Name: Meredith Greene
Genre: Young Adult- Paranormal
Title: Order of the Griffin
My feet pounded on the soft forest ground. I kept a rhythm running in my mind one, two, three, four, one, two, three, four. I drew in deep breaths, settling myself into a hypnotic trance. Greenery rushed passed my peripheral. I dared not take my eyes off my feet, roots stuck out everywhere threatening my balance. I was three miles in when calm began to set. I turned off the rolling thoughts in my mind, concentrating on the task at hand. I jumped over a fallen log, landing solidly on the other side. I made it to the concrete observation tower and checked my watch, I'd shaved a good eight minutes off yesterday's run. At this pace I was going to have to find a new, longer route. I circled the tower, it would be devoid of tourist this early in the morning, and angled back down the trail.
Going down was always harder than coming up. Gravity constantly willed me forward, my body fought to stay up right. I juggled my feet nimbly over the same rocks and trees I had on the first pass. Veering off the main trail, I turned onto a small path that led directly back to my house.
I broke into the clearing of our yard like a madman escaping from prison. I paused to rest my elbows on my knees and drew in a few deep breaths. I gazed up at the old, graying farmhouse. It was crying out for attention that neither my aunt nor I were willing, or able, to give. Paint was peeling off the old wooden siding. The roof sank ominously in the middle, begging for dry days. I walked slowly up to the house, stretching out my now tightening muscles as I went.
I could smell the bacon frying just before I opened the back door. Aunt Sheila was at the stove making her usual fare, an assortment of fried meat and eggs. I grunted a good morning to her as I grabbed a water bottle from the refrigerator.
“You want some breakfast?” She called, not turning her attention from the morning news.
“No thanks,” I muttered, hastily making my way up the wooden stairs. The last thing I needed was to reek of bacon on the first day of school. I took my time with the shower, letting the hot water pulse over my tired muscles. Once out, I dried my hair for as long as my patience would allow. Giving up, I pulled it into a pony tail still half damp. I settled myself into a pair of well worn jeans, pausing to examine the large scar on my side. Oddly, I had no recollection of how I had been injured. The result, however, was a six inch line running sideways across my abdomen with another line loosely circling down it. Repulsed, I yanked my shirt over my head and finished off the look with a pair of my favorite well-worn flip flops. Taking one more deep, sorrowful breath I picked up my backpack and went out the door.
Townsend High School was nestled at the foot of the Smokie Mountains - a stark opposite to the picturesque scenery that surrounded it. It was a travesty of old decrepit bricks, wearing sadly the colors of generations past. Why someone thought it was a fabulous idea to perch the school high a top a hill was beyond me. The locale made it nearly impossible to get up the long, winding drive in the winter. That was of no concern to me today. It was a balmy 83 on the last day of August. I didn’t dare pull the top off my jeep again. Tomorrow it could be snowing. Tennessee weather was completely unpredictable. I’d worked four tourist seasons to save up enough money to purchase my old jeep. The silver paint was peeling in places, the tires were half bald, but overall it was as sturdy as ever.
I pulled into my usual parking spot, assigned spots weren’t really necessary for a school with a total of five hundred and twenty-six students. I spotted my two closest friends, Ashley Tyler and Cooper Nicks waiting for me by his old, beat up Nissan car. His mess of black hair was a tangled nest of frizz from the late August humidity. Ashley was shorter than Cooper by at least a foot. I noticed she was wearing her hair curly today, it swirled wildly around her puffy baby face.
“Junior year,” he yelled out to me. “It's going to be epic.”
“Epically boring,” I said to myself.
“Oh come on Tess, don't be so down. This is our year,” he said excitedly.
“Our year for what exactly?” Ashley asked back.
I hunched my shoulders, obviously pouting. I hated school. I had gone to school with the same kids since I was ten years old. Coop and Ashley took pity on me in eighth grade and let me sit with them at lunch. We had been friends ever since. It was easy to feel like an outsider here. I was surrounded by the slow twang of southern drawls. People twinged when I spoke with the hard accent of a northerner, a “Yankee” they would call me.
“Did you hear the big news?" Cooper nodded toward the visitor entrance at the front of the school.
“What?” I asked feigning enthusiasm.
“New kids!”
