Monday, February 3, 2014

1st 5 Pages February Workshop - Dagher

Name: Helene Dagher
Genre: YA Fantasy
Title: Reborn


Ever had it been that the young woman knew darkness. She was hardly of age; bony, bare legs sticky with blood. It had trickled into the chamber pot below, and melded with the stench of her prison. With her neck chained to the wall, her flea-bitten hands grasping at air and feet teetering on a splintered beam, she could not adjust her position without penalty of death. She would suffocate on her collar, the fate that had befallen the four rotted men decorating the cavity where she hung.

The choice was hers.

Memories were her familiar diversion until the rusty door squeaked open. She threw an arm to shield her eyes but lost her balance and flailed like a newborn still attached to its cord. Hands restored her to that damned perch, and searched her person. Had her mind the focus to attack, she would not. She shivered. Her throat had dried in the empty cold.

When the iron clanged free, she hesitated; her jailer did not. He lifted her to the floor, wet with excrement. They had given her food and water, yet her legs wobbled from her weight. A headache threatened. Her heart beat much too fast. He manacled her wrists and ankles, and circled her along with nine guards. Swords drawn, spare daggers hidden. Her past was well known.

"If you would follow us..." The jailer paused; he was unsure of how to address her. She would smile if those muscles were not as stiff as the rest.

Light split the crest of dancing lions on their plated armor. A royal contingent. She followed the soldiers and clanked past the moaning of other prisoners, the criminal stacks of hardened bread and shriveled dates. Several times they had to stop so that she could catch her breath—and sneak glances at their surroundings, though her aching joints and throbbing blisters were a distraction. Her training had not conditioned her to the pain.

Her exhaustion wore when they trooped through the courtyard. Atop the four massive towers flapped woven banners. Immaculate grass crunched beneath their boots and stabbed her feet. A sea-breeze whipped through the ivy and reed ridden walls and into pine trees, their leaves blooming in the recent spring.

It was chilly. Her tunic barely shielded her knees. Over the murmur of water, the slap of sandals on stone from those noble gossipers, the jeers echoed. An officious gaggle of veiled women and men in coats of mail laughed from beside a fantastical marble fountain. There loomed a statuesque dragon. Its eyes scorched with fire.

She stared. It held her gaze while she was dragged past cultivated gardens and stationary knights. Featured in her nightmares: another lavish room.

The morning glinted through the stained-glass windows, a mockery of all that she had lost and would find in these sun-favored faces. Intricate arrangements of bluebells draped the long chamber, leading to a stately man with blonde hair fresh from a chamomile oil wash. Robed in red-and-gold, he was strongly perfumed with hyacinths.

Ibn Ash'ab al-Fat'h, dubbed Al-Hashim by his enemies, had led several of his father's campaigns. Before she had been imprisoned, he was known to have journeyed to the farthest edges of the country where the borders were not enforced. Villagers had whispered of his adventure and the treasures he would bequeath to the masses upon his return, earning their loyalty without the conquering choke-hold that Ash'ab had embraced. Certainly his soldiers looked well-fed and unwavering beside the north exits, stairwells and alcoves tucked twenty paces beyond their arches. Al-Hashim leaned forward so that his curls concealed his broken nose while she stood on her cold feet, waiting.

"What do you know of Ibn Shaddad?"

Someone had shown her kindness in the dungeons, but that had not involved sharing information. She shook her head.

"You have no knowledge of the thief?"

Gold flashed on his hands. The foreigner and his trinkets. Albinar natives disliked the impermanence of jewels; their commitments were made with firmer means. She looked into his dirt-colored eyes even while her own watered from the hyacinth-heavy air.

"Why, just last night the rogue raided the castle and pillaged the kitchens." Al-Hashim watched her face. His expression hardened. "Well then, tell me of my sister."

"What of her," she croaked, "O wise and generous prince?"

