Sunday, February 15, 2015

First 5 Pages February Workshop - Bradley Rev 1

Name: Lisa Bradley
Genre: Young Adult Mystery
Title: Island Shadows


The tickets I’m holding are softened and creased, the text nearly rubbed off in spots. I trace their faces with the underside of my thumb.

Three tickets.

“Maybe we’ll do some fishing later, Tess,” Gramps says, looking over at me. He glances down at the tickets. His blue eyes are glassier than I remember, and the freckled brown spots on his hands seem darker too. “Like old times.”

“I’ll probably just draw in my sketchbook.” I slide the tickets back in my sweater pocket.

The Oldsmobile ‘88 is headed toward town for my morning shift at Cafferty’s General Store. For two weeks now, this has been mine and Gramps’s routine.

“Tessy, I hope you know none of this is your fault.”

I give Gramps a look that says I don’t want to talk about it. Ever since I was little, Gramps and I have a way of communicating.

He moves his lips like he might say something else, but doesn’t.

Leaning my head against the window glass, I trace the river as it hugs the highway. You can barely see across the water to the other side, which is Canada, because a dozen wooded islands crowd the view. I count five fishing boats bobbing on the water.

The boats remind me of when Dad, Gramps and I used to troll for stripers. We’d be up and Adam in time to watch the sun come up, nibbling donuts, and tossing our crumbs to the fish.

I wonder if the people in the boats are sharing their breakfast with the fish right now.

A series of flashing lights on the highway causes Gramps to press the brakes. He comes to a stop beside a young-ish looking police officer standing in the road. The cop looks hardly older than me.

Gramps lowers his window; a smell like burning leaves curls inside. “What’s all this, Officer?”

“Another fire.” The policeman leans in toward the window. “Just making sure it’s contained.

Keep your speed down the next few miles.”

Gramps nods, his face tight. He pushes the button, and the window rolls up.

We pass a ladder truck and a Fire & Rescue vehicle farther ahead on the side of the highway, their lights spinning but no sirens.

“Forest fire,” Gramps says. “Already have it under control.”

I don’t know what my face looks like, but Gramps must see something there. He smiles weakly, but his expression seems rolled up like the window.

Growing up in the city you’d think I’d be used to flashing lights, but for some reason this bothers me. Silver Head seems so untroubled. It’s hard to imagine anything bad ever happening here.  That’s one of the reasons I came back.

When my sophomore year ended, my parents agreed to let me spend the summer in Silver Head to help me “deal with things.” A part of me wanted to stay in the city, to stomp my feet and scream that they couldn’t do this to our family. But a larger part of me wanted to leave.

The police cruiser and firetruck lights continue to spin in the side-view mirror until I can’t see them anymore. My eyes stay fixed on the mirror.

The Oldsmobile crawls toward town. We finally round the bend onto Main Street, passing by the welcome sign that says population two thousand five hundred.

Gramps pulls into a parking spot across from Cafferty’s General Store. The summer job isn’t the local library like I’d hoped, but Mike Cafferty pays me decent money for helping him and his sons.

“Sorry you have to keep dropping me off,” I say.

Gramps waves his hand, like it’s no big deal. Town is too far a walk from the cottage. And even though I passed my driver’s test earlier this year, there’s only the Oldsmobile to share between me, Gran and Gramps.

After saying goodbye to Gramps, I cross the street and head toward Cafferty’s. The windows are wallpapered with yellowed ads hawking everything from housecleaning services to charter fishing guides. Paint peels along the edges of the window frames. I swing open the door, and the familiar sounds of bells rattle against the glass. Mike glances up and smiles from behind the register counter, his dark eyes crinkling at the edges. Mike smiles at everyone.

“Mornin’, Tessa.”

Mumbling hello, I stash my backpack in the staff office behind the register counter. My sketch pad and pencils go everywhere with me, even though I haven’t drawn anything in weeks. It’s not like I haven’t tried, but I end up staring at a blank sheet of paper. I won’t improve if I don’t practice. Money I earn this summer at the store is going straight in my “Art School” fund.

Cafferty’s General Store is pretty typical, though about a quarter of the size of a regular grocery store. It sells milk, meat, fruits and vegetables. My area is the gift shop, a cramped space off to one side with a wide opening facing the main part of the store. The corner stocks a treasure chest of shiny things for tourists to buy: miniature lighthouses, dream catchers, beach towels, things like that. The candy aisle’s pretty popular too.