Cooper’s mom was the school secretary. She knew everything about everyone. In a small town, gossip was vital to one’s social survival. New kids were a rare occurrence for our school. Not many people came to Townsend with the intention of staying. Tourism fueled the local economy, outside of that there wasn’t much else to our mountain town.
“Why on earth would anyone purposely move here,” I muttered to myself.
Cooper continued, "The mom is filling in for Mrs. Anderson's English Lit class while she is on maternity leave.”
A black Land Rover powered up the hill with ease and pulled smoothly into one of only two spots designated for visitors. First to step out was whom I assumed to be the father. He was younger than what I would expect for a parent of teens to be. He flashed a bright smile, showing perfectly white teeth, towards the passenger doors. I could only surmise he was trying to put on a brave face for the nervous kids waiting in the car. A girl danced around the back of the car to join her dad. Her loosely curled auburn hair fell just below her shoulders. She seemed to be radiating with excitement. Her mother came around the front of the SUV to join the too perfect family.
The rear passenger door opened and the most beautiful creature I had ever seen stepped out. Slowly one foot, then the other. He was at least six feet tall. The sun above shone on his black hair, igniting hidden streaks of bronze. His hair was styled casually back, not like Cooper’s tangled mess. This was more, deliberate. Even from a distance I could see his brilliant green eyes. He was the epitome perfection, an image that every male model on the planet would kill for. Everything had become still around me. He scanned the lot, his gaze fell to mine. His eyes narrowed at the corners.
Okay - first of all, why the running at the opening? I was confused at first as to whether she was running from something or exercising. Then you go through the motions of her morning. Not the best way to hook someone. Yes, I want to get to know the character, but nothing she did really told me anything unique about her other than her accent and her scar, which I'm sure could be slipped in other places. The male interest - the perfect guy - no offense is so far cliche. Could her attitude toward him, or something else make him different? Maybe you're just starting in the wrong place. That's easy to do. Finding the opening is one of the hardest parts of writing a novel.
ReplyDeletePersonally, I like the title. The image the word Griffin paints in my head is all beautiful fantasy and epic voyages, stuff that makes me purchase a book. That being said, Order of the Griffin may be too close to Order of the Phoenix. At this point, I don't yet have a handle on your story or on the main character, so I can't know for sure it it has any of the same themes. I assume the MC goes on a run every morning, but why? Does she train to run from her enemies? Does she suffer from severe anxiety and runs to clear her head? Is it important enough to open with? It might be helpful to include more action. I also like the friends, but the new guy falls a bit flat for me. You've got some great descriptions -- I particularly like when you're talking about the high school and call it a 'travesty of old decrepit bricks, wearing sadly the colors of generations past' but I think it would be stronger without the word sadly!
ReplyDeleteI wondered about the title connection, but it's not the same story line. The Order isn't magical in a Harry Potter sense. It's a collection of a certain type of creature tasked with protecting the human race from a supernatural foe.
DeleteThe MC runs because it is about the only thing she is good at and its part of her monotonous routine. She's strong, but doesn't recognize herself as such. She views herself as ordinary and inconsequential. I will work in that it is part of her routine.
The arrival of the new family sets in motion the revelation of her true identity, her birthright if you will.
I could rearrange some things to add more action, but I'm not sure how to do that without compromising how she first identifies with herself.
My apologies if this duplicates, my computer and I are not getting along. I agree that the new guy is flat. That description is my least favorite of the manuscript. I think i have a better alternative. How's this?
ReplyDeleteThe rear passenger door opened and another sibling stepped out. Slowly one foot, then the other. He was dressed in all black, right down to the leather bracelet that encircled his wrist. The sun above shone on his charcoal hair, igniting hidden streaks of bronze. It was styled casually back, not like Cooper’s tangled mess. This was more, deliberate. He was probably one of those guys that spent hours in front of the mirror, lining every last strand of hair into perfect order. I smirked at the image just as I realized he was staring in my direction. He returned my thoughts with a sly grin. Chills washed over me, a greasy ball in the pit of my stomach formed and grew white hot.
First, I do think your description of the boy is much better in the second version. She's not gaga over him, which is too unbelievable so soon.
ReplyDeleteI'm torn with my comments on this whole passage. While there is something about the writing I like very very much, I do understand what others are saying that you haven't started with something happening to her. Starting with her routine for a couple of pages won't draw a lot of people in. I tend to give a book a good 30 pages before I stop but I know I'm in the minority so I'll try to speak from that perspective.
