Monday, August 11, 2014

1st 5 Pages August Workshop - Allen Rev 1

Name: Kathleen S. Allen
Genre: YA dark contemporary
Title: SHATTERED-REV 1

I finger my charm-laden necklace. The sharp points of the Star of David dig into my palm as I walk. The pale blue and white Virgin Mary charm I discovered under my bus seat last year makes tiny clicks. The blue paint is chipped off in spots, but even without the paint if you peer at it, you can see the indentations of her features. I run a nail-bitten purple-polished finger over it. Hail Mary, full of grace…It’s the only part I know. I heard it on a TV show.

Please don’t let me pass out.

But the bubble swells. Breathing stutters. Heart races. Stomach twists. Skin sweats then chills. Shivers rack my bones. Footfalls behind me propel me to race to the partially open door I see off to the side. It leads to a field, empty of people but full of the smell of rain.

Clutching my bag in front of me like a shield, I venture out. My gaze darts to and fro searching for a place to hide. The rain-soaked air cools the hot bubble and I can breathe easier, I hear the bell ring for first hour.

Welcome to the first day of high school, Zoey. Congratulations, you made it a whole ten minutes.

Careful not to get too wet, I duck under the eaves to watch the rainwater gush from the ends of the half-broken gutter pipe onto the dirt to make muddy puddles at my feet. Glass panoramic walls afford me a view into the school. But if I can see in, my classmates can see out, at me.

I scoot around a corner and jump when I encounter a boy who smiles the kind of smile I wish I could keep in my pocket and bring out to dispel the loneliness of night terrors. I blink, caught in its brilliance. Frozen deer-girl, blinking stupidly at this boy. His smile deepens and bright blue eyes whisper secrets. If I’m still, as still as I can be, I’ll hear those secrets. He blinks and I’m freed from his spell.

The overhang doesn’t afford much shelter. A sharp crack of thunder in the distance draws my attention. I don’t notice him reaching for me until he already has the strap of my leather satchel in his hand, tugging on it. I’m tempted to give it to him. Still, I’m not sure why he’d want it, so I tug back. He pulls harder, jerking me closer to him. My gaze drifts to the ground, and the forming puddles wondering what this boy wants and if I can bring myself to give it to him. Lifting my eyes to his, he smiles.

“Stay out of sight,” he says. “Or they’ll find us.” His soft, soothing voice surrounds me like a warm blanket fresh from the dryer. I long to wrap myself in his words, cocooned inside them.

My grip tightens on the strap of my bag and he finally lets go.

His tall, lanky frame lounges against the side of the building. “I like the rain, too. It doesn’t rain much here so we have to enjoy it when it does.”

I lean against the cool bricks.“Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby.”

“Is that from a song?” he asks.

“Langston Hughes, the poet.” The rain pummels the overhang and gathers into fat red drips before falling. “It was night and the rain fell; and, falling, it was rain, but, having fallen, it was blood. And I stand in the morass among the tall lilies, and the rain fell upon my head-and the lilies sighed one unto the other in the solemnity of their desolation.”

“I know that one. It’s from Edgar Allan Poe,” he says. “And the red is from rust on the roof.” He inspects me as if he’s never seen a Poe-spouting girl before. “Do you write it or read it?”

“Both,” I say.

My insides quake. He opens his mouth like he’s about to say something. Instead, he runs a hand through dark curly hair too long to be considered fashionable, unless he’s in a rock band. His gaze sweeps from the top of my head to my muddy Doc Marten’s and back up again to rest on my eyes.

I blink and his grin expands. “Freshman?”

“Yes.”

“From?"

“New York.”

I’ve already shared more than I usually do. Does he know about me? Do I have a scarlet letter emblazoned on me like Hester Prynne? Yes, I’m the same girl you saw in the news, I’m that Zoey Walker. Maybe I should’ve changed my name along with my address. My hands shake more than usual as I wait for the question everyone asks. What was it like? But instead, his eyes turn back to the now-muddy parking lot.

I clutch my necklace and mumble a silent prayer, hoping someone listens, except I know no one does. His cool blue gaze is on me again.

I inhale the scent of the rain as it seeps through my skin to keep it there as a memory for future rain-starved days. He watches me and with a shift of his feet, he’s standing. A move toward me makes me tremble. I brace myself against the reddened-bricks. My eyes dart to the left side but there’s only another building, another brick wall. A nook carved prison just big enough for a small goth girl. I keep my gaze on his face as he scrutinizes me.

“Hold still.”

He reaches out a hand to my hair. I freeze and close my eyes, anticipating the first touch of his long fingers. I shiver breathless as he swipes at the top of my hair. A finger flicks at my cheek.

“Got it,” he says. I open my eyes blurry with visions and he shows me a tiny insect. “This critter was in your hair.” He puts the bug in the grass and it skitters away grateful for a stay of execution.

“You didn't kill it.” Relief washes over me as if I’ve found the hope I so desperately seek.

He steps back and leans against the wall again.“Why should I? It’s not its fault your hair got in its way---.” He smiles. “I’m Rowan.”

He expects me to say my name but I remain silent. When you know a person’s name, you have power over them.