"King. I am king, thanks to you." So his father had finally passed—and still al-Fat'h had not summoned her. She might not have helped, but he would suffer for such ill-advised stubbornness. "And," Ibn Ash'ab said, "impudence will not aid your cause. Where is she?"

Like his son, Ash'ab had been displeased with her answers; yet he had not been able to control his tremors and had entrusted her beatings to Zayn al-Kindah. She was only sorry that the steadfast emir had not died with al-Fat'h. "Rue for both of us, my most merciful king." The young woman lifted her chains. "I have been dancing with death myself. Al-Qais may have drowned in the Faraway for all that I know."

"You dare—" He clutched the knobs of his elaborate throne, studded with sapphires and rubies. "And what of your brother?"

An involuntary shudder. Al-Hashim smiled. "Shall I burn his remains? Will that ensure your cooperation?"

Had the king not intervened, she would have joined Khalid. She could never forget how his cheeks had puffed, his arms had flailed and his bulging eyes had met hers across the putrid prison air: green slashed with red. Staring at his body was revenge perpetrated by an invalid; and always the thought of al-Fat'h would push her to fix what she had started.

Al-Hashim gestured, rings gleaming in the shards of light. A new memory: the soft feel of jeweled hands when he snuck into the dungeon with additional food and water. He was the gentle whisper of fingers that erased the trace of tears on her cheeks, and the one-two echo of fine boots on the floor of a cage that she could only hope to forget.

"How may I please you, O compassionate crusher?" She looked away, confused that her one visitor, aside from the guards, had been the son of her enemy. The darkness had been so thick that she had not known his identity, nor would she have accepted his presence if she had that privilege. "I am your servant."

Like an eagle among rukhs, he floated toward her in a monstrosity of trailing cloak. He had the muscles of a military commander but the finery of a fat sultan. "I want peace. I want my sister returned. Most of all, I want to know the extent of your foolishness. My father locked you away. Perhaps that is not the answer."

He examined her left hand. Between dirt and scars lay an eye tattooed in purple. Al-Hashim smiled before digging his nails into the talisman. The pain was as if he had pushed her forefinger back while holding her wrist. She collapsed onto the marble floor, inlaid with an imitation of the sea. His silhouette was a blurry halo against the domed ceiling. Glancing at his guards, he grimaced and looked more frustrated than before.

Forehead creased, he rubbed his own hand while she curled her fingers to protect the reminder of what she once had. They had both lost their families because of her action, but hers had not deserved its fate whereas his continued to profit on the blood of Albinar. His lips flattened.

11 comments:

  1. Wow. Well, this is certainly well written and filled with intense imagery. You do the world building/description well while moving the action forward. My biggest complaint is that I'm not sure about the characters. I don't feel connected to your MC. I wince at her suffering, but (and no offense here) why do I care? I have to connect with her as a reader. I need something in the midst of all of this to show me that she's different somehow. And I don't mean magic, I mean personality. A thought. An action. Something that sets her apart AND gives her the feel of a teen. Because I would assume this to be an adult novel without the label of YA. Just as an exercise perhaps write a page or so in first person. Get inside her thoughts. See what happens. No one is there to judge, so let loose. I think with that added element this has the potential to be an amazing book! I look forward to your revision.

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  2. This is very powerful and you've done a fantastic job of setting the tone and the scene.

    I was left with some questions. Your opening line makes it seem as if she has been locked up for a long time. But the fact that her feet are resting on a beam and she is in danger of choking if she falls makes me think it can't have been more than a day. Otherwise what happens when she falls asleep? She'd go slack and choke, at least this is what I picture. Yet, she was there long enough for them to have to give her food and water, and later it is mentioned that the prince snuck her additional food.

    In P3, she says that if her mind had the focus for attack, she would not. Why? Is this a way of letting us know she means no harm to her prison guards? I expected her to want to attack.

    P8. The dragon's eyes had been scorched by fire? This confused me. P9- Is she inside a lavish room, or just thinking of one?