I just re-read and think you could start with the "Townsend High School" line. I'm assuming the perch on top of the hill will become important in the story so beginning with the setting works -- if not though then I take that back... ;)
Now that I re-read, I do see that you have a lot of description just to tell us she's a good runner. I think you could save that for later, when maybe she's running to work something out in her head. Use the idea of stepping around the branches but intersperse it with her thoughts.
As for these first pages though, perhaps instead of actually starting with her running and showing us all that and showing us her shower, you could have her arrive at school and have interior monologue like: "My quads burn from my morning run. I shaved eight minutes from my usual time. Not bad, but tomorrow, I'll shave another two." That is enough to tell us she's a runner -- and a good one. Shaving eight minutes from a run time is A LOT. Might want to think about that actually....
Also, the idea of her being repulsed by her own scar, which she seems every day, seems unrealistic to me. I also had some trouble with the wording about her not remembering how she got it. You'd think she'd have asked someone by now! ;)
Something about the beginning made me think of an FBI agent in training. Maybe it's in a movie like that. But for me, realizing she was a teen was a bit jarring. Ditto with the car pulling up and the family getting out -- them in the parking lot watching made me think of the scene in Twilight. Could be my own personal references but just wanted to throw it out there.
Good luck!
First, I do think your description of the boy is much better in the second version. She's not gaga over him, which is too unbelievable so soon. I'm torn with my comments on this whole passage. While there is something about the writing I like very very much, I do understand what others are saying that you haven't started with something happening to her. Starting with her routine for a couple of pages won't draw a lot of people in. I tend to give a book a good 30 pages before I stop but I know I'm in the minority so I'll try to speak from that perspective.
ReplyDelete***I struggle with that as well. I prefer to slide into a book, not be smacked in the face with the obvious.
I just re-read and think you could start with the "Townsend High School" line. I'm assuming the perch on top of the hill will become important in the story so beginning with the setting works -- if not though then I take that back... ;)
***It isn’t important to the story. It just established setting. Townsend is a real town, Townsend High is not. It is however, in the mountains.
Now that I re-read, I do see that you have a lot of description just to tell us she's a good runner. I think you could save that for later, when maybe she's running to work something out in her head. Use the idea of stepping around the branches but intersperse it with her thoughts.
***I like the idea of interspersing thoughts. I need to rethink that.
As for these first pages though, perhaps instead of actually starting with her running and showing us all that and showing us her shower, you could have her arrive at school and have interior monologue like: "My quads burn from my morning run. I shaved eight minutes from my usual time. Not bad, but tomorrow, I'll shave another two." That is enough to tell us she's a runner -- and a good one.
Shaving eight minutes from a run time is A LOT. Might want to think about that actually....
***It’s meant to be a lot, but she isn’t the type to think much of herself. So she doesn’t realize what she’s actually accomplishing.
Also, the idea of her being repulsed by her own scar, which she seems every day, seems unrealistic to me. I also had some trouble with the wording about her not remembering how she got it. You'd think she'd have asked someone by now! ;)
*** She has no one to ask, but that’s a little too much to work into the first five. It is crucial to the story though
Something about the beginning made me think of an FBI agent in training. Maybe it's in a movie like that.
***My intent was to establish that she’s tough. Don’t know about the movie part.
But for me, realizing she was a teen was a bit jarring.
***Which is great on so many levels for the story.
Ditto with the car pulling up and the family getting out -- them in the parking lot watching made me think of the scene in Twilight. Could be my own personal references but just wanted to throw it out there.
***Twilight? Gasp, please no. This is the antitheses of Twilight. Looks like I have a lot of revisions to make.
Believe me, I have reworked my first pages many times. I still prefer my original, slower opening, but I know most people do not. It's hard to let go of something you like so much and all the things you think are important. They are important, but as a reader, we don't need to know them right away. We need to be drawn in, then we can know them. You have an entire first act to show us the important details but you only have a few pages to get people to decide to go on that journey!
DeleteFor example, save the scar for later if the explanation doesn't fit. Better to tell us in its entirety than to give us something that makes us scratch our head.
So true! Would it be breaking the rules to post a revision now?
DeleteGive yourself some time and let it percolate. You have until Sunday. Try a few things and see what sticks!
