Sunday, November 10, 2013

Alanna Peterson: Rev 1: THE CALL OF THE CROW


Name: Alanna Peterson
Genre: Young adult thriller
Title: THE CALL OF THE CROW

In the photograph, two girls faced a wall of golden cornstalks, crows circling in the blue sky overhead. Alex still remembered that long-ago afternoon, how Marina had run off through the corn maze, and Alex followed her into a dead end where they were surrounded by dry husks, and then the crows began flying above, filling the air with their black bodies. She had never understood why Marina’s parents chose to hang this picture among their family portraits in the upstairs hall. Maybe, for them, it had only been a pleasant autumn day at the farm; maybe they hadn’t felt trapped at all, because they had the map, and knew how to escape.

Alex studied this picture now, to avoid the grinning faces in the portraits. They had turned ghostly in the dark, seeming to admonish her for staying up here. She knew she should return downstairs, where her mother was waiting, as eager to leave this party as Alex. But the man’s words had carried through the closed office door, directly to her, as she stepped out of Marina’s room with her raincoat draped limply over her arm. When she heard the phrase clinical trials, she made her choice. She stared at the crows in flight, listening.

Tara just called,” the man’s voice boomed. “There’s been a security breach at SILO. Someone hacked into their computers, and she’s concerned that confidential data from their clinical trials may have been taken. I’ll fill you in on the details of SILO’s research aims later—they’re essential for improving our bottom line, and might even pull us ahead of TastiCo in the snack division. But some of the experiments are… sensitive in nature. Suffice it to say, we do not want the data made public.”

Understood. Can I do anything to help?” Alex recognized this second voice. It was Mark Chu, Marina’s father.

Tara’s heading into the city tomorrow—you should be at the meeting, and we’ll go from there. We need to find out who it was, and prevent them from releasing the data. I’m sure you’ll inform us of any leads you come across right away.” The icy undercurrent of this remark gave Alex a chill.

“Yes, sir, of course.”

The man chuckled. “Welcome to the VP position. Damage control should be part of the job description.” He paused. “I have to get going soon—the Urban Youth Crime Prevention fundraiser starts in an hour. Emmett would kill me if I was late.”

The office door flew open, leaving Alex blinking in the sudden light. There, slowly coming into focus as her eyes adjusted, was the source of the voice. Richard Caring.

Alex recognized him from television: entire newscasts were occasionally devoted to his achievements as CEO of Caring Corp, which had been in his family for decades. He was locally beloved for his decision to move the food company’s headquarters to downtown Seattle, creating thousands of jobs in the region. In interviews, his voice boomed forth, confident and powerful, though the sharp angle of his square jaw hinted at his legendary ruthlessness; his eyes were alternately blue or grey, depending on the color of his shirt.

Luckily for Alex, Richard’s eyes were cast downward at his phone as he stepped out of the office. Alex was about to turn and flee, but froze when she felt Mark’s gaze land on her. He opened his mouth and drew in a breath, which Alex clearly heard in the silence of that dark hallway, and for one awful moment she thought he would call out to her: Alex, what are you doing up here? But instead, he gave a curt side-nod toward the staircase, entreating her silently to leave, as he said to Richard, “So, I hear you and Emmett were frat brothers back in the day.” Richard turned around to face Mark, without noticing the teenager lurking in the hall a mere five feet away. Alex took advantage of the distraction and ran downstairs, equally grateful to Mark and to the carpet quieting her footsteps.

Once in the dining room, she stared at the raincoat she still held. If she hadn’t gone upstairs to retrieve it, she would never have known that Caring Corp was doing top-secret, potentially harmful, clinical trials at SILO.

Perhaps this was the Terrible Moment she’d always dreaded, though it wasn’t at all what she had expected. She’d imagined a gunman invading her school, or a policeman calling her phone, saying, There’s been an accident. Or a gas explosion, something she’d feared ever since she’d learned about natural gas in school, how it was scented like rotten eggs so you could smell a leak, but if you didn’t notice, or maybe if you weren’t sure what rotten eggs even smelled like, you’d flip a switch and the whole house would go up in flames. Late one night, years ago, when she admitted this fear to her parents, her father had gotten up and shown her the metal tubes where the gas came in, shown her how thick they were, how strong. She shivered beside him in the cold garage, unconvinced. Finally, her mother exclaimed, exasperated, We told you, Alex, there’s nothing to worry about, can’t you just let it go? Alex had gone back to bed, but she couldn’t stop thinking how it could all end—everything dissolving in a single burst of unbearable heat—just because she didn’t know the right smells, and because she turned on a light.

But maybe Terrible Moments could be more insidious than that. Alex leaned against the dining room wall. With her free hand, she clutched her hair, twisting it into a thick coil. She took a slow deep breath, as her father had instructed her to do, but thinking of him only made it worse. She tried to stay positive: He’s fine. Stop freaking out about nothing. But all the while, wheeling through the back of her mind was clinical trials - clinical trials - clinical trials.