    In the next passage, you start to lose me. There are a lot of foreign names introduced, and it appears that the King and Prince share a name? Also, I gathered that the Prince goes by at least three different names, and she seems to alternate between them. This makes it very hard for the reader to follow (at least this reader. :))

    The paragraph that begins with "King. I am king," was where I really got lost. Those next two paragraphs were a complete mystery to me. I have no idea what is happening, and it was beginning to feel like a lot of work to figure it out. The line "The young woman lifted her chains" pulled me out of the story. Up until this point, we've been in close 3rd person POV, inside her head. This line yanked me right out. I actually thought for a moment there was another young woman present.

    I like the idea of the King being her mystery visitor, but I would like a bit more detail. It seems like a leap to make just from looking at the 'gleaming rings.' Is there a concrete detail--say a unique setting, or something that she recognizes? Other than his soft, jeweled hands.

    What part of her hand is the tattoo on? I couldn't picture this. Was he digging his fingernails into her palm, or the back of it? And when she collapses onto the floor, I thought the detail about the inlay may have been misplaced. It took my attention away from what was a shocking act, and directed it toward the room decor.

    You've got a good start here. I am intrigued by the relationship between these two, and I would love to find out how it all plays out.

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  3. There's a lot to applaud here, most notably (for me) that this seems to be a fantasy world with an Arabic flavor. So interesting! Also very vivid language and details that thrust the reader into the scene. As far as the initial scene goes, I do wonder if it might be too much for the squeamish to start off with such a graphic image. I personally wasn't quite ready for it, but I suppose I count myself among the squeamish camp. ;-)

    Once into the beginning scene, I couldn't quite visualize what was going on in the cell. I *think* her feet were on a beam and her neck was attached to the wall with some kind of collar device, but if that's the case, I didn't really understand what her choice was there, so I felt like I might have missed something. Also, it seemed like she'd been there for some time, but when she was released, it seemed like she was more of an honored/respected prisoner, so I guess I wanted to get more in her head about that. How does she feel about being treated this way if she's not used to it? What does she want to do to her captors? Is she afraid? Angry? Indignant?

    I loved the details that showed us this is a fantastical, Arab-like world with veiled women and dragons (although the scorched eyes kind of confused me), especially once the MC meets her enemy, the King, but I wonder if there might be too much backstory/namedropping happening at once at that point, especially since readers might have trouble keeping track of non-Western names. When details came out about her brother, I wanted more of a personal, emotional reaction from her, something that would give us more of a connection to her. There seemed to be quite a lot left unsaid in the dialogue, and to me as the reader, I kind of wanted them to spill a little more (and her to have some very clear thoughts) to fill me in with at least a few hints of what the conflict between them is about. Mystery and questions are great, but their dialogue left me more confused than intrigued. However! With a bit of clarification and simplification of some of the information, a strong conflict right away like this will definitely draw readers in, so I'm looking forward to seeing what happens with this.

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  4. Dagher Part 1


    Dear Helene,
    I think this starts well. Suspenseful and stylized. Your unnamed heroine immediately has the reader on her side and caring about her, which is very good. I’d caution you that the sentences, while prettily written, are sometimes unclear or confusing. It’s true that you don’t want to reveal too much, but I think the story is gripping enough that you can add a little exposition here and there to make things clearer to the reader. Is there a way to introduce some characters – fathers, brothers, sisters-- later? Or give more explanation now of who they are and what they mean to the story? I was confused by all the names as well as what’s going on between Al-Hashim and our unnamed heroine. But the story certainly has good tension and makes the reader want to know what’s going to happen next.



    Ever had it been that the young woman knew darkness. She was hardly of age; bony, bare legs sticky with blood. It had trickled into the chamber pot below, and melded with the stench of her prison. With her neck chained to the wall, her flea-bitten hands grasping at air and feet teetering on a splintered beam, she could not adjust her position without penalty of death. She would suffocate on her collar, the fate that had befallen the four rotted men decorating the cavity where she hung. {Wow, what a beginning! Nice but sharing a cell with four rotting corpses? Yuck!}

    The choice was hers.

