Monday, March 4, 2013

1st 5 Pages March Workshop - Harris-Brady

Name: Heather Harris-Brady
Genre: Middle Grade Contemporary Mystery
Title: The Mis(s)fits: All That Glitters

“I am here, my dear, to offer you the chance of a lifetime. Death is so terribly inconvenient. ”

Like the back of a very old hand reaching from beyond the grave, you could see the spidery blue veins of handwriting through the waxy yellow paper. Dismissing it with one quick glance at the White Birch Cove address twelve-year-old Celia Narro tossed the envelope into the trash basket and turned back to her best friend, Indira Prabshan.

“Well, what's it say?” Indira said.

“I don't care,” Celia said.

“I do,” Indira said, plucking it out. She unfolded two sheets of paper and started to read in her lyrical soft soprano:

“To my new young tenant,
If you are reading this then it is at least 2014 and you shall be the next girl to live in my house, which pleases me very much. It was a happy house for the most part. It is likely haunted but by the living not the dead. I left a great treasure for you along with what I fear is a great responsibility. You cannot accept one without the other. It's waiting for a clever girl who uses both her heart and her head. Being the sentimental old biddy I am I hope you will also find love during your search as I did during mine.

Although I have never lacked for imagination I cannot picture what your world must be. Perhaps all girls are free to learn, work and find their own happiness. If, however, the past is still vanishing in White Birch Cove there's no time to waste. Once the house is open the vultures will begin to circle. You'll recognize them by the triangles. Start at the museum. We're counting on you — see you on the other side, Mabel Caylor”

Celia's chestnut eyes darkened as she leaned forward into the wall mirror to sweep a fresh coat of gloss over her citywise smirk.

“A treasure, that's good right?” Indira said. “And love? What is this place, some secret lost land of cute boys? If so you'd better get an extra bed ready for me!”

“She's obviously off her rocker,” Celia said. “Like I'm supposed to believe a total stranger left me a fortune. Right.”


Chapter 1: A New Season, A New Vision

Celia crossed her arms over her trembling stomach as she watched two workmen nail a piece of drywall over the opening where their private door used to be. The two girls had darted back and forth through that door between the Prabshan's boutique and the Narro's shoe store their whole lives. Whap, whap! The chandelier tinkled in protest overhead. A little gilt frame crashed to the floor. Celia picked it up, the quote slid around in her cold clammy palms. “With the right pair of shoes a girl can change the world.” What's so great about change anyway, Celia thought. Change stinks.

“Hey girl, it's not forever you know,” Indira said, wrapping her warm arms around Celia's shoulders. Her lemongrass perfume floated up like a sigh. “You'll find a way home and everything will be just like it's always been.”

The ruffly dressing room had the same pink silk wallpaper but it felt different now, that best friend magic of endless together-dreams was gone. It was Celia's parents' fault. They broke the spell with this move and Celia's stomach turned inside out as she realized she didn't know how to get it back. She never thought her parents would actually go through with it, especially after the miserable visit to White Birch Cove over spring break. In the face of a downtown where the stores were closed until May even the weather gave up, spending the entire week in the sloppy, drizzly equivalent of worn gray loungepants. It was the place where dreams went to die.

“Don't forget this!” Indira said, tucking the letter into Celia’s quilted shoulder bag as they crossed the street into Central Park. “It might be your ticket back. You never know.”

“Seriously, they might as well just lock me in the basement,” Celia said, cracking her gum like a whip to emphasize each sentence. “I mean, a FARM and a restaurant in the middle of nowhere! Can you even?” She stopped abruptly and put her hands on her hips. An impish breeze, scented with Belgian waffles and hot dogs, lifted her black bangs and sent sunshine sparkles skipping across the surface of the pond.

“Now do I look like a farmer?” she asked, with one of her typical grand gestures. Indira put on her Fake Serious Face. From Celia’s glossy black blow-out, past the necklaces rippling down her back to the soles of her designer sandals she was a total city girl, and proud of it.

“Noooo. . .,” Indira said, dissolving into the giggly laugh Celia wanted to hear.

