Sunday, August 2, 2015

1st 5 Pages August Workshop - Miles

Name: Melissa Miles
Genre: Young Adult
Title: Hashtag Witness
 
The first time I heard the term Reign of Terror, it oozed from the lips of the bleached blonde anchor woman on the local TV news program. Even though I was in the middle of my Calculus homework, it actually caused me to turn and look at her, expecting to see a weather map with some kind of freakish acid rain that would kill us all—only if all the chemicals that get sprayed on our food don’t eradicate us first. It didn’t take me long to figure out that she wasn’t talking about the kind of rain that falls from dark clouds above our heads, but the kind of reign that envelops an entire community in fear.
 
What I actually saw when I caught of glimpse of the screen, was a picture in the top right corner of a crime scene— yellow tape and all. The phrase Reign of Terror was prominently displayed in a color that I felt certain a witty producer had considered the perfect match for blood. I’d like to think that I was above this type of blatant sensationalism, but I have to admit that I actually started listening to the blonde at this point. Chalk it up to that “train wreck” phenomenon—I just had to watch.
 
They had found the body of the second girl; and it was the lead story on the evening’s coverage. The girl had been snatched out of her yard the week before while playing with her little brother. Now, I’ll admit that was scary—in part because it was the second girl who had been abducted in broad daylight in the past two weeks. But even more so because this girl had been in an actual neighborhood this time—and people had literally seen the guy get out of his truck and grab her. Some of the neighbors had even called the cops, but no one had been able to get a license plate number. This is type of thing that creates the, it could happen to me, sort of feeling that always makes me feel kind of nauseated.
 
And now this girl was dead too. Her name was emblazoned above her school picture; and as the news team droned on about the case, my mind began randomly filling with completely irrelevant—and probably inappropriate thoughts at such a time. God, if this ever happened to me, my parents had better find a better picture to give the news people than my school picture. That poor kid hasn’t had the time to develop into her beauty like the first girl—she was so young. Why do they always give the double names of these victims when nobody ever actually calls people by both of their names?
 
But there it was, hanging over that Lifetouch school photo—Dana May Hendricks. I started wondering about the girl right away. Like, did her mom regret the last time she had nagged her about her posture? And was everyone at her school crying and acting like they had been her best friend? Even the ones who had never said a word to her? I felt pretty certain they had. After all, I had been in enough schools to know how things go down in those places.

The first girl that was taken, had been at her mailbox after a pool party. But her house had been kind of deserted, so it wasn’t entirely surprising that no one had witnessed the actual abduction. She had been a year older than me, and about to graduate from high school. It was literally like a week before graduation. Can you imagine? Suffering through 12 years of school and then some bastard decides that this is a good time to do you in? Of course I felt terribly sorry for her, even though I had never actually met her in person. As hard as I tried not to, it’s hard not to become sort of obsessed by a girl like this and wonder what her life must have been like.
 
When the news was covering her disappearance, and then later the discovery of her body (behind a Masonic lodge or something), it had been her school picture emblazoning the screen. You couldn’t help but notice how beautiful she was—blonde wavy hair, blue eyes, amazing smile. She looked gorgeous even in her school yearbook photo. Just like poor Dana May, it had been her full double name that everyone would refer to her by—Shelby Lynn Brown. I was pretty sure than none of her high school friends had ever once called her Shelby Lynn. You could tell by looking at the girl that she had tons of friends. And yet that was the name that every single official involved in the case constantly referred to her by—and it seemed so odd and strangely formal.
 
The national news had picked up coverage of Shelby Lynn’s disappearance because she had been a Type One Diabetic. She was supposed to have medicine with her at all times, but it had been found in her purse on the passenger seat of her car. Her parent’s appeared on television urging for her abductor to get her the medication she needed to survive. The South Carolina Law Enforcement Division issued an Amber Alert immediately, and the largest manhunt in the history of the state was conducted in an attempt to find the abductor before it was too late for Shelby Lynn. When her body was discovered, it struck a blow to the gut of everyone who had been holding prayer vigils for her safe return, piling flowers and stuffed animals at the site of her disappearance and flooding social media with best wishes under the hashtag #findshelbylynn.
 