    Memories {maybe a hint of what the memories are of?}were her familiar diversion until the rusty door squeaked open. She threw an arm to shield her eyes {from what?} but lost her balance and flailed like a newborn still attached to its cord. Hands {here’s an idea. Can you describe the hands? Maybe even just one word? Strong?Boney, scaly? Whatever? Just something to give us a hint/sense of whom these hands belong to?} restored her to that damned perch, and searched her person {clothes? Naked body? A hint at which?} . Had her mind the focus to attack, she would not. She shivered. Her throat had dried in the empty cold.

    When the iron {iron what?} clanged free, she hesitated; her jailer did not. He lifted her to the floor, wet with excrement. They had given her food and water, yet her legs wobbled from her weight. A headache threatened. Her heart beat much too fast. He {some description of him?} manacled her wrists and ankles, and circled her along with nine guards {sort of comes as a surprise. Prepare us for their presence when they first enter?}. Swords drawn, spare daggers hidden. Her past was well known.

    "If you would follow us..." The jailer paused; he was unsure of how to address her. She would smile if those muscles were not as stiff as the rest.

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  5. Dagher Part 2

    Light split the crest of dancing lions on their plated armor. A royal contingent. She followed the soldiers and clanked past the moaning of other prisoners, the criminal stacks of hardened bread and shriveled dates. Several times they had to stop so that she could catch her breath—and sneak glances at their surroundings, though her aching joints and throbbing blisters were a distraction. Her training had not conditioned her to the pain.

    Her exhaustion wore {on her? Not clear?} when they trooped through the courtyard. Atop the four massive towers flapped woven banners. Immaculate grass crunched beneath their boots and stabbed her feet. A {chilly} sea-breeze whipped through the ivy and reed ridden walls and into pine trees, their leaves {pine trees have leaves?} blooming in the recent spring.
    It was chilly {see above. Better?}. Her tunic barely shielded her knees. Over the murmur of water, the slap of sandals on stone from those noble gossipers, the jeers echoed. An officious gaggle of veiled women and men in coats of mail laughed from beside a fantastical marble fountain of {delete - There loomed} a statuesque dragon, {its} eyes scorched with fire.

    She stared. It {the statue?} held her gaze while she was dragged past cultivated gardens and stationary knights. {Featured in her nightmares: another lavish room. Not sure what this means?}

    The morning glinted through the stained-glass windows {but she’s outside?} , a mockery of all that she had lost and would find in these sun-favored faces {whose?}. Intricate arrangements of bluebells draped the long chamber {when did they go back inside?}, leading to a stately man with {blonde hair fresh from a chamomile oil wash.. whose POV? How would she know? If omniscient POV, she should have a name} . Robed in red-and-gold, he was strongly perfumed with hyacinths.

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  6. Dagher Part 3

    Ibn Ash'ab al-Fat'h, dubbed Al-Hashim by his enemies, had led several of his father's campaigns. Before she had been imprisoned, he was known to have journeyed to the farthest edges of the country where the borders were not enforced. Villagers had whispered of his adventure and the treasures he would bequeath to the masses upon his return, {earning their loyalty without the conquering choke-hold that Ash'ab had embraced?- not sure I understand} Certainly his soldiers looked well-fed and unwavering beside the north exits, stairwells and alcoves tucked twenty paces beyond their arches. Al-Hashim leaned forward so that his curls concealed his broken nose while she stood on her cold feet, waiting.

    "What do you know of Ibn Shaddad?"

    {Someone had shown her kindness in the dungeons, but that had not involved sharing information? Does this mean Ibn Shaddad?}. She shook her head.

    "You have no knowledge of the thief?"