DeleteHi Meredith--Thank you for sharing your writing with me. I'm a runner, so I fully appreciated your opening description, but I'm not sure if that's the place to put it. Other than the suggestion of your title and possibly the mysterious scar--I really didn't have much to anchor me into the the story. It felt typical and I want you to write a story that is going to capture and agent/editor's attention right out of the gate. I'm going to go out on a limb and suggest that you're beginning might not be in this section at all. The off to school story line is just too familiar to do your writing justice. When I was writing a story for a contest in my local newspaper, I wrote about a father dying in a hospital with his daughter there (a very real experience that I was fictionalizing) I didn't win the contest, but called to ask if I could have some feed back on my writing. I got lucky and was told my writing was good, but my topic was boring. It was a subject that lots of people wrote about and in order to do it successfully, I needed to step out of the box. That's what led me to write my book--hopefully I did what I intended LOL. I think you need to step outside the predictable. The scar caught my attention, but it was so fleeting. How does an every day girl get a scar like that and not know how it happened???? That is what I wanted to know. I'm sure you have lots more nuggets like that in your story. Pull them out--twist them on their side--come at them from a different direction. There is plenty of time to reel those thoughts in and revise them, but open yourself up to the fun of world building and imagination. I'm interested to see what you do with this. :o)
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ReplyDeleteHmm, Now I'm torn! I could do this:
ReplyDeleteMy feet pounded on the soft forest ground. Greenery rushed passed my peripheral. I dared not take my eyes off my feet, roots stuck out everywhere threatening my balance. I was three miles in when calm began to set. I turned off my mind, concentrating on the task at hand. I jumped over a fallen log, landing solidly on the other side. I made it to the concrete observation tower and as I do every day, checked my runner’s watch. I'd shaved a good eight minutes off yesterday's run. At this pace I was going to have to find a new, longer route. A dull thud was forming behind my temples. I paused to rub at the pain, but instead it grew into stabbing bolts of agony. I fell to my knees, begging for relief.
I didn’t hear the other runner until it was too late. He smacked into me with the force of a city bus and fell hard on the other side. He looked at me with eyes full of anger. I stood quickly, “Are you okay?” I managed to ask through the searing pain in my head. “Look, I’m really sorry,“ I said moving in to help him stand. He scurried back on his hands, staring wild eyed, past my shoulder. I turned quickly around to follow his gaze. A gust of wind blew past me, tossing my pony tail wildly about my face. I saw nothing out of the ordinary, just the lush greens and browns of the solemn forest. I drew my attention back to the other runner, but he was gone and surprisingly, so was the pain in my head.
I circled the tower, trying to seek out the man I had hopefully not injured. The usually buzzing forest had stilled, an eerie silence had set in. The hairs tingled at the base of my scalp, “Get a grip, Tessa,” I chastised myself out loud. I scanned the woods once more and called out, “Sorry - whoever you were.” I angled back down the trail and quickly made my way for home.
Or I could start in a completely different spot as Kimberly suggested! I don't know what to do!
I definitely like this one better. Now there are questions to be asked: Why the pain? Who's the other runner? (I'm assuming he's important to the rest of the story??) What did he see that made him scurry? Where did he go?
DeleteOne suggestion, if her head is in agony, I don't think she would/could stand quickly when he falls over her. Maybe she tries, but the pain is too much and she falls back down.
Also, I didn't catch this until just now, but 8 minutes to shave off a run in one day is an astronomical amount. My husband is a (great) runner and is thrilled when he can shave off 1. I'm going to (again) assume that it's important to the story, so is it a possibility that she be surprised that she shaved off 8? Since it's not really realistic so quickly and I would think it would help us understand how she identifies with herself. Like: "Wow, I just shaved off 8 minutes when I was hoping for 3, who knew I could do that??"
I don't know, really, just a suggestion. I read your reply to my first comment and I was just trying to think of ways to help you with the self-identity thing.
Oh! And I love the second description of new boy. I can get a much clearer picture of him.
It looks like you're on the right track! :)
I echo what much of everyone else has said here, and while I think your latest re-write is an improvement, there are still too many questions unanswered. Your first line is intriguing and draws me in, and you have a nice handle on description, but I think you should try another re-write using Kimberly's idea.