Alex’s thoughts were interrupted when she spotted Marina at the snack table, alone, scooping a handful of fluorescent-orange Blazin’ Bitz onto a red napkin. The spicy-hot mini-chips contrasted with the other offerings—elegant canapés and crudités—but, like the ads said, it wasn’t a party without Blazin’ Bitz. Besides, they were one of Caring Corp’s bestselling brands.

Where’ve you been?” Marina asked Alex, placing a single chip in her mouth and crunching it as daintily as one could possibly eat such a brightly-colored foodstuff.

Alex was surprised at this question. Marina had ignored her all evening; Alex was quickly abandoned in favor of the daughters and sons of the many Caring Corp executives in attendance. Nevertheless, she wondered if Marina might know something useful. After confirming that Richard and Mark were not in the room, Alex began in a low voice, “I just heard your dad upstairs talking to Richard Caring. Has he ever mentioned something called SILO before?”

“I have no idea what you’re talking about.” Marina crunched another chip. Her phone buzzed, and Marina hurriedly wiped her orange fingers on the napkin and began poking at its screen.

Alex fought her annoyance, not only with Marina’s distractedness during this important conversation, but also with her flaunting of the SynerG3, the phone everyone wanted, the phone that would not be officially released until next week, but that Mark had managed to procure as a gift for his daughter.

Marina smirked at the text she’d just received, then clicked the phone off. Alex tried to steer the conversation back. “It sounds like they’re doing some shady research. Something they don’t want the public to know about.”

You probably misunderstood. Caring Corp does tons of perfectly normal research—we even did that focus group during our field trip. There was nothing shady about that.” After spending a morning in the food science labs, where the students had learned how plants like corn and soybeans could be miraculously transformed into ingredients like dextrose and lecithin, they had participated in a taste test of several food products still under development.

No, they’re up to something else, I’m sure of it! We need to find out what’s going on. Maybe you could try to get it out of your dad—”

6 comments:

  1. The major problem with this piece is that it told in close third person POV which generally means the narrator cannot think outside of the character. The narrator would use similar words and describe thoughts and feelings almost as viscerally as first person.
    (Make this )
    two girls faced a wall of golden cornstalks
    (slightly clearer with)
    the backs of two girls faced a wall of golden cornstalks (what is seen in is fact their backs)
    (and even for more effect)
    a pigtail dropped like a rope bell pull from each of their chestnut heads
    (maybe you won’t use something like this but it adds the detail of the color or their hair. It would be nice to see these details sprinkled throughout the piece)
    (After this)
    the crows began flying above, filling the air with their black bodies.
    (You should describe the terror of the children. You mention later that the children got lost in a maze. Just because they came to a dead end doesn’t mean they didn’t retrace their steps and find a way out. Also, it may seem difficult to get lost in a corn maze but you can always walk through the stalks unless the maze was in the middle of a field of corn. You may want to make that clearer.)
    (The picture gets more difficult to imagine when you mention seeing the faces. The girls cannot face a wall of cornstalks in a picture and have their faces seen at the same time. They can face away from the constalks but not into it.)

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  2. (Too much infospeak here, esp. of a confidential nature.)
    “Tara just called,” the man’s voice boomed. “There’s been a security breach at SILO. Someone hacked into their computers, and she’s concerned that confidential data from their clinical trials may have been taken. I’ll fill you in on the details of SILO’s research aims later—they’re essential for improving our bottom line, and might even pull us ahead of TastiCo in the snack division. But some of the experiments are… sensitive in nature. Suffice it to say, we do not want the data made public.”
    (Just give out a few details)
    Same here
    Tara’s heading into the city tomorrow—you should be at the meeting, and we’ll go from there. We need to find out who it was, and prevent them from releasing the data. I’m sure you’ll Inform us of any leads you come across right away, you got that?” The icy undercurrent of this remark gave Alex a chill.
    (This does not sound like Alex’s POV)
    Alex recognized him from television: entire newscasts were occasionally devoted to his achievements as CEO of Caring Corp, which had been in his family for decades. He was locally beloved for his decision to move the food company’s headquarters to downtown Seattle, creating thousands of jobs in the region. In interviews, his voice boomed forth, confident and powerful, though the sharp angle of his square jaw hinted at his legendary ruthlessness; his eyes were alternately blue or grey, depending on the color of his shirt.
    (I do not know Alex’s age, but I am assuming she is young. I actually thought no older than ten or eleven. But there is no indication of how old she is. Nevertheless, this does not sound like close third person POV. It is a more distant third person.)
    (Alex certainly acts young. I would change)
    that Caring Corp was doing top-secret, potentially harmful, clinical trials at SILO
    (to)
    that Caring Corp was doing something bad.
    (If something was really going wrong, I would make the conversation between Richard and Mark more staccato—half sentences like)
    “If this gets out—“
    “I know. I know.”
    “Your ass and mine are over the fire.”
    “No one is going to find out.”
    “Better hope so.”
    (change)
    ran downstairs
    (to)
    tip-toed downstairs as quietly as possible