Looking back, it seems kind of harsh to admit it, but I didn’t spend too much time thinking about these girls once their bodies had been found. After all, I had my own problems to worry about. My dad is a Presbyterian minister in a small South Carolina town, and that probably doesn’t seem like a big deal to most people. Anyone who isn’t a preacher’s kid has no idea what a huge pain it can be. Like moving to this small town in the first place, for instance. Everyone here went to Kindergarten together for Christ’s sake, and my parents expect me to just be able to waltz right in here and make friends with these people. No one around here is particularly looking for new friends, if you know what I mean—they’ve got plenty of old ones.
 
The only good thing I can say about moving here and trying to make new friends was that my parents had at least had the sense not to introduce me to everyone by my full name Melinda Jane Jackson. My middle name Jane isn’t so bad considering it came from my grandma—who was awesome. But I could live without the “Plain Jane” comments that would certainly come with it. Especially since I felt pretty plain most days with my overly poufy red hair and regular old brown eyes. Nothing at all like the formerly gorgeous Shelby Lynn Brown.

20 comments:

  1. I like the beginning sentences, it caught and kept my attention. I especially liked the "oozed from her lips" part as well. With describing appearance, you could be a little more descriptive or creative. For example, instead of "poufy red hair" it could be "wild red tresses" or something along those lines. Same thing goes for describing Shelby. What made her look like she had tons of friends? Maybe she had the kind of open, friendly face that made you want to be her friend.
    I get the feeling that there's going to be action later on. Nice job setting the tone

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    1. Thank you for your feedback. I will put some thought into the descriptions.

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  2. Hi Melissa - can I start by saying I really love your voice here. It is quite gritty and I really like the cynical edge. She almost sounds like a teen version of the classic jaded old private eyes of the 1930s and 40s. I'm guessing that she is going to have some fundamental part to play in solving this mystery. For me there is a good amount of action here for the opening, we get to know the character, her trials with being moved around and trying to make friends in a small, insular town. I connected with her immediately so brilliantly done there. She is definitely very self-aware as shown by the fact that she freely admits to not spending too much time thinking about the two dead girls as her problems seem more pressing, although I do sense her guilt over the fact.
    Because we each will read a story differently, I'm going to say that I, personally, would like to see a slightly more punchy opening. I don't think we need to know the anchor's hair colour (seriously hot many of them aren't bleach blonde?). I would run with something along the lines of "The first time I heard the term Reign of Terror was on the local TV news program. It actually made me look up from the Calculus homework" but that's just me, you know what works best for you.
    One other thing is the fact that no one could help with the license plate. If whoever took her did so in broad daylight in a populated area and had to literally get out of the truck, grab her, somehow restrain her and get her back into the truck - someone would certainly have made out the license plate. Perhaps consider that the truck didn't have any or it had been obscured it some way to make it impossible to read?
    All in all, this moves ahead very nicely and has a great sense of mystery - I am most intrigued as to where the double names fit into the scheme of things and would definitely like to read more.

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    1. Thanks! It will be great to see how I can polish it up. 😊

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  3. Hi Melissa, Thank you so much for participating in the workshop. It takes a brave soul to put his/her work out there for critique. I have been in your shoes and know that firsthand!

    Before I give you some specifics, I wanted to give you a couple of overall comments. First, to me, this start is too much telling, and the telling is about the murders. I actually don’t get enough of a sense of who your main character is. We don’t even get her name until the very end—which would be page 5 in the manuscript. That’s too late and that is indicative to me of how this opening doesn’t ground me in the character or in the story we are about to dive into. When you begin a story, we want a couple of things—ideally—in the first five pages. One is why does this story start today and not yesterday or tomorrow? We don’t have that here. Because this isn’t the moment she sees the second girl dead. She’s telling us all things that have happened before the novel opens. This serves to make the start slow by its very nature. It’s essentially a long flashback. It feels like a prologue but even then I’m not sure how well it’s working because it’s too long for that and it doesn’t end in a punch the way it would need to if it were acting as a prologue. (And really, try to end page 5 with a punch that FORCES the reader to turn the page. Think of ending every chapter on a mini cliffhanger. You have to grab the reader with line one, paragraph one, and seize them again in your last paragraph of every chapter.) At the moment, here, nothing is actually happening. It is a character reflecting on things that have happened in the past. It is a long monologue and the lack of action makes it a slow start.