ReplyDeleteSuggestion: Since you want to keep the action in the opening, would it be possible to start with how Tessa receives the injury? Maybe you don't want to reveal that early on, but it might make for a better grabber and ultimately fit your premise and make the average reader more curious. Just a thought.
I like the new boy's description better as well. Hang on to that part.
Interesting. I can't explain the "injury" yet so I am going to take that out. However, you gave me an idea for a compromise on the rewrite. Thanks!
DeleteI can't wait to see this blossom! This is a wonderful workshop! Come Monday. there's going to be some great reading! :)
DeleteHi Meredith, I think your revisions sound great so far. I do like your descriptions of the forest and the high school, and the new scene with the guy is much better. The title made me curious, as I think we all need to see more griffins in books! I mean, I’m assuming there’ll be a griffin appearance? I did notice that you have many sentences that begin with “I…” telling us I did this, then I did that, then that, etc. After a while it begins to sound like a play-by-play. I’ve experienced this in my own writing as well, so I’ve become more aware of it and try to consciously avoid it. What might help is if you go through each paragraph and look specifically for sentences that begin that way (with “I…”) and rephrase them. Play around with them and rework them and I think you will have stronger paragraphs. The forest/mountain setting, the talk of her jeep that was old but sturdy, the mention of the fact that the MC hated school and felt like an outsider, and the intro of the new, hot boy with a young-looking dad did remind me a bit of Twilight as well. However I did enjoy the outdoor details, which I thought were vivid and nice. I look forward to your next revision.
ReplyDeleteMeredith, I'd love to see a totally different take on this just for comparison. Should be super easy to whip up. ;)
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ReplyDeleteI have an alternate composed. I heavily edited the first submission as well. Not sure if I should post the alternative now or wait until Sunday.
ReplyDeleteMeredith, I'm in the same predicament! I have two revisions, or at least beginnings of revisions, and am really struggling with which one to post! One includes more back story, which some people were asking for, the other is more of a mix of backstory and action. I actually did catch your revision before you deleted it. :)) I liked it better, as it kept my attention since it had more action, though I can't sufficiently comment on it without reading it through again.
DeleteUgh. I think we should just post both. It's a tough decision!
DeleteHahaha. Does it break the rules to email?
ReplyDeleteI am all for breaking the rules. I'd love to hear what you thought. You can send yours to me if you wish. I haven't commented on anyone else's yet. I think there's plenty of suggestions floating around as it is. I'm greene_family3 at yahoo dot com
ReplyDeleteHa! Rules are meant to be broken, yeah? I would love some feedback. I'll get it right over and look for your reply!
DeleteSounds good, I will be on the look out for it!
ReplyDeleteHi Meredith,
ReplyDeleteYou write nicely, and there are some good moments in here, especially once she gets to school. But right now, this story could be any story, and there's nothing real in here to anchor a reader and make them want to keep turning pages. I don't honestly even have anything to hook onto in terms of making a suggestion for improvement, because it doesn't feel like you've found a story yet -- apart maybe from the scars. Which--whoa! She has two huge scars and doesn't know how she got them? Is that why she was running, because she is scared of what happened to her, of what she doesn't know? Do her parents know about the scars? Does anyone?
Unless I'm reading too much into the scars, in which case, revisit where you put that in, I would maybe have her getting dressed and encountering the scars and show her reacting to them. What questions/feelings do they raise. Does she go run after that, pushing herself as if she's trying to push the questions away, the almost-memories, the fear of what she doesn't remember? But at the same time, if she doesn't remember, could it have happened on a previous run? Has that fear changed how she sees the woods, hears the sound of her heart and the thud of her footsteps?
I hope you see where I'm going with this. You need something unique to latch on to -- something that drives your character and becomes the story question. If there's something about her scar, something that has clearly happened in her life that's different, and then there's a creepy new family in town -- and a hot guy -- and maybe there's a connection between the two . . . Well, okay, now we have a reason to keep reading. Make the guy not hot to anyone but her, and I'm there. So there. As it is, a perfect guy. Ho hum. Perfection is kind of boring.
Sorry to put it this bluntly, but I'd rather see you fix this here than have to accept a lot of disappointment when you query. The market is really, really tough. It's flooded with paranormal. What can you do to make yours stand out?
Looking forward to finding out!
Best,
Martina
P.S. I didn't read anything except your original submission. I'm looking forward to reading the full revision when it is submitted on Sunday. :)
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