    ReplyDelete
  3. (this is great detail and plays on childlike fears)
    Perhaps this was the Terrible Moment she’d always dreaded, though it wasn’t at all what she had expected. She’d imagined a gunman invading her school, or a policeman calling her phone, saying, There’s been an accident. Or a gas explosion, something she’d feared ever since she’d learned about natural gas in school, how it was scented like rotten eggs so you could smell a leak, but if you didn’t notice, or maybe if you weren’t sure what rotten eggs even smelled like, you’d flip a switch and the whole house would go up in flames. Late one night, years ago, when she admitted this fear to her parents, her father had gotten up and shown her the metal tubes where the gas came in, shown her how thick they were, how strong. She shivered beside him in the cold garage, unconvinced. Finally, her mother exclaimed, exasperated, We told you, Alex, there’s nothing to worry about, can’t you just let it go? Alex had gone back to bed, but she couldn’t stop thinking how it could all end—everything dissolving in a single burst of unbearable heat—just because she didn’t know the right smells, and because she turned on a light.
    (except I would change the ending to)
    and because she turned on the stove.
    (It is good to have deconstruct the conversation but go piece by piece so she ends up with)
    Clinical trials. She didn’t know exactly what clinical trials meant. But that must be where something went wrong.
    Again in Alex’s POV you wouldn’t use a word like fluorescent, brightly colored foodstuff.
    (This is the first indication that some distance has gown between Marina and Alex. Allude to this earlier when looking at portraits. “Alex and I used to be best friends. Somehow we grew apart. Now she is a stranger to me.”)
    Marina had ignored her all evening; Alex was quickly abandoned in favor of the daughters and sons of the many Caring Corp executives in attendance.
    (My one big question is how does Alex go about investigating what is going on at Caring Corp. This doesn’t have to be answered in these five pages. I’m just curious. It’s extremely difficult for a private citizen to get sensitive information from a company. I hope you have some tricks up you sleeve for how a child would do it that ends up being more than eavesdropping on conversations. One thing that is missing from this scene is any type of investigative skills the child might have. If she pieces things together from stuff she has heard on the news, other tidbits of conversation, something she has personally seen, it would be great to showcase some of that early or I really won’t believe the kid will be able to get close enough to find the truth. You will have to think of how you will get her into Caring Corp. because you don’t want her to find out everything secondhand and not see it for herself. These are just some upcoming obstacles I can foresee coming up. I also don’t know what allies she might have.)

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    Replies
    1. Thanks for the feedback! I agree, a novel of overheard conversations would be pretty dull. I do have a plan for Alex and her allies' infiltration of Caring Corp... which all gets set in motion soon after this scene.

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  4. The changes in the beginning now explain to us that something happened to Marina. It gives us a sense that something bad happened that day which still terrifies Marina though I still want to understand why's she intrigued and suspicious of these 'clinical trials' I feel like there is a gap in the opening of the story to make us understand. Because right now I'm linking the clinical trials with Marina, yet I don't fully understand.

    She took a slow deep breath, as her father had instructed her to do, but thinking of him only made it worse. She tried to stay positive: He’s fine. Stop freaking out about nothing. IS THERE SOMETHING WRONG WITH HER FATHER? IS HE IN DANGER?

    I suggest also shortening some of the conversation between Marina's father and Richard and take only what's important. I like the suggestion that Paco gave: "(If something was really going wrong, I would make the conversation between Richard and Mark more staccato—half sentences like)
    “If this gets out—“
    “I know. I know.”
    “Your ass and mine are over the fire.”
    “No one is going to find out.”
    “Better hope so.”
    (change)
    ran downstairs
    (to)
    tip-toed downstairs as quietly as possible"
    REALLY LOVE THIS BECAUSE IT ALSO SHOWS JUST HOW TOP SECRET THIS IS AND HOW DANGEROUS IT CAN BE. IT'D BE NICE TO KNOW IF ALEX IS AFRAID OF THAT, OF STILL INVESTIGATING THAT, KNOWING THAT HER LIFE WILL BE IN DANGER.

    goodluck hey. :)

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    Replies
    1. Thanks for the feedback! I will be working on that opening paragraph some more since my intent was to show Alex's character, as well as foreshadow some later events, not to allude to a really traumatic incident. And, yes, Alex's father is in danger... which is hinted at here but is driven home by the end of the chapter.

      Delete