    Which leads into the second thing an opening must do: it must show us what this story is about. What is the story problem? What challenge(s) does the character face? What is this book about? I don’t know that by page five and I need to know that. She could be abducted, she could investigate the crimes, she could be having to go to school and mourn these girls, she could have her life affirmed by seeing these deaths. I have no sense of who her character is and where she is going in this story. While you don’t give everything away, you need a story problem to be present here—if not externally but internally. What is her inside story? Her wound and her want? As I read through these pages, something you wrote struck me; you say that Melinda doesn’t spend too much time thinking about the girls and yet that’s the focus of the first five pages. That seems a very odd combination and something to consider.

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  4. If these two deaths are key to the story, then perhaps this is the right place to start. But if not, then I suggest you rethink if this is THE place to start your story. There is also a lot of detail in here and I feel it would all read more smoothly if you trimmed some out. Less is more and it will serve to make this read faster and more crisply.

    Have you thought of actually having this start when she sees the second dead girl? So that action is happening and you are able to dive into the character more and give us her feelings and reactions. She could be in the room with a parent or sibling or friend and there could be dialogue—some back and forth for this to be punched up and have better pacing and interplay. Five pages without any action or dialogue is hard anywhere in the novel but especially at the start. You have a paragraph of her asking questions like wondering if her mom would find a better picture of her if she were taken, etc. That’s all great stuff but it’s actually buried among a lot of extraneous detail. Think about if this were all in scene and a dialogue between two people. It would be so much more engaging and your terrific insights would get the chance to pop. Buried amid all else, nothing is standing out the way you want it to. Or this could happen in school and there’s an announcement that the girl is dead. We’d see the other kids who maybe didn’t even know her crying and planning a memorial and that’s showing us what you’ve told us and it would be much more dynamic. That’s what we need here. Many places and ways to start—these are just a couple. A key thing to consider is what is most important to this story. That needs to be in the first five pages.
    
While your writing is strong and clean, I do think it could have a stronger presence. Cutting some of the fat and paying attention to some word choice (be careful of your use of repetitive words. In a few instances you have the same word used in the same sentence: feel and hard, for example) will help. Also, vary your sentence length. You have a lot of long sentences and they end to lull the reader. Make one go: POP! And all of a sudden your longer sentences help to create a rhythm.

    Since I want you to really think about if this is the right place and way to start this story, I’m not going to go into further critique of it until next week. If you keep it this way, pay attention to some of the language and other things I mention above and then we’ll see how it’s working. Excited for round two!

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  5. Thanks Lori, you have given me tons to think about. :) I appreciate the time you took to write such a detailed response!

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    1. You are welcome! I know it is A TON. A huge download! As always, this is your story and your vision and I'm only seeing a snippet. Take the pieces that resonate with you and then trust your gut (good advice always in getting feedback!).

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    2. This is exactly the kind of help I need, so please bring it on! I have thick skin being a preacher's kid myself, and a red headed one at that. I grew up with hundreds of "parents" giving me advice. Ha! :) Your advice about going with your gut is what I always tell new parents (I am a pediatric nurse) and it seems to fit with "giving birth" to my story as well. Thanks again.

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  6. I agree with everything Lori said. If you do need to start with the murders, I would begin with paragraph 3 and trim all the details WAY down. The way you describe it, the details seem pretty standard in kidnapped girl lore. Maybe think of ways to change things up. Show us a unique take on it. I want to be kept on my toes as a reader.

    I also agree that we need much more about our main character up front. There's a line that anyone who's not a preacher's daughter doesn't know what a pain it is, but we've all seen Footloose, and there too we need a fresh take on the trope. I do like the "Christsake's" line here, and I feel like she's going to be a fun, sassy rebel girl, so show me more of it.