“And does this look like a farm dog?” Celia asked, pointing at Coco. This time they both laughed because there was no way to even picture Coco’s handful of Yorkie fluff anywhere other than these upholstered brownstone streets. Coco wagged her tail. She liked attention even if she didn’t always understand it. Indira’s laugh trailed away and this time she looked serious for real.

“Cee, I don't know how to tell you this so I'll just say it,” she said. Her words picked up speed, snowballing downhill. “My mom heard the Designers Institute is going to announce a Designing Debs contest. Any teen girl can enter and they're going to announce the finalists at Fall Fashion Week.” Knowing she lit the fuse Indira put her hands over her eyes and peeked at Celia through the bunker of her manicure.

“You have GOT to be kidding me!” Celia shouted. “That is SO not fair! Somebody else is going to get MY big break!” She whipped off her hat and sent it twirling into the water.

“There's more,” Indira said. “The winner gets a trip to Paris to shop for materials.” Celia collapsed in a heap on to the soft green grass. Quel desastre.

“Why are they doing this now? I can't believe it.”

“You're leaving today,” Indira said. “It's a done deal.”

“Lemme think for a minute. There’s got to be a way. I’m not giving up that easy.” She plucked blades of grass one by one and threw them like arrows toward the invisible demon of unfairness.

“There's only one thing to do,” Celia said. “I'm not thirteen until February. You're going to have to enter.”

“My mom's a member of the Institute,” Indira said. “I can't.”

“We'll make it work, say we're from Queens or something,” Celia said. “They can't know every girl in the city.”

“I don't know Cee,” Indira said. “Cheaters never prosper.”

“Doesn't your mom always say fashion is fantasy?” Celia said. “Pushing the limits and all?”

“Well, yeah,” Indira said, toying with her wristful of bracelets. “You know my parents, if they find out I’ll be SO busted. I don’t even want to think about what they would do.”

“Look at it this way,” Celia said, changing tactics. “Would you rather make up a new designer who's never existed or go to school with Hilde Essen after she comes back from Paris?”

“Okay, you win,” Indira said. “I'm down. But you HAVE to back me up on this, you can’t leave me hanging once you’re gone!”

8 comments:

  1. Heather,

    Love, love the beginning and the mysterious letter! Celia and Indira have a cute and fun relationship. Great description of these city girls. I have a good feel for their personalities. And what’s the worst thing you could do to Celia? Send her to a farm – so funny! Even her little dog is citified.

    I got confused when you started the design contest part. It kind of seemed to come out of left field. I would have liked a little more build up so I knew what was going on. And I wanted at least a reference to the letter. This seemed like two different stories. (maybe that’s what you want?) So I don’t know where Celia is headed. The letter gives me one idea that seems at odds with Celia conspiring with Indira to cheat at entering the contest.

    I would read on. The letter, Celia adjusting (or not) to country life, and trying to keep her friendship with Indira are intriguing.

    Jeri

    ReplyDelete
  2. Heather,
    The relationship between Indira and Celia seems very real. I like that we get to see Celia and know that she has black bangs and Indira's bracelets hint that she dresses true to her culture. Also, nice dialogue, it's real and the pacing is quick, just like teenage lingo.

    Three things I love: 1) Coco, the soon-to-be farm dog 2) The fashionista aspects going on (I went to FIT),3) This line:"She plucked blades of grass one by one and threw them like arrows toward the invisible demon of unfairness." I like it because girls that age think EVERYTHING is unfair!!

    I feel a disconnect between the intro and the first chapter. Is the intro a prologue? When and where did it happen? How did Celia get the letter? I am confused about where her parents business is moving, and is that where Celia is moving as well, White Birch Cove?

    While the letter offers intrigue, and sets up stakes, the stakes aren't clear because of the disconnect. In other words, what does this contest have to do with it? And would Celia really put her best friend in that position? Is she desperate because this is a way out for her not to deal with the apartment and letter? I just don't know how they could make-up someone and then not get found out when Celia shows up to claim the prize.

    In any case, I like the quirkiness of your characters so far and the mystery of the old lady's letter. I look forward to seeing how that part of your story connects to Celia's life.