I like the idea of power because I have none. The bottom dropped out of my soul, not all at once but in dribs and drabs. When it finally emptied, it filled again. Not with light or hope or joy but with darkness, horror, and an evil so unspeakable even I dared not say its name to myself. Sometimes I can feel it inside me, begging to be let out, reveling in its glory as I give into it. But I can’t continue to let it take over. It means to consume me and where will I be then? It takes energy to keep it at bay and sometimes, like now, I want so much to let it loose, to give into its baseness but I won’t let it win.

Not anymore.

He leans one foot on the wall. If I reach out I can touch him and my hand aches with longing. One touch. One touch and I’ll be lost. The urge nearly brings me to my knees. I gasp and recoil from the thought. His gaze is kind on mine.

“You okay?”

I bite down on my lower lip to try and keep it inside. I have to get out of here or I won’t be responsible for my actions. He has no idea he’s the rabbit and I’m the wolf in this scenario.This can’t be happening again. I promised. This time will be different, I won’t give in. He turns toward me, blocking me in. I reach out a hand wanting to feel his skin against my palm. Needing to feel it. But before I connect, the door opens. We tip our heads to the side like dogs listening for their master’s voice. A youngish teacher with black-framed glasses too big for her face peers at us from around the corner of the building.

“I thought I saw someone come out here. Back inside, both of you. The bell for first hour already rang.” Her nasal, high-pitched voice grates on my nerves.

The rain plasters her hair to her head. Her curls droop like her expression. Little does she know she’s my savior. Breathing a sigh, I nod.

Rowan shrugs. He takes his time extracting himself from his position against the building. In a leisurely stride he walks to the door. I rush past him to stand in the hallway, breathing hard to focus on calming down.

7 comments:


  1. I don’t understand the image in the first two sentences. Is she wearing the necklace, and if so, how can you finger it and have the points dig into the palm? I’m trying to visualize and I’m having a hard time. Maybe the necklace is in her hand?

    I finger my charm-laden necklace. The sharp points of the Star of David dig into my palm as I walk

    Also, the sentence that starts But the bubble swells is the first we have heard of the bubble. Do you mean to have us figure it out, or should you explain it more?

    I have to say--I was confused when I got to the part where you write about power and Zoey’s like of it. Maybe this is going to be a fantasy book and I didn’t realize that, in which case, I wonder it that should be clearer. As it was I didn’t understand the tension or instant attraction that seemed to be going on between the two characters. It felt like maybe they knew each other from before or were some kind of kindred spirits in a fantasy world.

    Please know that I am not generally a fantasy reader, so I definitely could be missing something. You have a lot of references to "it" and I think that is part of the mystery of the first chapter, but I'm not sure. I admire the tension that exists in your writing, as well as the way that you set up knowing Zoey’s looks and anxiety. I am definitely interested in what is going on, although I wish there was a little more reason for me to care about Zoey.

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    Replies
    1. No, it's not a fantasy. The power she speaks about is feeling in control over someone. I'll see if I can clarify it more. Thanks!

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  2. Hi Kathleen-
    I get that the main character is terribly uncomfortable on her first day at a new school. Although I feel that the sentences in the second chapter are still a bit too choppy. I also don't understand the bubble thing.

    This is the part that I am concerned about:
    I like the idea of power because I have none. The bottom dropped out of my soul, not all at once but in dribs and drabs. When it finally emptied, it filled again. Not with light or hope or joy but with darkness, horror, and an evil so unspeakable even I dared not say its name to myself. Sometimes I can feel it inside me, begging to be let out, reveling in its glory as I give into it. But I can’t continue to let it take over. It means to consume me and where will I be then? It takes energy to keep it at bay and sometimes, like now, I want so much to let it loose, to give into its baseness but I won’t let it win.

    And:
    I bite down on my lower lip to try and keep it inside. I have to get out of here or I won’t be responsible for my actions. He has no idea he’s the rabbit and I’m the wolf in this scenario.This can’t be happening again. I promised. This time will be different, I won’t give in. He turns toward me, blocking me in. I reach out a hand wanting to feel his skin against my palm. Needing to feel it. But before I connect, the door opens.

    You said it's not a fantasy yet it sounds like she is going to turn into a werewolf or something. Of course this all adds to the mystery but should the reader be so "way off base" in the name of tension and mystery?

    I like how you cleaned it up more and it is easier to follow but the first chapter seems like tons of description. Does her necklace lend to the story or is it a prop? Just curious.

    Kate

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  3. Hello Kathleen,

    Thank you for your work on the revision. I appreciate your dedication to the process.

    Here are a few things I feel I need as a reader:

    I need to connect with Zoey. Know who I'm rooting for.
    I need to know her problem/challenge more specifically.
    A little physical grounding earlier on in the scene would help me have a sense of place. (When you get into the descriptions of the eaves etc. it's cool!)
    Try to be more specific and use metaphors a little more sparingly.
    Overall, I'm just craving more clarity in this opening. I want to invest and know who and why I'm doing so.

    A few comments:
    I do like the necklace, but I need to know more about Zoey and how the necklace connects with/reflects her.

    The "bubble" confused me. I'm not sure what it is.