    Gold {rings?}flashed on his hands. The foreigner {he’s the king, isn’t he? I guess he conquered them?} and his trinkets. {Albinar a little explanation of who they are?} natives disliked the impermanence of jewels; their commitments were made with firmer means. She looked into his dirt-colored eyes even while her own watered from the hyacinth-heavy air.{nice ;)
    {It’s taken me two readings to figure out that the Albinar are the native peoples. Is that correct? I wish you’d make it easier to understand. Such confusion prevents the reader from getting into the story}
    "Why, just last night the rogue raided the castle and pillaged the kitchens." Al-Hashim watched her face. His expression hardened. "Well then, tell me of my sister."

    "What of her," she croaked, "O wise and generous prince?"

    "King. I am king, thanks to you." So his father had finally passed—and still al-Fat'h had not summoned her. She might not have helped, but he would suffer for such ill-advised stubbornness. {I’m confused by all this. Sorry} "And," Ibn Ash'ab said, "impudence will not aid your cause. Where is she?"

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  7. Dagher Part 4

    Like his son,{do you mean, his father?} Ash'ab had been displeased with her answers {during past interrogations?} ; yet he had not been able to control his tremors and had entrusted her beatings to Zayn al-Kindah. She was only sorry that the steadfast emir had not died with al-Fat'h {confused. Above it says that al-Fat'h had died}. "Rue for both of us, my most merciful king." The young woman lifted her chains. "I have been dancing with death myself. Al-Qais may have drowned in the Faraway for all that I know."
    {All the names are confusing}
    "You dare—" He clutched the knobs of his elaborate throne, studded with sapphires and rubies. "And what of your brother?" {Why would he ask if in the paragraph below he seems to know?}

    An involuntary shudder. { I think you mean that this would be her involuntary shudder, but do you want to take the reader out of the story to make them wonder?} Al-Hashim smiled. "Shall I burn his remains? Will that ensure your cooperation?"

    Had the king not intervened, she would have joined Khalid {I’m still confused by the names. This is yet another new character? It’s hard to follow}. She could never forget how his cheeks had puffed, his arms had flailed and his bulging eyes had met hers across the putrid prison air: green slashed with red. {Staring at his body was revenge perpetrated by an invalid. – what does this mean?} and always the thought of al-Fat'h would push her to fix what she had started.

    Al-Hashim gestured, rings gleaming in the shards of light {nice}. A new memory {came to her?}: the soft feel of jeweled hands {he touched her?} when he snuck into the dungeon with additional food and water. He was the gentle whisper of fingers that erased the trace of tears on her cheeks, and the one-two echo of fine boots on the floor of a cage that she could only hope to forget. {again I’m confused. Isn’t she his prisoner? Aren’t they enemies?}

    "How may I please you, O compassionate crusher?" She looked away, confused that her one visitor, aside from the guards, had been the son of her enemy. The darkness had been so thick that she had not known his identity, nor would she have accepted his presence if she had that privilege {Oh, so she knows his identity by the rings? When did she figure this out?} . "I am your servant."

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  8. Dahger Part 5

    Like an eagle among rukhs, he floated {literally?} toward her in a monstrosity of trailing cloak. He had the muscles {but if he’s clothed how would she know?} of a military commander but the finery of a fat sultan. "I want peace. I want my sister returned. Most of all, I want to know the extent of your foolishness. My father locked you away. Perhaps that is not the answer."

    He examined her left hand. Between dirt and scars lay an eye tattooed in purple. Al-Hashim smiled before digging his nails into the talisman. The pain was as if he had pushed her forefinger back while holding her wrist. She collapsed onto the marble floor, inlaid with an imitation of the sea. His silhouette was a blurry halo against the domed ceiling. Glancing at his guards, he grimaced and looked more frustrated than before. {This is the man who snuck in and gave her extra food? Now he’s torturing her?}

    Forehead creased, he rubbed his own hand while she curled her fingers to protect the{ reminder of what she once had. Her hand?}. They had both lost their families because of her action {accident? Deliberate?}, but hers had not deserved its fate whereas his continued to profit on the blood of Albinar. His lips flattened.