    ReplyDelete
  3. Hi Heather,

    I already love your characters and would definitely read more.

    What I'm digging so far:
    -The yin-yang sweet-and-sour of the two besties. They totally compliment each other.
    -Celia seems like an interesting girl. Besides the obvious appeal of a fashionista contrasting with her new and unwanted farm life, she just seems exotic and super cool somehow. Maybe it's the straight black bangs. :)
    -Couple turns of phrase I enjoyed: the "spidery blue veins of handwriting" and "the bunker of her manicure." Instant mental images.
    -Can't wait to see how Coco adjusts to life on the farm.

    The first line is great- we know we're in for something exciting. The second line, I'm wondering: was death inconvenient for the letter's author? It will be inconvenient for the reader of the letter? Or, is it just inconvenient in general? I do like the creepy feeling the mention of death brings with it, though.

    I'd like to hear a little more about what the girls think of the letter in Ch 1, if they've investigated further, if Celia's getting tired of hearing about it from Indira, that kind of thing.

    The "sparkles skipping across the surface of the pond"- I love that visual but am wondering, are they actually seeing a pond in the city? I had them pictured inside Celia's family's store, with the door opening between two buildings right next to each other. Do I have it wrong and they are outside the buildings near a park? Or maybe I'm just being a bit dim here...

    Oh, and I most definitely want a Coco.

    Great work!
    -Kindra

    ReplyDelete
  4. Hi guys - Thanks for all the great comments. Just for whoever is reading this further here are the two main rejection reasons I've seen so far:

    1) I just didn't bond enough with the characters.
    2) These pages just aren't working for me.

    Because I don't know where to go with these comments, or what to fix/how to fix, I turned to this workshop. Just to answer your question Kindra, these shops on Central Park West are right across the street from the park. It's quite lovely.

    The main purpose of the design contest is to start the clock ticking, she's got to find a way back by Labor Day weekend - so it (among other factors) drives her to find the treasure.

    ReplyDelete
  5. Hmm... Okay, I like the friendship between the girls, though maybe the voice feels a tad forced. Too much attitude perhaps? Tone it down slightly, but keep her feelings about the move. Definitely that she blames her parents. I don't think the prologue works. I would skip it and introduce the letter later on. It feels like a device to me and prologues can be a big turn off. The big issue then is that the fashion thing feels like it takes center stage - and I actually like it. Hopefully it plays throughout the book. If it's in the opening it has to be important. The moving away thing is unfortunately overdone perhaps, I wonder if there can be a new slant to it? Something perhaps spooky like you were trying to do with the feel of the letter. Maybe a brief memory of a bad feeling she had on the visit. Or a weird person or object in the house that gave her the creeps? Just a thought. Be careful though, if it's not supernatural, don't make it sound that way either. Yikes, sorry, I'm just trying to brainstorm here for you! Can't wait for the revision!

    ReplyDelete
  6. Hi, Sorry I'm so late showing up. Pneumonia has been kicking my butt all week.

    First off, I really like a lot about these pages. I agree with some of the others that the letter is very intriguing and a great way to set the stage for what is to come. But at the same time, I think it can be showcased much better with a little restructuring.

    The first problem is the two sentences in the first line don't flow together. There is an abrupt shift between them, so much so that they shake the reader up and pull him/her out of the story. You might try choosing one of those two lines-- whichever you think is most intriguing. I tend to lean toward the Death is inconvenient one, but there's also a really nice symmetry with the oppourtunity line-- an unintentional foreshadowing for the design contest. Then, maybe try following it with the one sentence about the spidery handwriting. And then move straight into the letter. So that it reads like this:

    “I am here, my dear, to offer you the chance of a lifetime."

    Like the back of a very old hand reaching from beyond the grave, the spidery blue veins of handwriting reflected through the waxy yellow paper.

    “To my new young tenant,
    If you are reading this then it is at least 2014 and you shall be the next girl to live in my house, which pleases me very much. It was a happy house for the most part. It is likely haunted but by the living not the dead. I left a great treasure for you along with what I fear is a great responsibility. You cannot accept one without the other. It's waiting for a clever girl who uses both her heart and her head. Being the sentimental old biddy I am I hope you will also find love during your search as I did during mine.