    "Loneliness of night terrors" is confusing since we don't know much about her yet. Maybe save that when we can connect them to her situation.

    References to "spell" and "power" take me right to paranormal brain. Is that what you intend?

    The "power" paragraph confuses me because I know so little about Zoey. I suspect it will be more effective later on.

    Is the Rowan bag strap grabbing playful? Why would he "know about" Zoey. If whatever her notoriety was can you refer to her being on the news or something so as the reader I know something big happened before?

    I like the hints of Zoey having a "past". I'm very curious to find out more about that. You whetted my appetite for the mystery in the "I'm that Zoey Walker..." segment. The wolf and rabbit analogy don't make sense to me yet since I know so little about Zoey.

    I still feel the poetry exchange is too much and not motivated by an action. Wasn't it motivated by a book in the satchel in the previous version?

    I do feel interesting mysteries brewing about Zoey. Let us know her better and feather in all the tidbits and dropped breadcrumbs to keep us coming back for more.

    Can't wait to see where you take this next.

    Happy Writing,
    Leslie

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  4. Hi Kathleen,

    I like the opening much better. I feel her anxiety about school – first day of high school nerves – and then she retreats. It made me instantly curious about her – why? HS is hard for many kids, but most don’t leave. And curious is good! But perhaps you can start with her observing the scene – briefly – so the reader immediately knows where she’s standing. A few short sentences. And then maybe even something like – come on, Zoey, millions of kids get through their first day of HS. But I wasn’t like millions of other kids. I knew that all too well – or some other hint of foreboding.

    Then, if you cut to the necklaces, etc, we see her clutching her talismans, trying to get through it. I thought the bubble was terror, nerves… but do be clearer on that one.

    Once she’s outside, I love the rain, and her interest in the boy. But it does feel rushed. Take your time here. And I agree, I liked the book being in the bag, as well. I was confused about hearing his secrets. Can she read minds? If not, maybe re-phrase. I also wondered why she would just give him her bag. Is it worthless? If so, she could think – hey if he wants it so bad, he can have it. All that’s in there is the photo of the girl I pretend is my sister (loved that from the last draft!) and my book of Poe or some such.

    Love the part I’m that Zoey – instant intrigue! What happened! What was what like? Fabulous! But we go from mystery to a paranormal/danger feel, with this uncontrolled darkness inside of her, that took me totally by surprise. If this is a paranormal/creature type of book, I think you need to weave in threads earlier. If not, I’d cut/rephrase this part.

    I hope this is not to confusing, and helps. I know how hard revising is, believe me!

    Good luck!
    Erin

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  5. "It leads to a field, empty of people.." The phrasing seems unnatural. Can't it just be an empty field?

    "My gaze darts to and fro," again, this doesn't seem natural. I don't think I, or a young adult, would describe the way they're looking at something in this way.

    "Congratulations, you made it a whole ten minutes." I'd really like to see more of this introspective humor/self-depreciation.

    "But if I can see in, my classmates can see out, at me." This seems obvious - I'd like to see her behave in a way that shows she's worried about the people inside.

    "I scoot around a corner and jump when I encounter a boy who smiles the kind of smile I wish I could keep in my pocket and bring out to dispel the loneliness of night terrors." I think this sentence is so much more charming and unique if you stop at pocket. If you need to tell us about her night terrors, then I'd bring up later, or simply brake that thought into a second sentence that follows the pocket one.

    "My gaze drifts to the ground." Seems too flourished for someone to think this. Can she just look at the ground?

    "I like the idea of power because I have none. The bottom dropped out of my soul, not all at once but in dribs and drabs. When it finally emptied, it filled again. Not with light or hope or joy but with darkness, horror, and an evil so unspeakable even I dared not say its name to myself. Sometimes I can feel it inside me, begging to be let out, reveling in its glory as I give into it. But I can’t continue to let it take over. It means to consume me and where will I be then? It takes energy to keep it at bay and sometimes, like now, I want so much to let it loose, to give into its baseness but I won’t let it win." I would drip these emotions out - this is kind of a big dump for this early on considering we're still revving the engine.

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  6. The opening paragraphs are still a bit vague. "Footfalls behind me propel me to race to the partially open door I see off to the side. It leads to a field, empty of people but full of the smell of rain. Clutching my bag in front of me like a shield, I venture out. My gaze darts to and fro searching for a place to hide." Venture out from where? What kind of field? Could be a farm field or football field at this point. I just would like to see a bit more detail so I have a clear image of where she is and what she's about to do.

    I like the changes you made to the conversation between her and the boy - that he is not fully aware of Langston Hughes. Feels more realistic. I would still slow this down a bit. Here is a total stranger who just tried to take her bag (or so she thought) and her first words to him are lines from a poem about rain? And long lines too. This seems abrupt. Consider some other brief introduction between them before she trusts him enough to quote poetry.

    The rest is pretty darn good, actually. The paragraph about the bottom dropping out of her soul is a bit vague again, hinting at something dark in her past. Maybe you could be more specific? Go ahead and give us something tangible so we can look forward to what happens next. But the overall exchange between the two of them is great. I really enjoyed reading this.

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