and skills from being a monster with cursed abilities to recognizing she's more than special and ability is a gift. I think this telling piece that others are pointing out could work if your MC is taking a similar journey. If she's self-loathing and then self-loving at the end, I think you tweak those kind of statements enough to make it work. But they be powerful and few. So instead of saying I'm dangerous...maybe I'm deadly. People are frightened of me. No one comes to help even though everything I own burns. I don't know, I'm just brainstorming some thoughts here. But overall, I think the others are right in that there seems to be a lot comments and focus and how dangerous she is. I'd rather see a few punchy lines.

    I do love the little trio of friends. Great job introducing them and giving them such distinct voices. I'd encourage you to hook up with a critique partner with a critical editorial eye. There were a few small things that I thought could be cut or could be written a bit stronger.

    Overall, much better opening pages! WTG! Keep on writing!

    ReplyDelete