    One thing that struck me voice-wise -- I feel like she's coming across way older than she is. Someone mentioned above that she's like a teenage version of the '40s noir detective, and while I kinda like that, it doesn't entirely strike me as authentic. I think trimming down the sentence length and wordiness in the language will help.

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    1. Great suggestions! I've been mulling over Lori's comments for the past few hours and I think I have a good sense of how I can make it more engaging for the readers. I guess we will see how it works out when I get feedback on the revisions! :)

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  8. Reign of Terror got me right from the beginning. I'm a sucker for mysteries and you did a great job hooking me with the plot. I did think it was a little information heavy at the beginning but I know that you have a lot to tell to establish the story. I love the voice you have for this character, I feel like her unique view on the world is fun. I think it's a little odd for her not to really think about two teenage girls who got abducted in a small town, since she is a teenage girl. Maybe if it was in a bigger town? I really like the relevance of the title and I think it's fitting for YA. I would probably prefer #Witness but that's just me. I agree about the license plate thing, I thought that was a bit odd for no one to see it or even attack the man who was obviously taking her.

    I really liked it and I'm glad to be going through this with you!

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  9. Reign of Terror got me right from the beginning. I'm a sucker for mysteries and you did a great job hooking me with the plot. I did think it was a little information heavy at the beginning but I know that you have a lot to tell to establish the story. I love the voice you have for this character, I feel like her unique view on the world is fun. I think it's a little odd for her not to really think about two teenage girls who got abducted in a small town, since she is a teenage girl. Maybe if it was in a bigger town? I really like the relevance of the title and I think it's fitting for YA. I would probably prefer #Witness but that's just me. I agree about the license plate thing, I thought that was a bit odd for no one to see it or even attack the man who was obviously taking her.

    I really liked it and I'm glad to be going through this with you!

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    1. Thanks Valerie. I'm really excited and already thinking of ways to make the opening much stronger.

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  10. Hi Melissa,

    Thanks so much for sharing your work with us!

    Wow. Let me just say: your voice is effortless. So easy to take in, such a confidence that makes it so easy for the reader to enter the story. I really appreciate that. No matter what, keep that voice. Push for the revisions, but make sure you feel it the same way. That is what will make this submission stand out.

    Now, my first question: what genre is this story? The category is YA. But from a selection this long, I should get an idea as to the story question. Right now, I can't quite tell if I'm in a contemporary or a thriller. That needs to be established by careful selection of what you show us, and what your character focuses on. I can't quite tell if she's scared or curious...maybe a bit dismissive, even. Just make sure that the central story question becomes clear, so that we know if this is a thriller, mystery, or just a contemporary featuring missing girls. From the first few paragraphs, I would expect a mystery.

    My next question is regarding the inciting moment: you show us the main character watching the news, but then there isn't a scene that develops. Instead, we have interior thought that runs on too long to keep the reader's attention. The voice is so lovely that it's easy to stick with it for quite a bit longer than usual, but at some point we need a scene. Dialogue. Action. Characters. The monologue can't go on forever, and this length is too long. Give us that opening chapter with the inciting moment. What's about to happen in this story? How is today different for your character? Why does seeing this story MATTER? That's what makes it an inciting moment. Let us see the first domino fall.

    Best of luck with your revisions!

    Melanie Conklin
    First Five Mentor

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    1. Thank you so much. I am really getting a sense of how this opening should play out for readers. In my revisions, I am opening the story with Mindy at school. I think it will plunge the reader more into the action, and I can still pepper the details of the cases in throughout the story without such a long interior monologue. I appreciate the time you took to read and comment on my work. Thanks again!

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  11. So I was about to say that this totally drew me in, but that unfortunately, it was all back story and exposition and needed some action to move the story forward. Lori has already said all of this so I am just going to say that I totally agree. I do think you could keep some of this if you could find a way to weave the Newscast into something she's doing.

    Looking forward to reading the next version!
    Holly

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