    Although I have never lacked for imagination I cannot picture what your world must be. Perhaps all girls are free to learn, work and find their own happiness. If, however, the past is still vanishing in White Birch Cove there's no time to waste. Once the house is open the vultures will begin to circle. You'll recognize them by the triangles. Start at the museum. We're counting on you — see you on the other side, Mabel Caylor"

    It's short and sweet and attracts just enough attention. Leaving the two girls there distracts from the message in the letter-- which is obviously going to be a big part of the book-- as does Celia's bad attitude. While that attitude comes to be understood a little later on, it's the reader's first glimpse of Celia and it's--1) distracting and 2) not the most favorable view of your main character you can give.
    Better to let them see her distraught and annoyed at the beginning of the first chapter in context so they can understand her behavior and 3) It's giving the reader too much important information to wrap his/her mind around quickly, so the reader goes between the things trying to figure out which to attach to/concentrate on.

    I love your description throughout the piece. It's wonderfully vivid and so engaging.

    I also really like the girls' friendship-- it resonates well.

    However, if people aren't relating to your characters, I would say that its because right now celia is hard to like. She's got attitude, she's not interested in what is obviously an important letter, she wants her friend to cheat, the move is obviously important to her parents but she's not willing to give it a try, and she simply comes across as a little selfish. It sounds like a lot, but to change this requires only really minor tweaks-- a few lines changed or added that give her more motivation or that soften her up some.

    Thanks for letting me read the story. It's an intriguing beginning! Who doesn't love a treasure hunt?

    ReplyDelete
  7. Hi Heather,

    Wow, lots of conflicting info in these comments, which is good. I usually find that when I get feedback like this, it points to the fact that there's a problem somewhere and the conflicting feedback is simply pointing you to where the problem lies. For me, the problem is mainly in the letter. So. Let me start with what I love.

    I love the interaction between the two characters, and I ADORE your descriptions of the city and the way that Celia views her world. I do agree that you might want to either tone down a little bit of her snappishness or clue us in to why she is that way in a way that will let us connect to her and relate to her. She's pretty young and silver-spoonish for so much snark and disregard for her family. Just a hint or two of why she might have become that way would make all the difference there.

    And now, back to my problem. For me, the letter came a bit too conveniently and out of the blue. Treasure? Cool. But starting off with that seems forced, especially since I can't tell when and where they found it. Is it something from the city house or from the "Farm" house? Finding something like this is so important that I'd really like to know the full circumstances of the find.

    It also strikes me that you are setting us up for a Hero's Journey format, and you've definitely shown us the starting point of Celia's character in a way that leaves room for growth. However, giving us the call to action this early skips several important steps in which we get to know the character and get a hint of why she may ultimately be worthy. We don't know her wound, so we can't truly root for her yet, and we aren't fully grounded in the ordinary world. The letter therefore risks reading as formulaic instead of compelling.

    I wonder if you could split the letter into parts or reposition it? I'd love to be fully grounded and experience the finding of it in a meaningful and in-the-moment way. You're writing is so strong that I have no doubt you could still give us the sense of adventure and specialness of this big adventure you're inviting us to take with you.

    I am excited to see the revision on this!

    ReplyDelete
  8. Heather,
    You accomplish a lot in your prologue. We are introduced to Celia and her friend, and Celia gets "the call." We also learn that there are stakes and a ticking clock. Well done.
    On a more micro level, I particularly like how you handle action. It feels very natural.
    I did get confused with the fashion contest. I couldn't figure out how this tied to the story introduced in the prologue, and I couldn't tell what the timing relationship was between the prologue and Chapter One.
    I also wonder about the Paris contest, and how a 12-year-old would get news that she is supposed to jump on a plane the next day. I think it would take a little more background to make this plausible. What is it about Celia's world that would allow this to happen, and what 12-year-old girl wouldn't be excited about it?
    On a micro-micro level, the touch that grabbed me the most wa Celia's nickname "Cee." For some reason that really stuck with me and gave me a feeling for the protagonist.
    Jim

    ReplyDelete