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  9. Your descriptions are incredibly vivid. The opening paragraph is intense, I was immediately in the moment with the protagonist but also a little taken aback by what I took to be a hint that she was not only tortured and imprisoned, but raped. The blood trickling into the chamber pot is what made me think she’d been raped; if she was barely of age and bony, malnourished, I imagine it wouldn’t be her period. It might be a little much for an opening.

    The narration mentions that memories are her familiar diversion and I’d like a memory or two to ground the situation and get me more emotionally invested in the character.

    I’m very much aware of place in your writing, the details are exquisite and visual. That being said I’d like the descriptions balanced out with story-building. I _see_ what’s happening but have very little idea as to why until later in the narrative, and then so much is told at once that I was confused. I had to stop and reread to try to make sense of what was being told and I still never really figured it out. It was a lot, all at once and it took me out of the story. I think you can let go of some of the earlier descriptions to ground us more in the who/what/why.

    I like your protagonist but don’t feel I really know her. I’d like to know her, her name, why she is imprisoned, and I’d like to know what her fears and/or vulnerabilities are. Maybe a bit more about the tattoo, perhaps mention it earlier, have her touch it or look at it so that when Al-Hashim digs his nails into it our reaction is more visceral and connected.

    Your writing is alive, I’d like it anchored more in story. I love the world this is set in and look forward to getting to know it and the characters more in your next drafts.

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  10. Wow, there is some really good imagery here! I love where this is going. My primary critique would be that these first five pages feel really overloaded and rushed. As a reader, I struggled with staying grounded in the story and I had to keep going back to re-read things. Also I started getting names mixed up by the end and I'm still not sure what exactly happened to your character.

    It's your story and you know best how it works, but my suggestion is to slow down a little. Let the reader get to know your character as something other than "the young woman." (A name would be good.) Maybe spread out your intense and vivid imagery a bit so that it's not so overwhelming. And don't try to tell us everything at once before we've had a chance to really hook into the book.

    Like I said, your writing is intense and vivid. I'm excited to read your next draft!

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  11. The first paragraph gripped me. I love how you launch right in with a gruesome prison scene, a woman holding on for dear life, the real possibility of death just inches away. Drew my attention right away.

    I also liked much of your scene description, especially in the first couple of paragraphs. I don’t ran across too much YA set in a fantasy Arabian land, so this is a nice distinguishing factor. There are also many nouns (sultan, tunic, etc.) that you use well to place me into the scenes.

    My biggest issue was one of confusion. I lost track of what was going on in the conversation/interrogation almost right away, unintentionally skimming the rest of it during my first read-through. When I stopped to concentrate on and dissect it, I figured out what was going on (I think), but it forced me to use a great deal of effort. Could you figure out how to cut down the proper nouns, or introduce fewer characters right there? It's still slightly unclear to me what they're discussing because all the people referred to (and how they relate to each other) get jumbled in my head.

    And as much as I liked the opening prison scene, I had a little difficulty imagining exactly how it worked. Was the band around her neck directly bolted to the wall? Hanging from a chain attached to the ceiling? Was the beam suspended in the middle of the room, or was she perched such that her back was to a wall? Either way, couldn’t she lower herself slowly to sit on the beam if she was tired? Or grab onto the neck brace and hold herself up with her arms to take a break?

    Finally, “fantasy fatigue” crept in for me, what with so many names and words that I didn’t automatically understand, all blasted in at once (“Sultan” is a perfect word in that particular paragraph, “rukh” is one that made me hitch). I really liked feeling like I was in your world; a lot of great description, but at times it felt like too much. Perhaps consider stripping down some of the scene-setting details? Paragraphs 6-10 seemed a tad excessive to me – With just one or two paragraphs I'm already placed into your scene; I tend to skim over the rest.

    And I would have loved to read more about why she’s in prison, teetering on the edge of death. I got a little frustrated not knowing what that was all about. Any chance you can make the interrogation focus on that?

    Lots of good writing here; I’m looking forward to seeing your revision. I’m hopeful you’ll give us a hint of what “Her past was well known” refers to, because that one line is tremendously powerful.

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