Every morning, except weekends, I ring up Tootsie Pops and bouncy balls for frazzled parents whose children pull at the hems of their shorts. I used to be one of those kids. For ten days every summer, my t-shirts smelled of peach juice, bug spray and diesel fuel. Five years ago, when I was eleven, we stopped coming to the river. Right around the time Mom quit painting and took a job at a bank in mid-town.

“Tess,” Mike calls.

My eyes pivot from Mike to the register. Crap. The register’s jammed up again. Paper is choking out of the receipt slot. The machine starts beeping. Mike puts down the cardboard box he’s hauling and trots over.

A woman and twin toddler boys stare at me from the opposite side of counter, the twins sucking on their Tootsie Pops.

“Sorry,” Mike mutters to the mother. “Technology. I don’t know why I let my teenagers talk me into upgrading this thing.”

Bells rattle on the front door and Mike’s youngest teenager, Ryan, who’s about a year older than me, strides in the store. Ryan’s sandy-colored hair is a few shades darker this morning, probably still damp from his morning laps. Mike calls Ryan over to deal with the paper jam. Ryan slides behind the counter between me and Mike where it’s already cramped. A familiar not unpleasant whiff of spice mixes with something stringent, probably chlorine. Same scent as every morning, not that I notice. Ryan jabs a few buttons on the cash register and pulls a stream of wasted register tape off the machine. The whole thing takes about three seconds, and while Ryan’s working, I’m staring at his clipped fingernails which are unnaturally white. Mike bails from behind the counter as soon as the woman and her kids leave. Ryan leans his long torso against the counter, wadding up the register tape into a ball with his fist.  He dunks the paper ball in a nearby
 wastebasket. “So I’ve been wondering,” he says, pushing hair from his eyes, “what’s with the sweater every day?”

“I—I get cold.” I pull at a loose string along the edge of my sweater.

“It’s eighty degrees out.” He gives me a hundred-watt smile I bet all the girls fall for.

My eyes shift to the cash register.

11 comments:

  1. Wow, Lisa! You really dove into this revision. Bravo! I think, plot-wise, you've made a huge step, paring away unnecessary descriptors and giving us detail where we need it to follow the story. There are a few small details of this sort that still could use smoothing (e.g., we need to understand that Gramps is driving right away - it's a little vague--and it's not clear why he's offering fishing as the very first words this (presumably important) character says in the novel; Tess tells Gramps she's going to sketch then admits she hasn't (so is she lying intentionally to Gramps?); it's up and "at 'em" (not Adam, I think)). I think the next step is to amp up the tension in the opening chapter in some way to hold onto readers who are looking for a mystery because while we now have a nice, clear opening scene, the tidbits about something having happened with Tess's folks and the fires and the white fingernails of the boy don't feel like quite enough to establish the genre--or give us a sense of want/need in the mc (even if it's not mystery related) to keep readers following her journey. Try reading opening lines of Justina Chen's RETURN TO ME, Sarah Dessen's JUST LISTEN or MISS PEREGRINE'S HOME...CHILDREN or THE SCORCH TRIALS to get a sense of potent openings that might inspire. Actually, as I write this, I'm realizing what might be the biggest problem: We have this gorgeous image of worn tickets to which you never again refer in the course of the chapter. If this is the image that is going to draw us into the mystery, I think we need more about this. If not, work on that opening PP to really draw us into some element of the story that carries through chapter 1 in some way. The other (very well revised) elements can be sprinkled throughout ensuing pages or chapters as needed so don't get rid of them--just make sure the start is utterly gripping. You have done a gorgeous job here and you're on your way so don't let this picky mail stress you out--I'm giving you this revision challenge because you're clearly up to it. Have a marvelous week!

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  2. Again, I'm just so taken by your writing. This is truly gorgeous to read. The tension, however, could be boosted.

    As Stasia said, I think you can make your hooks "grippier." I'd definitely weave in a bit more about the tickets if you can. Even if we don't learn much more about them, just a reminder that they are there, burning a hole in her pocket.

    I'd also love to see some more evocative imagery/sensory details that hint at the future mystery. There's a fire. The biologist in me says that this would mean animals on the move. Maybe she sees some birds fleeing or maybe there's even a near-accident as they swerve to dodge some wildlife crossing the road on their way in.

    In the store too, I think the tension could be amped up. I love the details about her history there, and the boy, but I also would love some teasers that hint at future troubles. The white fingernails thing was interesting for a second, but as Ryan acted so nonchalant about them, I immediately corrected my reading of the description to mean that they were just really clean for a boy's fingernails :)

    I'm not 100% sure you need most of the layout etc. info that is in the paragraph that opens "Cafferty's General Store is pretty typical" ... maybe just a few details.

    I noticed a few things that had me re-reading in one passage, so some line-editing below:

    "The boats remind me of when Dad, Gramps and I used to troll for stripers. We’d be up and Adam [[ at 'em ]] in time to watch the sun come up, nibbling donuts, and tossing our crumbs to the fish.

    I wonder if the people in [[ on?]] the boats are sharing their breakfast with the fish right now.

    A series of flashing lights on the highway causes Gramps to press the brakes. [[ "Causes" and "press" seem a little slow/lacking tension ]] He comes to a stop [[ ditto previous comment ]] beside a young-ish looking police officer standing in the road. The cop looks hardly older than me.

    Gramps lowers his window; a smell like burning leaves curls inside. [[ Love this ]] “What’s all this, Officer?”

    “Another fire.” The policeman leans in toward the window. “Just making sure it’s contained. Keep your speed down the next few miles.” [[ I'd love to get a little more of a read on the facial expressions/emotion of the policeman here. Is he bored? Might he suspect that this is no ordinary fire? ]]

    Gramps nods, his face tight. He pushes the button, and the window rolls up.

    We pass a ladder truck and a Fire & Rescue vehicle farther ahead on the side of the highway, their lights spinning but no sirens.

    “Forest fire,” Gramps says. “Already have it under control.” [[ Not sure this is necessary ... seems a really odd thing for him to reiterate since they just were told this by the policeman ]]

    I don’t know what my face looks like, but Gramps must see something there. He smiles weakly, but his expression seems rolled up like the window. [[ I think that this para might make more sense after the next para that reveals she's disturbed by the flashing lights etc]]

    Growing up in the city you’d think I’d be used to flashing lights, but for some reason this bothers me. Silver Head seems so untroubled. It’s hard to imagine anything bad ever happening here. That’s one of the reasons I came back. [[ Love this para and how she's unnerved. Would love a bit more of this sense of forboding woven throughout ]]

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    1. Love this bit of advice: "Even if we don't learn much more about them, just a reminder that they are there, burning a hole in her pocket." I do sort of forget about them until the very end of the scene which is not here. Thank you.

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  3. I agree with the others - beautiful writing, well revised! There's something very natural and authentic in the MC's voice that makes it easy to read and keeps my attention, even in a relatively quiet scene..

    I also agree with what the others have suggested, re: tension and details. And below are a few more of my impressions:

    The first paragraphs felt a little abrupt, perhaps too pared down in this version, for me. I didn’t feel the emotion the way I did last week. If I hadn't read the previous version, I'm not sure I would have gotten that the tickets were for her parents and while I don’t need tons of specifics, I do miss knowing they were for the MET (tells me she’s into art and that she’s from NYC). I also missed knowing she’d bought them, which I think would be a significant purchase for a teen for her parents, which makes the disappointment of not using them all the greater.

    And, as the others have mentioned, just a touch more tension would be great. The fire is so played down - no danger there - that I kind of wonder why that detail makes it into the first 5 pages? Perhaps if it wasn’t quite under control - could be a threat – it would foreshadow impending danger or at least give her a reason to feel unsettled?

    I love the paragraph, “Every morning except Wednesdays…” Wonderful nostalgia.

    A couple little things I tripped on: “mine and Gramps…”; repetition of Gramps, particularly in paragraphs after “Sorry you have to…”; “Leaning my head…, I trace…” – how is she tracing it?

    But again, all nit-picky because this is wonderful work! Can’t wait to read the whole thing!

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  4. Hi Lisa, great job, girl! The opening has much more tension and intrigue with the tickets but I agree with the others about adding a bit more about what the tickets are for, how she bought them, her dreams of this beautiful day at the museum with her parents in her hopes to keep them together, and her own interest in art.

    I also wonder about why the fire is mentioned if there is no real worry about it. I love Carissa's suggestions about it with the animals.

    I like Tessa's relationship with her Grampa, but I think it could be heightened even more in tiny ways, showing us how Tessa feels about him. Can you convey some sort of emotion in their scenes together, her memories, why she loves him, how he's always been a safe place for her when life at home is crazy, etc.

    (yes, it's "at 'em" not Adam. :-) )

    Tessa mentions how she hasn't drawn anything in weeks. Can you give us a bit more emotion over that, how she feels about not drawing (more than just she needs to practice to get better). Does she miss it? How does art help her? Is she feeling empty without it?

    Right before the end you have a VERY long paragraph. I suggest breaking that up into at least 3 paragraphs. I started getting lost in the middle of it.

    I really agree with the other suggestions made here. You have a lot of great elements and if you pushed your dialogue and action a little bit more it would really heighten the entire opening with more emotion and intrigue and tension.

    Can't wait for the next round!

    ~Kimberley

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  6. I deleted because I had a mistake and there's no way to edit! So here it is again.
    Lisa, I loved this version. Your writing is very inviting to read. Everyone has covered a lot of the same things I jotted down. I like how you've weaved her age and her interest in art, without telling. I had to laugh, I always thought the expression was Adam, also!! I will remember, at em!! I kept wanting to feel more tension or hints at the mystery. I felt like the fire has more meaning and if so should be played up more. I wanted a hint on why Gramps repeated Forest Fire? under control. or more tension to let us know this is an important tidbit of information. You tweaked my interest on why she is wearing a sweater in eighty degrees?
    Loved this revision and look forward to reading more. Super writing!

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  7. I deleted because I had a mistake and there's no way to edit! So here it is again.
    Lisa, I loved this version. Your writing is very inviting to read. Everyone has covered a lot of the same things I jotted down. I like how you've weaved her age and her interest in art, without telling. I had to laugh, I always thought the expression was Adam, also!! I will remember, at em!! I kept wanting to feel more tension or hints at the mystery. I felt like the fire has more meaning and if so should be played up more. I wanted a hint on why Gramps repeated Forest Fire? under control. or more tension to let us know this is an important tidbit of information. You tweaked my interest on why she is wearing a sweater in eighty degrees?
    Loved this revision and look forward to reading more. Super writing!

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  8. Not much to add to what the others have said. Your writing is really easy to read and your MC very relatable and likable. Here are some small things, since the big things have already been covered. :)

    "beside a young-ish looking police officer standing in the road. The cop looks hardly older than me." [[you could keep "young-ish looking" or the second sentence, but probably don't need both]]

    "Mike glances up and smiles from behind the register counter, his dark eyes crinkling at the edges. Mike smiles at everyone." [[I like that image. Usually, though, I think eyes crinkle at the 'corners'?]]

    "I don't know why I let my teenagers talk me into upgrading this thing.” [[The word 'upgrading' felt weird; I think the sentence could stand without it. Not important, though.]]

    "stringent" [[means exacting or precise. Do you mean astringent?]]

    I liked the mention of islands in the river -- presumably the islands of the title. I missed hearing that she had bought the tix for her parents' anniversary. That doesn't have to be in the first 5, although it would help to carry the image through, but I hope it's in somewhere.

    Can't wait to see a punched-up version of the mystery. :)

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    1. Good catch, Abigail. Thank you! I was thinking stringent as in strong, harsh. But you're right, it's probably not the right word.

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  9. Hey Lisa! Wow, what a lovely revision! You’ve done some really great work here, weaving in the details of Tessa’s background throughout the story. Nice job! I really enjoyed returning to this world and visiting the characters again. I’m going to get into the nitty-gritty here since so much of this is reading very well.

    I agree with the others on the opening paragraphs—I think we may have steered you too far in the other direction in terms of sparseness. I wonder if there’s a middle ground between this and the paragraphs in your first version. Just a tad more info to hint at the significance of the tickets.

    The final long paragraph felt a bit list-y: Ryan does this, then Mike does this. Then Ryan does this. That kind of thing. Consider breaking this up with some dialogue or interior thought. Just a couple of tweaks should do it.

    I do think we’re missing some of the tension of the original here. The fire provides some, but I found myself wondering if something big was going to happen at the General Store. We need to see why the story is starting here, vs. somewhere else. Even if we can’t get the whole picture in the first five pages (that’s totally okay), some hints as to why the General Store scene is significant would go a long way.

    That’s about it! Love the details about Ryan, and again found myself very intrigued by the fire. You’ve done some fantastic work here, and I can’t wait to see the final version!

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